{"title":"Cinema And Technology","description":"\u003cp\u003eExplore the fascinating intersection of cinema and technology. From groundbreaking special effects to the digital revolution in filmmaking, delve into the books that explore this dynamic relationship. 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It is commonly argued that the changes to the technical apparatus of editing, the emergence of new systems for digital editing, have altered the basic identity or ontology of the cinema as an art. Such claims, it is argued in this book, are based on a misunderstanding of the relation between technology and technique, and more generally between the technical and the aesthetic. Applying recent theories of art, and employing specific concepts from philosophical aesthetics, an account of cinematic art is offered that can better accommodate the kinds of technical changes that have occurred in recent decades, with the advent of computer technology in the cinema. 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But was there ever a 'stable' moment in media history? \u003ci\u003eInventing Cinema\u003c\/i\u003eproposes to approach this question through an archaeology and epistemology of media machines. The archaeology analyses them as archives of users' gestures, as well as of modes of perception. The epistemology reconstructs the problems that the machines' designers and users have strived to solve, and the network of concepts they have elaborated to understand these problems. Drawing on the philosophy of technology and anthropology, \u003ci\u003eInventing Cinema\u003c\/i\u003eargues that networks of gestures, problems, perception and concepts are inscribed in vision machines, from the camera obscura to the stereoscope, the Cinématographe, and digital cinema. 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Instead, authors highlight the sense of 'fruitful uncertainty' in this period of media change and transformation. Subjects covered include visual and auditory style; the uses of speech, music, and noises; aesthetic conceptions in sound film theory; and intermedial aesthetics. 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