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Contributors cite both domestic and foreign films to demonstrate the generic and transnational impact of Golden Age cinema, sometimes calling into question the very integrity of \"\"national cinema\"\" in light of the workings of a transcultural cinema sphere during that era.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50279667663121,"sku":"CIN0814332536G","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50976273170705,"sku":"CIN0814332536VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52333123600657,"sku":"NLS9780814332535","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814332536.jpg?v=1763485009"},{"product_id":"new-latin-american-cinema-vol-1-book-michael-t-martin-9780814325858","title":"New Latin American Cinema Vol. 1","description":"Mapping the historical and cultural contexts of film practices in Latin America, this two-volume collection of programmatic statements, essays and interviews is devoted to the study of a theorized, dynamic and unfinished cinematic movement. Forged by Latin America's post-colonial environment of underdevelopment and dependency, the New Latin American Cinema movement has sought to inscribe itself in Latin America's struggles for cultural and economic autonomy. \"\"Volume One\"\" - this work - explores the formation of the New Latin American Cinema movement, its national and continental implications (including the diasporic\/exilic experience) and transcontinental articulations through the writings of pioneer film-makers and scholars. Glauber Rocha, Julio Garcia Espinosa, Jorge Sanjines, Fernando Solanas and Octavio Getino address the central question of the Latin American aesthetic - a particular style and production method connected with the political and social conditions and circumstances of Latin America. Ana Lopez, Julianne Burton and Michael Chanan examine the movement's formation in the 1950s and its development through the 1980s in a socio-historical context, paying special attention to modes of production and consumption. Paul Willemen assesses the movement's relevance to radical film practice and theory in the First and Third Worlds, and Antonio Skarmeta calls for a distribution network of Third World Cinema on a pan-European level. The volume concludes with essays by Ruby Rich and Zuzana M. Pick who address, from widely different approaches, the issues of the movement's adaptability, renovation and identity, in consideration of its evolution since the 1950s. \"\"Volume Two\"\" comprises essays on the development of the New Latin American Cinema as a comparative national project. Essays are grouped by nation into two regions - Middle and Central America and Caribbean and South America - for comparitive study, particularly between capitalist and post-revolutionary socialist formations. The selected essays examine the relationship between cinema and nationhood and the ambiguous categories of culture, identity and nation within the socio-historical specificities of the movement's development, especially in Cuba, Brazil, Mexico, Chile and Argentina. This collection should serve as an essential reference and research tool for the study of world cinema. The collection, while celebrating the diversity and innovation of the New Latin American Cinema, explicates the historical importance of filmmaking as a cultural form and political practice in Latin America.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50324211400977,"sku":"CIN0814325858G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":50415837511953,"sku":"GOR006048680","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50438207111441,"sku":"GOR004284722","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50702383513873,"sku":"CIN0814325858VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52485551489297,"sku":"NLS9780814325858","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814325858.jpg?v=1763221579"},{"product_id":"gene-tierney-book-will-scheibel-9780814348215","title":"Gene Tierney","description":"Gene Tierney may be one of the most recognizable faces of studio-era Hollywood: she starred in numerous classics, including Leave Her to Heaven, The Ghost and Mrs. Muir, and Laura, with the latter featuring her most iconic role. While Tierney was considered one of the most beautiful women in Hollywood, she personified \"ordinariness\" both on- and off-screen. Tierney portrayed roles such as a pinup type, a wartime worker, a wife, a mother, and, finally, a psychiatric patient—the last of which may have hit close to home for her, as she would soon leave Hollywood to pursue treatment for mental illness and later attempted suicide in the 1950s. After her release from psychiatric clinics, Tierney sought a comeback as one of the first stars whose treatment for mental illness became public knowledge. In this book, Will Scheibel not only examines her promotion, publicity, and reception as a star but also offers an alternative history of the United States wartime efforts demonstrated through the arc of Tierney's career as a star working on the home front. Scheibel's analysis aims to showcase that Tierney was more than just \"the most beautiful woman in movie history,\" as stated by the head of production at Twentieth Century Fox in the 1940s and 1950s. He does this through an examination of her making, unmaking, and remaking at Twentieth Century Fox, rediscovering what she means as a movie legend both in past and up to the present. Film studies scholars, film students, and those interested in Hollywood history and the legacy of Gene Tierney will be delighted by this read.