{"title":"Contemporary Approaches To Film And Media Studies","description":"\u003cp\u003eDelve into the ever-evolving world of cinema and media with this insightful collection. Perfect for students and enthusiasts alike, explore critical analyses and contemporary perspectives shaping the field today.\u003c\/p\u003e","products":[{"product_id":"robin-wood-on-the-horror-film-book-robin-wood-9780814345238","title":"Robin Wood on the Horror Film","description":"Robin Wood’s writing on the horror film, published over five decades, collected in one volume.  Robin Wood—one of the foremost critics of cinema—has laid the groundwork for anyone writing about the horror film in the last half-century. Wood’s interest in horror spanned his entire career and was a form of popular cinema to which he devoted unwavering attention. Robin Wood on the Horror Film: Collected Essays and Reviews compiles over fifty years of his groundbreaking critiques.  In September 1979, Wood and Richard Lippe programmed an extensive series of horror films for the Toronto International Film Festival and edited a companion piece: The American Nightmare: Essays on the Horror Film -  the first serious collection of critical writing on the horror genre. Robin Wood onthe Horror Film now contains all of Wood’s writings from The American Nightmare and nearly everything else he wrote over the years on horror—published in a range of journals and magazines—gathered together for the first time. It begins with the first essay Wood ever published, \"\"Psychoanalysis of Psycho,\"\" which appeared in1960 and already anticipated many of the ideas explored later in his touchstone book, Hitchcock’s Films. The volume ends, fittingly, with, \"\"What Lies Beneath?\"\", written almost five decades later, an essay in which Wood reflects on the state of the horror film and criticism since the genre's renaissance in the 1970s. Wood's prose iseloquent, lucid, and convincing as he brings together his parallel interests in genre, authorship, and ideology.  Deftly combining Marxist, Freudian, and feminist theory, Wood’s prolonged attention to classic and contemporary horror films explains much about the genre's meanings and cultural functions. Robin Wood on the Horror Film will be an essential addition to the library of anyone interested in horror, science fiction, and film genre.","brand":"WoB","offers":[{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":49681927897361,"sku":"GOR010628021","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52487730659601,"sku":"NLS9780814345238","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814345239.jpg?v=1754202368"},{"product_id":"red-alert-book-ewa-mazierska-9780814340110","title":"Red Alert","description":"In Red Alert: Marxist Approaches to Science Fiction Cinema, editors Ewa Mazierska and Alfredo Suppia argue that Marxist philosophy, science fiction, and filmshare important connections concerning imaginings of the future. 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The collection includes analyses of recent films like Transfer (Damir Lukacevic), Avalon (Mamoru Oshii), Gamer (Mark Neveldine and Brian Taylor), and District 9 and Elysium (Neill Blomkamp), along with more obscure films like Alex Rivera’s materialist science fiction works and the Latin American zombie films of Pablo Parés, Hernán Sáez, and Alejandro Brugués. Contributors show that the ambivalence and inner contradictions highlighted by the films illustrate both the richness of Marx’s legacy and the heterogeneity and complexity of the science fiction genre.  This collection challenges the perception that science fiction cinema is a Western or specifically American genre, showing that a broader, transnational approach is necessary to fully understand its scope. 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