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During the past decade of his long and accomplished career, Kahn has traded in the often-lyrical palette of his earlier landscapes for an increasingly brash and assertive chromatic vision evidenced in electric hues ranging from acid yellow and hazard orange to saturated thalo blue. His most recent large-scale oils, depicting his favored subjects of barns and tree-lined fields and rivers, abound with visual energy. Art historian Sasha Nicholas puts Kahn in context with other artists and situates his recent work within his broader career. William C. 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While his works are in important collections, they have not yet received the close study of the artist s peers, such as Picasso, Braque, and Leger.  William C. Agee, a veteran museum curator and renowned scholar of twentieth-century American art, and scholar Pamela N. Koob take up the challenge in a lavishly illustrated volume, gathering together a selection of Max Weber s best cubist works. Close readings of Weber s paintings open the most complete survey to date of American cubism, with entries on key cubist works by Marsden Hartley, Stuart Davis, Hans Hofmann, Charles Sheeler, Morgan Russell, Stanton Macdonald-Wright, Alice Trumbull Mason, and David Smith, among many others. 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Paul Cézanne, Henri Matisse, Marcel Duchamp and Piet Mondrian as well as Josef Albers and Hans Hofmann became influential teachers (and eventually American citizens), impacting strongly on the likes of Stuart Davis and many others, who have not necessarily been compared or connected to the European art canon previously.   As a radical re-evaluation of art history from the early twentieth century to the late 1960s, this brilliant new account of American modernism is a must-read for students and scholars of art as well as all those interested in modernism and its wider cultural history.","brand":"WoB","offers":[{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":50268912976145,"sku":"GOR013906170","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50992019636497,"sku":"CIN0714869341VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51700641464593,"sku":"GOR010618651","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0714869341.jpg?v=1750913267"},{"product_id":"donald-judd-book-william-c-agee-9783893228782","title":"Donald Judd","description":null,"brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50468712939793,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50468715004177,"sku":"GOR007529669","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/3893228780.gif?v=1750967821"},{"product_id":"fairfield-porter-book-william-c-agee-9780943526256","title":"Fairfield Porter","description":null,"brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50936261083409,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":50936263606545,"sku":"CIN0943526256G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0943526256.jpg?v=1751045553"},{"product_id":"modern-art-in-america-1908-68-book-william-c-agee-9780714875248","title":"Modern Art in America 1908-68","description":"A radical re-evaluation of American modernism through four generations of artists and their work – now in paperback.  \"That rarity of rarities, an opinionated but not eccentric scholarly history by a veteran museum curator whose every page crackles with original thinking and bears the stamp of a preternaturally sharp eye? Excellent reproductions and crisp typography complement the lucid prose.\" —Wall Street Journal  Twentieth-century art in America has long been understood in two very separate distinct halves: pre-World War II, often considered as inferior and provincial; and the triumphant, international post-war work that made a complete break with everything that went before. Agee discovers exciting new connections between artists and artworks, which strongly suggest that 1945 was not such a dividing line in art history after all. 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