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50329976242449,"sku":"CIN0814348211G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52144449093905,"sku":"NLS9780814348215","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ LIKE_NEW \/ SBYB","offer_id":52888897618193,"sku":"CIN0814348211LN","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":53346046705937,"sku":"GOR014864225","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814348211.jpg?v=1754250608"},{"product_id":"imitations-of-life-book-marcia-landy-9780814320655","title":"Imitations of Life","description":"Marcia Landy has gathered thirty-seven important essays on film and melodrama that have appeared in books and journals over the last two decades. In her introduction to the book, Landy explores the recent interest in the genre in relation to theoretical work in psychoanalysis and semiotics, setting the stage for the essays that follow.  The book's seven sections examine the history of melodrama, its emphasis on emotional excess, its manicheanism, and its dependence on non-verbal strategies to communicate. Essays focus on the family melodramas of the 1950s, the role of Hollywood directors and stars in the development of the genre, and melodrama in the silent films and on television. The book concludes with an exploration of the use of melodrama in European and Latin American cinema, both silent and sound.  Imitations of Life thus provides a variety of perspectives-chronological, theoretical, and international-on the genre while investigating its cultural, social, and political significance.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50361469960465,"sku":"CIN0814320651G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":52109066305809,"sku":"GOR008126796","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52139289772305,"sku":"NLS9780814320655","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814320651.jpg?v=1754232181"},{"product_id":"reading-cavell-s-the-world-viewed-book-william-rothman-9780814328965","title":"Reading Cavell's the World Viewed","description":"In their study of one of Stanley Cavell's greatest yet most neglected books, William Rothman and Marian Keane address this eminent philosopher's many readers, from a variety of disciplines, who have neither understood why he has given film so much attention, nor grasped the place of \"\"The World Viewed\"\" within the totality of his writings about film. The authors also reintroduce \"\"The World Viewed\"\" to the field of film studies. When the new field entered universities in the late 1960s, it predicated its legitimacy on the conviction that the medium's artistic achievements called for serious criticism and on the corollary conviction that no existing field was capable of the criticism film called for. The study of film needed to found itself, intellectually, upon a philosophical investigation of the conditions of the medium and art of film. Such was the challenge \"\"The World Viewed\"\" took upon itself. However, film studies opted to embrace theory as a higher authority than our experiences of movies, divorcing itself from the philosophical perspective of self-reflection apart from which, \"\"The World Viewed\"\" teaches, we cannot know what movies mean, or what they are. Rothman and Keane now argue that the poststructuralist theories that dominated film studies for a quarter of a century no longer compel conviction, Cavell's brilliant and beautiful book can provide a sense of liberation to a field that has foresaken its original calling. Read in a way that acknowledges its philosophical achievement, \"\"The World Viewed\"\" can show the field a way to move forward by rediscovering its passion for the art of film. The title should be useful to scholars and students of film and philosophy, and to those in other fields, such as literary studies and American studies, who have found Cavell's work provocative and fruitful.","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50361613025553,"sku":"CIN0814328962VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52483962011921,"sku":"NLS9780814328965","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814328962.jpg?v=1763224839"},{"product_id":"sugar-spice-and-everything-nice-book-frances-gateward-9780814329184","title":"Sugar, Spice, and Everything Nice","description":"From \"\"The Wizard of Oz\"\" to \"\"Lolita\"\", from \"\"Heathers\"\" to \"\"Spice Girls - The Movie\"\", images of girlhood have been projected on the silver screen in myriad ways. Films have depicted society's problematic expectations of girls together with the dreams, anxieties and tensions experienced by girls themselves. In examining the construction of girlhood from many angles, this collection of essays attempts to capture the richness of meaning behind \"\"girl films\"\", but also explores the recent resurgence of youth-orientated cinema and the relationship of young female viewers to that medium. The 20 essays approach the construction of girlhood from a variety of perspectives, including reception, production, star images and textual analyses, while exploring such topics as star power, the Riot Grrrl movement, coming of age and loss of innocence. Among the characters given special attention are those in \"\"Gidget\"\", \"\"Crooklyn\"\", \"\"Titanic\"\", \"\"Freeway\"\" and \"\"Girls Town\"\". 