{"title":"Classics Textbooks","description":null,"products":[{"product_id":"virgil-aeneid-11-pallas-and-camilla-1-224-498-521-532-596-648-689-725-835-book-ingo-gildenhard-9781783746002","title":"Virgil, Aeneid 11, Pallas and Camilla, 1-224, 498-521, 532-596, 648-689, 725-835","description":"\u003cp\u003e\u003cstrong\u003eTailored to the OCR Latin AS and A Level specifications from 2019-2021\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eA dead boy (Pallas) and the death of a girl (Camilla) loom over the opening and the closing part of the eleventh book of the \u003cem\u003eAeneid\u003c\/em\u003e. Following the savage slaughter in \u003cem\u003eAeneid \u003c\/em\u003e10, the book opens in a mournful mood as the warring parties revisit yesterday's killing fields to attend to their dead. One casualty in particular commands attention: Aeneas' prot g  Pallas, killed and despoiled by Turnus in the previous book. His death plunges his father Evander and his surrogate father Aeneas into heart-rending despair - and helps set up the foundational act of sacrificial brutality that caps the poem, when Aeneas seeks to avenge Pallas by slaying Turnus in wrathful fury. Turnus' departure from the living is prefigured by that of his ally Camilla, a maiden schooled in the martial arts, who sets the mold for warrior princesses such as Xena and Wonder Woman. In the final third of \u003cem\u003eAeneid \u003c\/em\u003e11, she wreaks havoc not just on the battlefield but on gender stereotypes and the conventions of the epic genre, before she too succumbs to a premature death. In the portions of the book selected for discussion here, Virgil offers some of his most emotive (and disturbing) meditations on the tragic nature of human existence - but also knows how to lighten the mood with a bit of drag.\u003c\/p\u003e\u003cp\u003eThis course book offers the original Latin text, vocabulary aids, study questions, and an extensive commentary. Designed to stretch and stimulate readers, Ingo Gildenhard's volume will be of particular interest to students of Latin studying for A-Level or on undergraduate courses. 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Notwithstanding the warnings of the seer Tiresias and the cautionary tale of a character Acoetes (perhaps Bacchus in disguise), who tells of how the god once transformed a group of blasphemous sailors into dolphins, Pentheus refuses to acknowledge the divinity of Bacchus or allow his worship at Thebes. Enraged, yet curious to witness the orgiastic rites of the nascent cult, Pentheus conceals himself in a grove on Mt. Cithaeron near the locus of the ceremonies. 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