{"title":"William Grange","description":null,"products":[{"product_id":"cabaret-book-william-grange-9781350140257","title":"Cabaret","description":"\u003cp\u003eWhere did cabaret come from? What has it got to do with pre-war Berlin, decadent society and Nazis?  How does it turn into media cabaret and the sisterhood of sleaze? Is cabaret a primary vehicle for exploring the range of sexual practices and alternative sexual identities?\u003cbr\u003e\u003cbr\u003eIn this new book William Grange brings into one place for the first time the range of practices now associated with the form of cabaret.  Beginning with its origins in speciality German theatres and the development both of the sheet music industry and disc recordings, Grange tracks the form through into its golden age in the 1920s and beyond.\u003cbr\u003e\u003cbr\u003eThe book’s three sections deal first with the emergence of Berlin as the ‘German Chicago’, where cabaret flourished in the midst of post-war political turmoil.  The abolition of censorship allowed nude dancing and sexually explicit songs and routines.  It also saw the introduction of kick-line dancing and black performers.  \u003cbr\u003eIn the book’s second and third sections Grange takes the story forward into the post second-world-war world, describing how the form moved outwards from central Europe to move across the whole world, reaching Singapore and Australia, and as it did so settling into the range of forms in which we know it today.  Some of these forms became ‘media cabaret’ looking towards the new media age, the postmodernism that followed on from modernism.  To this age, even in its new forms, cabaret brought its old habits of making challenges to assumptions around gender identities and sexual practices.  As throughout its whole history, cabaret was a form that provided particular vehicles for female performers.  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The Cultural Chronicle of the Weimar Republic is an account of significant cultural events in Germany during the time of the Weimar Republic. Weimar, already a German cultural mecca because Goethe and Schiller had lived and worked there 120 years earlier, emerged as a unique and experimental culture. Weimar culture was responsible for producing such icons as actress Marlene Dietrich, novels like All Quiet on the Western Front, musicals like The Threepenny Opera, the political cabaret, the Bauhaus School, and films like The Cabinet of Dr. Caligari and Metropolis. There were hundreds of premieres, performance debuts, exhibitions, works of fiction, and other cultural events that marked the Republic as Western Civilization's first modernist society. Modernism took many forms: the Einstein Tower in Berlin, the symphonies of Paul Hindemith, the paintings of Max Beckmann, the drawings of K the Kollwitz, the novels of Alfred D blin, the industrial designs of Ferdinand Porsche, the choreography of Mary Wigman, the acting of Ernst Deutsch, the plays of Expressionism. The Cultural Chronicle of the Weimar Republic presents these and scores of other modernist inscriptions worthy of note, while providing notations that inform readers of connections among individuals, art works, related cultural activities, and significant political and economic developments.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":49802035069201,"sku":"CIN081085967XG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52149457649937,"sku":"NLS9780810859678","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":54107114078481,"sku":"NIN9780810859678","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/081085967X.jpg?v=1755498025"},{"product_id":"business-of-american-theatre-book-william-grange-9780367460204","title":"The Business of American Theatre","description":"'The Business of American Show Business' is a research guide to the history of producing theatre in the United States. 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There are writers in Austria and Switzerland that find other contradictions of contemporary life troubling, while some find them funny or even worth celebrating. German postwar literature has, in the minds of some observers, developed a kind of split personality. In view of the traumatic monstrosities of the previous century that development may seem logical to some. The Historical Dictionary of Postwar German Literature is devoted to modern literature produced in the German language, whether from Germany, Austria, Switzerland or writers using German in other countries. This volume covers an extensive period of time, beginning in 1945 at what was called zero hour for German literature and proceeds into the 21st century, concluding in 2008. This is done through a list of acronyms and abbreviations, a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on writers, such as Nobel Prize-winners Heinrich Boll, Gunter Grass, Elias Canetti, Elfriede Jelinek, and W. G. Sebald. 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There are writers in Austria and Switzerland that find other contradictions of contemporary life troubling, while some find them funny or even worth celebrating. German postwar literature has, in the minds of some observers, developed a kind of split personality. In view of the traumatic monstrosities of the previous century that development may seem logical to some. The A to Z of Postwar German Literature is devoted to modern literature produced in the German language, whether from Germany, Austria, Switzerland or writers using German in other countries. This volume covers an extensive period of time, beginning in 1945 at what was called zero hour for German literature and proceeds into the 21st century, concluding in 2008. This is done through a list of acronyms and abbreviations, a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on writers, such as Nobel Prize-winners Heinrich Boll, Gunter Grass, Elias Canetti, Elfriede Jelinek, and W. G. Sebald. 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Perhaps it was a propaganda tool, however only a tiny fraction of these productions were outright propagandist efforts. French playwright and filmmaker, Marcel Pagnol described laughter as a song of triumph. that] expresses the laugher's sudden discovery of his own momentary superiority over the person at whom he is laughing. That explains burst of laughter in all times in all countries. Hitler and his followers gladly embraced this triumphal expression. Yet, what did this laughter mean to the Nazi agenda and in what ways did it undermine its goals? Hitler Laughing offers insight into the world of comedy during the Third Reich and its role in the Nazi cultural agenda.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52120828576017,"sku":"NLS9780761833819","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780761833819.jpg?v=1786108142"},{"product_id":"historical-dictionary-of-german-theater-book-william-grange-9781442250192","title":"Historical Dictionary of German Theater","description":"Some authors strongly criticized attempts to rebuild a German literary culture in the aftermath of World War I, while others actively committed themselves to dealing with the German past. There are writers in Austria and Switzerland that find other contradictions of contemporary life troubling, while some find them funny or even worth celebrating. German postwar literature has, in the minds of some observers, developed a kind of split personality. 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The book contains highly informative chapters on theatre culture in the ancient classical world, the medieval period, the Italian Renaissance, classical Asia, German-speaking Europe, France to 1658, and England to 1642. \u003cbr\u003eFollowing a wide-ranging introduction, chapters allow the uninitiated reader straightforward access to well-researched material, often presented in a humorous and approachable fashion. Descriptions of films augment discussions of theatre, while an extended bibliography and comprehensive index assist the reader in making further inquiries. Each chapter features illustrations by Mallory Prucha, a designer and graphic illustrator who has received several awards at theatre conferences around the US. \u003cbr\u003eA Primer in Theatre History does not read like a scholarly tome. Its whimsical wrinkles offer readers a more contemporaneous view of theatre than is customary. 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Theatre was one of many German institutions experiencing profound change in the aftermath of World War I. Industrial comedy describes the most important and most predominant form of comedy on German stages from 1919 to 1933.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52473860489489,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52473861800209,"sku":"NLS9780313299834","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780313299834.jpg?v=1759840562"},{"product_id":"cabaret-book-william-grange-9781350140264","title":"Cabaret","description":"\u003cp\u003eWhere did cabaret come from? What has it got to do with pre-war Berlin, decadent society and Nazis?  How does it turn into media cabaret and the sisterhood of sleaze? Is cabaret a primary vehicle for exploring the range of sexual practices and alternative sexual identities?\u003cbr\u003e\u003cbr\u003eIn this new book William Grange brings into one place for the first time the range of practices now associated with the form of cabaret.  Beginning with its origins in speciality German theatres and the development both of the sheet music industry and disc recordings, Grange tracks the form through into its golden age in the 1920s and beyond.\u003cbr\u003e\u003cbr\u003eThe book’s three sections deal first with the emergence of Berlin as the ‘German Chicago’, where cabaret flourished in the midst of post-war political turmoil.  The abolition of censorship allowed nude dancing and sexually explicit songs and routines.  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