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Toles examines important homes - from the cottage in \"\"Random Harvest\"\" to the foreboding Bates house in \"\"Psycho\"\" - to suggest that the house of film is a frame we long to enter in the spirit of homecoming but one that we cannot possess any more securely than the lost home of our beginnings.","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50361625444625,"sku":"CIN0814329454VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814329454.jpg?v=1751043690"},{"product_id":"hidden-light-book-dan-chyutin-9780814350676","title":"Hidden Light","description":"Over the past several decades, the prevailing attitude toward Judaism in Israeli society has undergone a meaningful shift; where the national ethos had once deemed Judaic traditions a vestige of an arcane past incompatible with the culture of a modern state, there is now greater acceptance of these traditions by a sizeable part of Israeli society. Author Dan Chyutin reveals this trend through a parallel shift toward acceptance and celebration of Judaic identity and lifestyle in modern Israeli cinema. Hidden Light explores the Judaic turn in contemporary Israeli filmmaking for what it can tell us about Israel's cultural landscape, as well as about the cinematic medium in general. Chyutin points to the ambivalence of films which incorporate Judaism into Israel's secular ethos; concurrently, he foregrounds the films' attempt to overcome this ambivalence through reference to and activation of experiences of transcendence and unity, made popular by New Age–inflected understandings of Jewish mystical thought. 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Horror is one of the most studied genres in cinema, yet none of the many books on the subject focus on films or traditions outside the United States or the United Kingdom. While Italian, Japanese, Mexican, German, and Hong Kong horror films have received a modicum of critical recognition, the areas of Egyptian, Romanian, Belgian, Dutch, New Zealand, and Thai horror all still need - in fact, demand - some attention. Horror International seeks to rectify this by giving the global perspectives and cross-cultural dynamics of world horror cinema its due. This groundbreaking collection of eighteen original essays examine a myriad of films, showing how each draws from Hollywood horror conventions and also local cinematic traditions, local folklore, and national historical and cultural concerns. The production, marketing, and reception of various national cinemas are also addressed, demonstrating how these films are understood by different audiences worldwide. This in turn sheds new light on the original cultural production of many works and their subsequent \"\"translations\"\" and meanings in different national contexts. The diverse and highly informative essays in Horror International will engross both scholars and fans of horror films and finally illuminate the distinct multicultural factors of this exciting cinematic genre.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50367535612177,"sku":"CIN0814331017G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50811967275281,"sku":"CIN0814331017VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51871505711377,"sku":"GOR014438310","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52480156172561,"sku":"NLS9780814331019","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814331017.jpg?v=1763222697"},{"product_id":"where-the-boys-are-book-murray-pomerance-9780814331156","title":"Where the Boys Are","description":"The development of young masculine sexuality is still a cultural taboo of sorts, and until now there has been little scholarship available that discusses aspects of boyhood and its relation to cinema - in particular, the process whereby masculinities are socially, historically, economically, aesthetically, and psychologically created in male coming-of-age as depicted onscreen. Where the Boys Are, Cinemas of Masculinity and youth scrutinizes a broad corpus of films about boyhood within a cross-genre, trans-historical, cross-cultural framework. Unlike the filmic investigations before it, this book is not restricted to examining boys as agents of violence, aggression, and withdrawal; or as routinely glossed agents of romance or victims of comedic ridicule. Where the Boys Are is divided into three sections: Archetypes and Facades includes essays that examine historically central typifications of boyhood, the most accessible categories for seeing and understanding boy characters; essays in Bonds and Beautifications analyze the ways boys establish images of themselves and identify with one another in affiliation or love; and essays in Struggles and Redefinitions explore the way boys are depicted in film as aligning themselves in relation to people, forces, ideas, and situations. Using the most current and diverse critical methods, Where the Boys Are is a crucial resource for film scholars and students at any level, and is also the perfect companion to Gateward and Pomerance's Sugar, Spice, and Everything Nice. Cinemas of Girlhood (Wayne State University Press, 2002).","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50367542788369,"sku":"CIN0814331157G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52485995594001,"sku":"NLS9780814331156","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814331157.jpg?v=1763472583"},{"product_id":"script-culture-and-the-american-screenplay-book-kevin-alexander-boon-9780814332634","title":"Script Culture and the American Screenplay","description":"By considering the screenplay as a literary object worthy of critical inquiry, this volume breaks new ground in film studies.Though the history of the screenplay is as long and rich as the history of film itself, critics and scholars have neglected it as a topic of serious research. \"\"Script Culture and the American Screenplay\"\" treats the screenplay as a literary work in its own right, presenting analyses of screenplays from a variety of frameworks, including feminism, Marxism, structuralism, philosophy, and psychology. In distancing the text of screenplays from the on-screen performance typically associated with them, Kevin Alexander Boon expands the scope of film studies into exciting new territory with this volume.