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He was widely imitated while at \u003ci\u003eMétal Hurlant\u003c\/i\u003e in the 1970s, was \"prominent among the spiritual fathers of the comic book rebels\" in the 1990s, and again an example for the independent artists identified as the \"new bande dessinée\" in France in the early 2000s. Featuring close readings of key texts, including \u003ci\u003eBlueberry\u003c\/i\u003e, the \u003ci\u003eAirtight Garage of Jerry Cornelius\u003c\/i\u003e, and \"The Long Tomorrow,\" this volume examines Moebius’s style and aesthetic achievement. Notably, this volume explores the tension between Giraud and Moebius—one name for westerns, the other for science fiction; one name for the domestic market, another as a global brand; one name for the brush, another for the pen; one for the mainstream and the other for the underground. 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