{"title":"Contextualizing Art Markets","description":"\u003cp\u003eDelve into the fascinating world of art markets with this insightful series. Explore the economic, social, and cultural forces shaping the art world, perfect for art enthusiasts and academic readers alike.\u003c\/p\u003e","products":[{"product_id":"theodore-rousseau-and-the-rise-of-the-modern-art-market-book-simon-kelly-9781501343797","title":"Theodore Rousseau and the Rise of the Modern Art Market","description":"The 19th century in France witnessed the emergence of the structures of the modern art market that remain until this day. This book examines the relationship between the avant-garde Barbizon landscape painter, Th odore Rousseau (1812-1867), and this market, exploring the constellation of patrons, art dealers and critics who surrounded the artist. It argues for the pioneering role of Rousseau, his patrons and his public in the origins of the modern art market, and, in so doing, shifts attention away from the more traditional focus on the novel careers of the Impressionists and their supporters. Drawing on extensive archival research, the book provides new insight into the role of the modern artist as professional. It provides a new understanding of the complex iconographical and formal choices within Rousseau's work, rediscovering the original radical charge that once surrounded the artist's work and led to extensive and peculiarly modern tensions with the market place.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49736117715217,"sku":"NGR9781501343797","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1501343793.jpg?v=1751307454"},{"product_id":"corporate-patronage-of-art-and-architecture-in-the-united-states-late-19th-centu-book-monica-e-jovanovich-9781501377877","title":"Corporate Patronage of Art and Architecture in the United States, Late 19th Century to the Present","description":"This interdisciplinary collection of case studies rethinks corporate patronage in the United States and reveals the central role corporations have played in shaping American culture. The case studies in this volume offers new methodologies and models for the subject of corporate patronage, going beyond the usual focus on corporate sponsorship and collecting to explore the complex organizational networks and motivations behind corporate commissions. Featuring chapters on Margaret Bourke-White, Julie Mehretu, Maxfield Parrish, Pablo Picasso, Diego Rivera, Eugene Savage, Millard Sheets, and Kehinde Wiley, as well as studies on Andrew Carnegie, Andrew Mellon, John D. Rockefeller Sr. and Jr., and Dorothy Shaver, and companies such as Herman Miller and Lord and Taylor, this book looks at a wide array of works, ranging from sculpture, photography, mosaics, and murals to advertisements, department store displays, sportswear, medical schools, and public libraries. 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These are among the questions tackled in this volume—the first to examine the practices of collecting prints, posters, and ephemera during the modern and contemporary periods. A wide range of case studies feature collections of printed materials from the United States, Latin America, France, Germany, Great Britain, China, Japan, Russia, Iran, and Cuba. Fourteen essays and one roundtable discussion, all specially commissioned from art historians, curators, and collectors for this volume, explore key issues such as the roles of class, politics, and gender, and address historical contexts, social roles, value, and national and transnational aspects of collecting practices. 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It weaves together extensive archival material related to the art and the artists that Bliss collected and patronised – such as Paul Cezanne, Pierre-Auguste Renoir, Edgar Degas, Georges Seurat, and Odilon Redon –  the art market of the time and the evolution of the New York museum ecosystem, and highlights the importance of private collecting in the development of American museums.  By revisiting MoMA's foundational history, author Irene Walsh explores how Lillie P. Bliss's visionary bequest of over 120 artworks upon her death in 1931 profoundly influenced and shaped the institution, questioning why her pioneering role has been overshadowed by other collectors.  Combining biography, market knowledge, institutional analysis, and art history, it enriches our understanding of early 20th-century dealer dynamics and collection strategies in New York, illuminates the role of collections in shaping art narratives,  while offering contemporary insights into women's agency in the arts.  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