\"\"Script Culture and the American Screenplay\"\" is divided into two parts. Part 1 provides a general background for screenplay studies, tracing the evolution of the screenplay from the early shot lists and continuities of George Melies and Thomas Harper Ince to the more detailed narratives of contemporary works. Part 2 offers specific, primarily thematic, critical examinations of screenplays, along with discussions of the original screenplay and the screenplay adaptation. In all, Boon explains that screenplay criticism distinguishes itself from traditional film studies in three major ways. The primary focus of screenplay criticism is on the screenplay rather than the film, the focus of screenplay studies is on the screenwriter rather than the director, and screenplay criticism, like literary criticism, is written to illuminate a reader's understanding of the text.Boon demonstrates that whether we are concerned with aesthetics and identifying rules for distinguishing the literary from the non-literary, or whether we align ourselves with more contemporary theories, which recognize texts as distinguishable in their interrelationships and marked difference, screenplays constitute a rich cache of works worthy of critical examination. Film scholars as well as students of film, creative writing, and literary studies will appreciate this singular volume.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50367585288465,"sku":"CIN0814332633G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50367588696337,"sku":"CIN0814332633VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51691081400593,"sku":"GOR014363279","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52486568542481,"sku":"NLS9780814332634","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814332633.jpg?v=1763222431"},{"product_id":"reclaiming-the-archive-book-vicki-callahan-9780814333006","title":"Reclaiming the Archive","description":"This title illustrates the rich relationship between film history and feminist theory. \"\"Reclaiming the Archive: Feminism and Film History\"\" brings together a diverse group of international feminist scholars to examine the intersections of feminism, history, and feminist theory in film. Editor Vicki Callahan has assembled essays that reflect a range of methodological approaches - including archival work, visual culture, reception studies, biography, ethno-historical studies, historiography, and textual analysis - by a diverse group of film and media studies scholars to prove that feminist theory, film history, and social practice are inevitably and productively intertwined. Essays in \"\"Reclaiming the Archive\"\" investigate the different models available in feminist film history and how those feminist strategies might serve as paradigmatic for other sites of feminist intervention. Chapters have an international focus and range chronologically from early cinema to post-feminist texts, organized around the key areas of reception, stars, and authorship. There is a final section that examines the very definitions of feminism (post-feminism), cinema (transmedia), and archives (virtual and online) in place today. The essays in \"\"Reclaiming the Archives\"\" prove that a significant heritage of film studies lies in the study of feminism in film and feminist film theory. Scholars of film history and feminist studies will appreciate the breadth of work in this volume.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50367621431569,"sku":"CIN0814333001G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51145839477009,"sku":"CIN0814333001VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52405208809745,"sku":"NLS9780814333006","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":52726395633937,"sku":"GOR014601279","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814333001.jpg?v=1763485142"},{"product_id":"millennial-masculinity-book-timothy-shary-9780814334355","title":"Millennial Masculinity","description":"In virtually every aspect of culture—health, marriage, family, morals, politics, sex, race, economics—American men of the past two decades have faced changing social conditions and confronted radical questions about themselves. In Millennial Masculinity: Men in Contemporary American Cinema, editor Timothy Shary collects fourteen contributions that consider male representation in films made at the turn of the century to explore precisely how those questions have been dealt with in cinema. Contributors move beyond the recent wave of “masculinity in crisis” arguments to provide sophisticated and often surprising insight into accessible films.    Chapters are arranged in four sections: “Performing Masculinity” includes a discussion of Adam Sandler and movies such as Milk; “Patriarchal Problems” looks at issues of fathers from directors such as Martin Scorsese, Wes Anderson, and David Fincher; “Exceptional Sexualities” examines male love and sex through movies like Brokeback Mountain and Wedding Crashers; and “Facing Race” explores masculinity through race in film. Sean Penn, Jackie Chan, Brad Pitt, Will Smith, and Philip Seymour Hoffman are some of the actors included in these analyses, while themes considered include police thrillers, psychotic killers, gay tensions, fashion sense, and the burgeoning “bromance” genre.    Taken together, the essays in Millennial Masculinity shed light on the high stakes of masculine roles in contemporary American cinema. Film and television scholars as well as readers interested in gender and sexuality in film will appreciate this timely collection.   Contributors: Caetlin Benson-Allott, Mike Chopra-Gant, Melvin Donalson, Mark Gallagher, David Greven, Claire Sisco King, Neal King, Gina Marchetti, R. 