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Designed to guide film students through the 'texts' of a wide range of documentaries, his readings also focus on the achievements of these works as films per se.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49609191391505,"sku":"GOR005085875","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50953249423633,"sku":"CIN0521456819G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51003097874705,"sku":"NIN9780521456814","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52123151237393,"sku":"NLS9780521456814","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0521456819.jpg?v=1750911466"},{"product_id":"hitchcock-book-william-rothman-9780674404113","title":"Hitchcock","description":"First published in 1982, William Rothman's \u003ci\u003eHitchcock\u003c\/i\u003e is a classic work of film criticism. Written in an engaging style that is philosophically sophisticated yet free of jargon, and using over nine hundred images from the films to illustrate and back up its critical claims, the book follows six different Hitchcock films as they unfold, moment by moment, from first shot to last. \u003cp\u003e\u003c\/p\u003eIn addition to a thoughtful new preface and the original readings of \u003ci\u003eThe Lodger\u003c\/i\u003e (1927), \u003ci\u003eMurder \u003c\/i\u003e (1930), \u003ci\u003eThe 39 Steps\u003c\/i\u003e (1935), \u003ci\u003eShadow of a Doubt\u003c\/i\u003e (1943), and \u003ci\u003ePsycho\u003c\/i\u003e (1960), this expanded edition includes a groundbreaking new chapter--now the book's longest--on \u003ci\u003eMarnie\u003c\/i\u003e (1964), Hitchcock's most heartfelt yet most controversial film. Hitchcock never tired of quoting Oscar Wilde's line, And all men kill the thing they love. 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By attending to the films themselves and to the ways we experience them, rather than allowing some theory to dictate what to say about them, the book proves the fruitfulness of an approach that is open and responsive to the ways serious films are capable of teaching us how to think seriously about them.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":49892459282705,"sku":"CIN0674404114G","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50010396164369,"sku":"GOR002069956","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50270521688337,"sku":"CIN0674404114VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ WELL_READ \/ SBYB","offer_id":52104591868177,"sku":"CIN0674404114A","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0674404114.jpg?v=1750880235"},{"product_id":"reading-cavell-s-the-world-viewed-book-william-rothman-9780814328965","title":"Reading Cavell's the World Viewed","description":"In their study of one of Stanley Cavell's greatest yet most neglected books, William Rothman and Marian Keane address this eminent philosopher's many readers, from a variety of disciplines, who have neither understood why he has given film so much attention, nor grasped the place of \"\"The World Viewed\"\" within the totality of his writings about film. The authors also reintroduce \"\"The World Viewed\"\" to the field of film studies. When the new field entered universities in the late 1960s, it predicated its legitimacy on the conviction that the medium's artistic achievements called for serious criticism and on the corollary conviction that no existing field was capable of the criticism film called for. The study of film needed to found itself, intellectually, upon a philosophical investigation of the conditions of the medium and art of film. Such was the challenge \"\"The World Viewed\"\" took upon itself. However, film studies opted to embrace theory as a higher authority than our experiences of movies, divorcing itself from the philosophical perspective of self-reflection apart from which, \"\"The World Viewed\"\" teaches, we cannot know what movies mean, or what they are. 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The title should be useful to scholars and students of film and philosophy, and to those in other fields, such as literary studies and American studies, who have found Cavell's work provocative and fruitful.","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50361613025553,"sku":"CIN0814328962VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52483962011921,"sku":"NLS9780814328965","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814328962.jpg?v=1763224839"},{"product_id":"three-documentary-filmmakers-book-william-rothman-9781438425023","title":"Three Documentary Filmmakers","description":"Film study has tended to treat documentary as a marginal form, but as the essays in Three Documentary Filmmakers demonstrate, the films of Jean Rouch, Ross McElwee, and Errol Morris call for, and reward, the sort of criticism expected of serious works in any medium. 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The essays and other writings in this volume, presented in the order of their composition, range from major theoretical statements and extended critical studies of individual films or filmmakers to occasional pieces, all of which illuminate Cavell's practice of philosophy as it has developed in the more than three decades since the publication of The World Viewed. All periods of Cavell's career are represented, from the 1970s to the present, and the book includes many previously unpublished essays written since the early 1990s. In his introduction, William Rothman provides a useful and eloquent overview of Cavell's work on film and his aims as a philosopher more generally.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50972630155537,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50972633956625,"sku":"CIN0791464326VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":53224405074193,"sku":"CIN0791464326G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0791464326.jpg?v=1750913759"},{"product_id":"tuitions-and-intuitions-book-william-rothman-9781438475783","title":"Tuitions and Intuitions","description":"William Rothman has long been considered one of the seminal figures in the field of film-philosophy. 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By attending to the films themselves and to the ways we experience them, rather than allowing some theory to dictate what to say about them, the book proves the fruitfulness of an approach that is open and responsive to the ways serious films are capable of teaching us how to think seriously about them.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51026167660817,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51026169626897,"sku":"NIN9781438443164","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":51612527722769,"sku":"CIN1438443161G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52454474285329,"sku":"NLS9781438443164","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1438443161.jpg?v=1751403835"},{"product_id":"holiday-in-his-eye-book-william-rothman-9781438486062","title":"The Holiday in His Eye","description":"From The World Viewed to Cities of Words, writing about movies was strand over strand with Stanley Cavell's philosophical work. 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William Rothman has long been considered one of the seminal figures in the field of film-philosophy. From his landmark book Hitchcock: The Murderous Gaze, now in its second edition, to the essays collected here in Tuitions and Intuitions, Rothman has been guided by two intuitions: first, that his kind of film criticism is philosophy; and second, that such a marriage of criticism and philosophy has an essential part to play in the serious study of film. In this book, he aspires, borrowing a formulation from Emerson, to \"pay the tuition\" for these intuitions.  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