{"title":"Contemporary Film And Television S","description":null,"products":[{"product_id":"end-book-richard-newpert-9780814325254","title":"The End","description":"Given the importance that spectators grant to the final moments of a motion picture, it is surprising to find so little written on how films end and how audiences interpret those closing moments. This study investigates endings in film and the lively role they play in how and why viewers make sense of movies. Relying upon contemporary literary criticism and film theory, the author analyses narrative strategies in films ranging from the classical Hollywood motion picture to the more modern European art cinema. To assist readers in understanding the various functions of endings, the films are divided into four critical categories: the Closed Text film, typical of classical works; the Open Story films; the Open Discourse film; and the Open Text film which struggles to defy story resolution. Detailed textual analysis of sample films reveal how all of the devices of filmic narration - from mise-en-scene to soundtracks - direct a viewer's perception, comprehension and interpretation of closure in films.  Among the sample films that are featured as test cases for studying endings are The Quiet Man (Ford, 1950), The 400 Blows (Truffaut, 1959), Weekend (Godard, 1967), Tout va bien (Godard, 1972), and Earth (Dovzhenko, 1930). To round out his informative study of endings in films, Neupert also examines a host of diverse titles, including Do the Right Thing (Lee, 1989), Open City (Rossellini, 1945) and The Graduate (Nichols, 1967).","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49554375966993,"sku":"GOR009384516","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814325254.jpg?v=1751396043"},{"product_id":"cinema-of-wim-wenders-book-roger-f-cook-9780814325780","title":"The Cinema of Wim Wenders","description":"The Cinema of Wim Wenders is a unique anthology of source materials and selected essays on the films of Wim Wenders, a major filmmaker in the so-called New German Cinema movement. Although arguably the leading European filmmaker of the last two decades, Wenders has not received as much attention by scholars in the United States or in Europe as some of his colleagues who also had their beginnings in New German Cinema, like Rainer Werner Fassbinder and Margarethe von Trotta. The Cinema of Wim Wenders, the first anthology of scholarly work on Wenders, serves as an introduction to the central concerns of his cinema while situating his work within German film history and the contemporary debates about postmodern film and media theory. The first section of the book features essays by Wenders that chronicle important shifts and continuities in his work over the last 15 years. The voice-over to his short Reverse Angle, a diary film made in New York for French television, is published here for the first time.  These essays are complemented by excerpts from interviews that offer Wenders' own informal and personal perspectives on the central television that inform his films and writings, concluding with an interview conducted in 1994 by Gerd Gemunden, one of the anthology's editors, in which Wenders responds to the disappointing reception of Faraway, So Close!. His work, probably more than that of any other European director, reflects the tension between the European auteur tradition and the increasing dominance of the American media industry. In both his filmmaking and his critical writing, he explores how the relationship between image and narrative manifests the basic opposition between these two film traditions. The second part of the book consists of contributions by ten American and European scholars exploring aspects of Wenders' work and his films, including Paris, Texas, Faraway, So Close! and Wings of Desire, among others.  Differing significantly in methodology and scope, the essays all trace and theorise the twists and turns Wenders' work has taken amidst concurrent changes in contemporary European and American history, film history, cultural production, media technology and aesthetics. A filmography and bibliograhy on Wenders complete this comprehensive collection.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":49916323234065,"sku":"CIN0814325785G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50759223869713,"sku":"CIN0814325785VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51594203693329,"sku":"GOR008647264","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814325785.jpg?v=1750703426"},{"product_id":"radical-faces-of-godard-and-bertolucci-book-yosefa-loshitzky-9780814324479","title":"The Radical Faces of Godard and Bertolucci","description":"From the radical 1960s through the neo-conservative 1980s and into the early 1990s, the provocative cinematic careers of French director Jean-Luc Godard and Italian director Bernardo Bertolucci have captured the imagination of filmgoers and critics alike. Although their films differ greatly - Godard produces highly cerebral and theoretical works while Bertolucci creates films with more spectacle and emotionalism - their careers have sparked lively discussion and debate, mostly centred around the notion of an Oedipal struggle between them. The Radical Faces of Godard and Bertolucci, however, provides new insights into their relationship by specifically addressing their influences upon each other. This careful analysis of their films pays special attention to the more recent and often critically neglected films, and locates their work within the cultural critiques of feminism, postmodernism and multiculturalism. Yosefa Lushitzky argues that in Godard's most recent films, he traded Marxism for mysticism.  In probing his shift toward a new religiosity in Passion, Carmen and Hail Mary, she discovers that sexuality is no longer linked here to the world of prostitution, consumption and pornography, as it had been in his previous films, but to the world of nature, the universe and cosmic contemplation. Like Godard, Bertolucci also evolved in the 1980s; he became skeptical of Western thought and pursued the East as a utopia, as reflected in films like The Last Emperor, The Sheltering Sky and Little Buddha. The Radical Faces of Godard and Bertolucci traces the careers of two brilliant filmmakers from their Marxist beginnings to their quasi-religious quest for spiritual rejuvenation, thus providing a reinterpretation of the directors and their films.","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50162759762193,"sku":"CIN0814324479VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ WELL_READ \/ SBYB","offer_id":50361527730449,"sku":"CIN0814324479A","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814324479.jpg?v=1751170625"},{"product_id":"hollywood-destinies-book-graham-petrie-9780814329580","title":"Hollywood Destinies","description":"Originally published in 1986, this work is a full-length, detailed study of the careers of major European filmmakers, including Ernst Lubitsch, F.W. Murnau, Victor Sjostrom, and Mauritz Stiller, all of whom left their native countries to work in Hollywood during the 1920s. This edition contains recent scholarship on the reception of foreign films and directors in America in the 1920s, analyzes films that were not previously available, and includes a revised and updated bibliography.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50361630851345,"sku":"CIN0814329586G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":50838164209937,"sku":"GOR013162082","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814329586.jpg?v=1750946487"},{"product_id":"feminist-hollywood-book-christina-lane-9780814329221","title":"Feminist Hollywood","description":"The author focuses on the work of contemporary women directors who have entered Hollywood from independent filmmaking. She analyzes critical theories of genre, authorship, and gender representations in order to understand the political contribution of women to the production of popular culture.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50367442682129,"sku":"CIN0814329225G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51855416066321,"sku":"GOR007831610","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814329225.jpg?v=1751201648"}],"url":"https:\/\/www.worldofbooks.com\/collections\/contemporary-film-and-television-s-book-series.oembed","provider":"World of Books ","version":"1.0","type":"link"}