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Christoph Hochhäusler, the movement’s keenest spokesperson, stated that \"\"the Berlin School, despite what the label suggests, is not a specifically German phenomenon. All over the world there are filmmakers exploring related terrain.\"\" In response to this \"\"transnational turn,\"\" editors Marco Abel and Jaimey Fisher have assembled a group of scholars who examine global trends and works associated with the Berlin School.  The goal of the collection is to understand the Berlin School as a fundamental part of the series of new wave films around the globe, especially those from the traditional margins of world cinema. For example, Michael Sicinski and Lutz Koepnick explore the relation of the Berlin School to cinema of Southeast Asia, including Apichatpong Weerasethakul and Tsai Ming-liang; Ira Jaffe and Roger Cook take a look at Middle Eastern film, with Nuri Bilge Ceylan and Abbas Kiarostami, respectively. The volume also includes essays engaging with North American filmmakers like Kelly Reichardt and Derek Cianfrance as well as European auteurs like Antonioni, Tarr, Porumboiu, McQueen, and the Dardennes. Bringing German cinema into dialogue with this series of global cinemas emphasizes how the Berlin School manifests—whether aesthetically or thematically, politically or historically—a balancing of national particularity with global flows of various sorts. Abel and Fisher posit that since the vast majority of the films are available with English subtitles (and at times also in other languages) and recent publications on the subject have established critical momentum, this exciting filmmaking movement will continue to branch out into new directions and include new voices.  The Berlin School and Its Global Contexts folds German-language cinema back into conversations with international as well as transnational cinema. This volume will be of great interest to scholars of German and global cinema.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50367768199441,"sku":"CIN0814342000G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52138700308753,"sku":"NLS9780814342008","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814342000.jpg?v=1763474303"},{"product_id":"chilean-cinema-in-the-twenty-first-century-world-book-carl-fischer-9780814346822","title":"Chilean Cinema in the Twenty-First-Century World","description":"Focusing on films from Chile since 2000 and bringing together scholars from South and North America, Chilean Cinema in the Twenty-First-Century World is the first English-language book since the 1970s to explore this small, yet significant, Latin American cinema. The volume questions the concept of \"national cinemas\" by examining how Chilean film dialogues with trends in genre-based, political, and art-house cinema around the world, while remaining true to local identities. Contributors place current Chilean cinema in a historical context and expand the debate concerning the artistic representation of recent political and economic transformations in contemporary Chile.  Chilean Cinema in the Twenty-First-Century World opens up points of comparison between Chile and the ways in which other national cinemas are negotiating their place on the world stage. The book is divided into five parts. \"Mapping Theories of Chilean Cinema in the World\" examines Chilean filmmakers at international film festivals, and political and affective shifts in the contemporary Chilean documentary. \"On the Margins of Hollywood: Chilean Genre Flicks\" explores on the emergence of Chilean horror cinema and the performance of martial arts in Chilean films. \"Other Texts and Other Lands: Intermediality and Adaptation Beyond Chile(an Cinema)\" covers the intermedial transfer from Chilean literature to transnational film and from music video to film. \"Migrations of Gender and Genre\" contrasts films depicting transgender people in Chile and beyond. \"Politicized Intimacies, Transnational Affects: Debating (Post)memory and History\" analyzes representations of Chile's traumatic past in contemporary documentary and approaches mourning as a politicized act in postdictatorship cultural production.  Intended for scholars, students, and researchers of film and Latin American studies, Chilean Cinema in the Twenty-First-Century World evaluates an active and emergent film movement that has yet to receive sufficient attention in global cinema studies.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50367828951313,"sku":"CIN0814346820G","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52687307800849,"sku":"NLS9780814346822","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814346820.jpg?v=1763220934"},{"product_id":"construction-of-testimony-book-erin-mcglothlin-9780814347348","title":"The Construction of Testimony","description":"In The Construction of Testimony: Claude Lanzmann's Shoah and Its Outtakes, editors Erin McGlothlin, Brad Prager, and Markus Zisselsberger gather contributions on how Shoah (1985) fundamentally changed the nature and use of filmed testimony and laid the groundwork for how historians and documentarians regard and understand the history of the Holocaust. Critics have taken long note of Shoah's innovative style and its place in the history of documentary film and in cultural memory, but few scholars have touched on its extensive outtakes and the reams of documentation archived at the United States Holocaust Memorial Museum and at Yad Vashem, or the release of five feature-length documentaries based on the material in those outtakes.  The Construction of Testimony, which contains thirteen essays by some of the most notable scholars in Holocaust film studies, reexamines Lanzmann's body of work, his film, and the impact of Shoah through this trove-over 220 hours-of previously unavailable and unexplored footage. Responding to the need for a sustained examination of Lanzmann's impact on historical and filmic approaches to testimony, this volume inaugurates a new era of scholarship, one that takes a critical position vis-à-vis the filmmaker's posturing, stylization, and editorial sleight-of-hand. The volume's contributors engage with a range of dimensions central to Lanzmann's filmography and the outtakes, including the dynamics of gender in his work, his representation of Nazi perpetrators, and complex issues of language and translation. In light of Lanzmann's invention of a radically new form of witnessing and remembrance, Shoah laid the framework for the ways in which subsequent filmmakers have represented the Holocaust cinematically; at the same time, the outtakes complicate this framework by revealing new details about the filmmaker's complex editorial choices. Scholars and students of film studies and Holocaust studies will value this close analysis.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50367869288721,"sku":"CIN0814347347G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52654234698001,"sku":"NLS9780814347348","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814347347.jpg?v=1763222784"},{"product_id":"resetting-the-scene-book-philippa-gates-9780814347799","title":"Resetting the Scene","description":"More than a century after its emergence, classical Hollywood cinema remains popular today with cinephiles and scholars alike. 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Part 5 offers novel perspectives on the representation of race, in regard to censorship, musicals, film noir, and science fiction. Part 6 illuminates forgotten histories of women's labor in terms of wartime propaganda, below-the-line work, and the evolution of star persona. Part 7 explores the demise of the studio system but also the endurance of classical norms in auteur cinema and screenwriting in the post-classical era. Part 8 highlights new methods for studying Hollywood cinema, including digital resources as tools for writing history and analyzing films, and the intersection of film studies with emergent fields like media industry studies. Intended for scholars and students of Hollywood film history, Resetting the Scene intersects with numerous fields consonant with film studies, including star studies, media industry studies, and critical race theory.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50367882166545,"sku":"CIN0814347797G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52475696152849,"sku":"NLS9780814347799","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814347797.jpg?v=1763478078"},{"product_id":"recollecting-collecting-book-lucy-fischer-9780814348550","title":"Recollecting Collecting","description":"This intriguing volume sheds light on the diverse world of collecting film- and media-related materials. Lucy Fischer's introduction explores theories of collecting and representations of collecting and collections in film, while arguing that collections of film ephemera and other media-related collections are an important way in to understanding the relationship between material culture and film and media studies; she notes that the collectors have various motivations and types of collections. In the eleven chapters that follow, media studies scholars analyze a variety of fascinating collected materials, from Doris Day magazines to Godzilla action figures and LEGOs.  While most contributors discuss their personal collections, some also offer valuable insight into specific collections of others. In many cases, collections that began as informal and personal have been built up, accessioned, and reorganized to create teaching and research materials which have significantly contributed to the field of film and media studies. Readers are offered glimpses into diverse collections comprised of films, fan magazines, records, comics, action figures, design artifacts, costumes, props– including Buffy the Vampire Slayer costumes, Planet of the Apes publicity materials, and Amazing Spider Man comics. Recollecting Collecting interrogates and illustrates the meaning and practical nature of film and media collections while also considering the vast array of personal and professional motivations behind their assemblage.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50367903498513,"sku":"CIN0814348556G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50367906251025,"sku":"CIN0814348556VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52687047786769,"sku":"NLS9780814348550","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814348556.jpg?v=1754232320"},{"product_id":"there-she-goes-book-corinn-columpar-9780814333907","title":"There She Goes","description":"Following in the footsteps of the filmmakers whose work it features-including Miranda July, Janie Geiser, Tracey Moffatt, Sally Potter, Cindy Sherman, Samira Makhmalbaf, Sadie Benning, Agnès Varda, Kim Longinotto, and Michelle Citron-There She Goes: Feminist Filmmaking and Beyond seeks to make trouble not only in the archives but also at the boundaries between artistic, industrial, political, critical, and disciplinary practices. Editors Corinn Columpar and Sophie Mayer have assembled scholarship that responds to women's work in the interstices between different branches of the film industry, modes of filmmaking, national or transnational contexts, exhibition media, and varieties of visual representation in order to assess the exchanges such work enables.  Essays in the first three sections of There She Goes explore connections at the level of curation and exhibition, while the subsequent four consider local connections such as those between the film and the audience or between works within an oeuvre, down to those occurring on the surface of the film. Contributors reach beyond traditional screen cinema to interact with a larger field of artistic production, including still photography, music videos, installation art, digital media, performance art, and dance. Essays also pay particular attention to a variety of contextual factors that have shaped women's filmmaking, from the conditions of production and circulation to engagement with various social movements and critical traditions, including, but not limited to, feminism.  By foregrounding fluidity, There She Goes presents a an exciting new appraisal of feminist film culture, as well as the intellectual and affective potential it holds for filmmakers and filmgoers alike. Scholars of film and television studies and gender studies will appreciate the fresh outlook of There She Goes.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50411598709009,"sku":"GOR008623064","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52333001703697,"sku":"NLS9780814333907","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814333907.jpg?v=1763222995"},{"product_id":"vincente-minnelli-book-joe-mcelhaney-9780814333075","title":"Vincente Minnelli","description":"This book offers a comprehensive scholarly examination of Vincente Minnelli, one of American cinema's central filmmakers.Widely known for innovative films like \"\"Meet Me in St. Louis\"\", \"\"An American in Paris\"\", and \"\"The Band Wagon\"\", Vincente Minnelli also directed classic film comedies like \"\"Father of the Bride\"\" and \"\"Designing Woman\"\", and melodramas such as \"\"The Bad and the Beautiful\"\" and \"\"Some Came Running\"\". Though his work is beloved by filmmakers and audiences alike, Minnelli has nonetheless received very little critical attention in English. \"\"Vincente Minnelli: The Art of Entertainment\"\" remedies this imbalance, offering the first-ever comprehensive and scholarly examination of Minnelli's career within a variety of discourses and methods.Bringing together a number of previously uncollected and untranslated essays by some of the most important scholars and critics in North America, Australia, and Europe, \"\"Vincente Minnelli: The Art of Entertainment\"\" places Minnelli's cinema in its rightful position at the forefront of film history. In essays written over the last five decades, as well as a number of new essays commissioned especially for this volume, contributors consider Minnelli from a number of perspectives from auteurism to genre studies and psychoanalysis to close textual analysis.The volume is divided into four chronological sections, Minnelli in the 1960s: The Rise and Fall of an Auteur; The 1970s and 1980s: Genre, Psychoanalysis, and Close Readings; The 1990s: Matters of History, Culture, and Sexuality; and, Minnelli Today: The Return of the Artist. An introduction by Joe McElhaney addresses the history of the reception of Minnelli's films, situating this reception within larger questions of film theory, criticism, and aesthetics.Too often dismissed as little more than a stylist dependent on the resources of the studio system and the structures of genre, Vincente Minnelli deserves a second look from serious film scholars. \"\"Vincente Minnelli: The Art of Entertainment\"\" demonstrates the remarkable and sustained rigor of Minnelli's vision and will appeal to students and teachers of film studies as well as fans of Minnelli's work.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50467533291793,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50467535388945,"sku":"GOR013788764","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":51735058514193,"sku":"CIN0814333079G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51903778849041,"sku":"CIN0814333079VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52480979370257,"sku":"NLS9780814333075","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814333079.jpg?v=1763222425"},{"product_id":"montgomery-clift-queer-star-book-elisabetta-girelli-9780814335147","title":"Montgomery Clift, Queer Star","description":"Strikingly beautiful and exceptionally talented, Montgomery Clift was at the peak of his fame in 1956 when a devastating car crash nearly destroyed his face. While this traumatic event robbed him of his heartthrob status and turned him into a somewhat disturbing, socially alienated character, author Elisabetta Girelli argues that Clift had always combined on-screen erotic ambiguity with real-life sexual nonconformity. In Montgomery Clift, Queer Star she maps the development of Clift's subversive image over the span of his entire career, approaching Clift as a queer signifier who defied normative cultural structures.   From the sexually ambivalent \"\"beautiful boy\"\" of his early films, to the seemingly asexual, transgressive, and often distressed man of his last years, Girelli argues that Clift shows remarkable consistency as a star: his presence always challenges established notions of virility, sexuality, and bodily \"\"normality.\"\" Girelli's groundbreaking analysis uses queer theory to assess Clift's disruptive legacy, engaging with key critical concepts such as the closet, performativity, queer shame, crip theory, and queer temporality. She balances theoretical frameworks with extensive close readings of his performances and a consideration of how Clift's personal life, and public perceptions of it, informed his overall image as a deviant star and man.   Montgomery Clift, Queer Star offers a comprehensive critical assessment of Clift through classic texts of queer criticism, as well as new interventions in the field. Scholars of gender and film, performance studies, queer and sexuality studies, and masculinity studies will appreciate this compelling study.","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50477398524177,"sku":"CIN0814335144VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52485331386641,"sku":"NLS9780814335147","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814335144.jpg?v=1763476497"},{"product_id":"transforming-harry-book-john-alberti-9780814342862","title":"Transforming Harry","description":"Transforming Harry: The Adaptation of Harry Potter in the Transmedia Age is an edited volume of eight essays that look at how the cinematic versions of the seven Harry Potter novels represent an unprecedented cultural event in the history of cinematic adaptation.  The movie version of the first Harry Potter book, Harry Potter and the Sorcerer's Stone, premiered in 2001, in between publication of the fourth and fifth books of this global literary phenomenon. As a result, the production and reception of both novel and movie series became intertwined with one another, creating a fan base that accessed the series first through the books, first through the movies, and in various other combinations.  John Alberti and P. Andrew Miller have gathered scholars to explore and examine the cultural, political, aesthetic, and pedagogical dimensions of this pop-culture phenomenon and how it has changed the reception of both the films and books.  While the primary focus of the collection is an academic audience, it will appeal to a broad range of listeners. Within the academic community, Transforming Harry will be of interest to scholars and teachers in a number of disciplines, including film and media studies and English.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50697261515025,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":50697265053969,"sku":"NGR9780814342862","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52128288112913,"sku":"NLS9780814342862","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814342868.jpg?v=1763480467"},{"product_id":"justice-on-demand-book-tanya-horeck-9780814347201","title":"Justice on Demand","description":"Justice on Demand: True Crime in the Digital Streaming Era offers a theoretical rumination on the question asked in countless blogs and opinion pieces of the last decade: Why are we so obsessed with true crime? Author Tanya Horeck takes this question further: Why is true crime thought to be such a good vehicle for the new modes of viewer\/listener engagement favored by online streaming and consumption in the twenty-first century? Examining a range of audiovisual true crime texts, from podcasts such as Serial and My Favorite Murder to long-form crime documentaries such as The Jinx and Making a Murderer, Horeck considers the extent to which the true crime genre has come to epitomize participatory media culture where the listener\/viewer acts as a \"\"desktop detective\"\" or \"\"internet sleuth.\"\" While Facebook and Twitter have re-invigorated the notion of the armchair detective, Horeck questions the rhetoric of interactivity surrounding true crime formats and points to the precarity of justice in the social media era. In a cultural moment in which user-generated videos of real-life violence surface with an alarming frequency, Justice on Demand addresses what is at stake in the cultural investment in true crime as packaged mainstream entertainment. Paying close attention to the gendered and racialized dimensions of true crime media, Horeck examines objects that are not commonly considered \"\"true crime,\"\" including the subgenre of closed-circuit television (CCTV) elevator assault videos and the popularity of trailers for true crime documentaries on YouTube. By analyzing a range of intriguing case studies, Horeck explores how the audience is affectively imagined, addressed, and commodified by contemporary true crime in an \"\"on demand\"\" mediascape. As a fresh investigation of how contemporary variations of true crime raise significant ethical questions regarding what it means to watch, listen, and \"\"witness\"\" in a digital era of accessibility, immediacy, and instantaneity, Justice on Demand will be of interest to film, media, and digital studies scholars.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50697278914833,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":50697280749841,"sku":"NGR9780814347201","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52658736005393,"sku":"NLS9780814347201","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814347207.jpg?v=1763225420"},{"product_id":"howard-hawks-book-robin-wood-9780814332764","title":"Howard Hawks","description":"Prolific director Howard Hawks made films in nearly every genre, from gangster movies like \"\"Scarface\"\" to comedies like \"\"Bringing Up Baby\"\" and \"\"Monkey Business\"\" and westerns like \"\"Rio Bravo.\"\" In this new edition of a classic text, author Robin Wood explores the ways in which Hawks pushed the boundaries of each genre and transformed the traditional forms in new, interesting, and creative ways. This reprint also contains an exciting new introduction by Wood, which shows how his thinking about Hawks has deepened over time without fundamentally changing. Since its original publication in 1972, Wood's \"\"Howard Hawks\"\" has set the terms for virtually all subsequent discussions of the director. The provocative chapters demonstrate the ways in which Hawks's films were affected by the director's personality and way of looking at and feeling things, and by his celebration of instinct, selfrespect, group responsibility, and male camaraderie. Wood's connections between the professionalism of Hawks's action films and comedies, with their \"\"lure of irresponsibility,\"\" has become a standard way of conceptualizing Hawks's films and the model to which all later critical work has had to respond. 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