{"title":"Contributions In Drama And Theatre Studies","description":null,"products":[{"product_id":"age-of-hair-book-barbara-l-horn-9780313275647","title":"The Age of Hair","description":"A reflection and symbol of the turbulent 1960s and the culture and lifestyles of the Hippies, Hair made history as the first rock musical on Broadway and one of the most successful musicals. The sixties left an indelible imprint upon the American psyche, and Hair, in the words of critic Clive Barnes, summed it up better than any other piece of American theatre. Aside from bringing experimental techniques and rock music to Broadway, Hair, in author Barbara Horn's view, represented a major step in the evolution of the concept musical from the book musical and was the first concept musical to reach mass audiences, an achievement unheralded and little recognized.  Horn analyzes the social context of Hair and the Hippies, describes the tenor of the Broadway theatre of the times and the experimental trends Off-Broadway that culminated in Hair's innovations on the Great White Way. She then goes on to relate the dramatic story of Hair's creation and growth, dash myths and clarify the actual events, including the casual meeting of coauthors Gerome Ragni and James Rado with producer Joseph Papp on a train. The transfer of Hair to Broadway is fully detailed, and the Broadway production is compared with the earlier production at Papp's Public Theater with lists of song sequences provided. Several revivals and the film version are also discussed, and staff and cast lists appear as appendixes. Horn's extensive archival research is amplified by insights from numerous interviews, including those with the authors, Ragni and Rado; composer, Galt MacDermot; Broadway producer, Michael Butler, directors, Gerald Freedman and Tom O'Horgan, musical director, Galt MacDermot; set designer, Robin Wagner; lighting designer, Jules Fisher, cast members, Melba Moore and Lorrie Davis; and others associated with one or more of the productions, as well as with theatre critics and theorists. Numerous published works were also connsulted, and a strong bibliography is provided.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":49938509562129,"sku":"CIN0313275645G","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52401734746385,"sku":"NLS9780313275647","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0313275645.jpg?v=1751291129"},{"product_id":"spotlight-on-the-child-book-roger-l-bedard-9780313257933","title":"Spotlight on the Child","description":"Although children's theatre has been a part of American culture from early times, historians have not always included it in the documentation of our theatrical heritage. Sometimes more the product of the educator and the social worker than the producer or the theatre artist, theatre with and for young people has been neglected in traditional theatre history studies; yet as early as 1792 Charles Stearns began creating his plays and dialogues for school children. The traditions and success of eighteenth-century school drama inspired social workers to explore similar activities in their playground and settlement house work, and at the end of the nineteenth and the beginning of the twentieth century, professional producers began experimenting more vigorously with the commercial possibilities of children as audience.  This book is a collection of essays by leading authorities in the field on various aspects of the historical development of children's theatre in the United States. The discussions focus on the marked differences that have occurred from group to group and examine the ways in which children's theatre began to find definition, as theorists and writers such as Winifred Ward and Charlotte Chorpenning strove to articulate the differences between the child as participant in creative drama and the child as audience member. The introduction provides a review of early concepts and the evolution of present-day thought, and the essays illuminate facets of the rich and varied history of American theatre with and for children. This trailblazing study will serve as the beginning of a fuller understanding of the field and a challenge to others to document the missing pieces.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":49983487803665,"sku":"CIN0313257930G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52489108750609,"sku":"NLS9780313257933","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ WELL_READ \/ SBYB","offer_id":53211212480785,"sku":"CIN0313257930A","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0313257930.jpg?v=1751457336"},{"product_id":"shakespeare-s-unorthodox-biography-book-diana-price-9780313312021","title":"Shakespeare's Unorthodox Biography","description":"As the world's greatest author, Shakespeare has attracted attention from scholars and laypersons alike. But more and more people have questioned whether the historical Shakespeare wrote the plays popularly attributed to him. While other books on the subject have argued that some other particular person, such as the Earl of Oxford, wrote the plays, this is the first book in over 80 years to comprehensively revisit the authorship question without an ideological bias, the first to introduce new evidence, and the first to undertake a systematic comparative analysis with other literary biographies. It successfully argues that William Shakespeare was the pen name of an aristocrat, and that William Shakespeare of Stratford was a shrewd entrepreneur, not a dramatist.  Price exposes numerous logical fallacies, contradictions, and sins of omission in the traditional accounts of Shakespeare's whereabouts; his professional activities; his personality profile; the play chronology; autobiographical echoes in the plays; the dramatist's education and cultural sophistication; circumstances of publication of the plays and poetry; and the testimony of his supposed literary colleagues, such as Ben Jonson. New or previously ignored documentation is used to reconstruct Shakespeare's career as a businessman, investor, theater shareholder, real estate tycoon, commodity trader, money-lender, and actor, but not a writer. In fact, Shakespeare is the only alleged writer from his time for whom no contemporaneous literary paper trail survives.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50289929388305,"sku":"GOR009788991","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51421468852497,"sku":"CIN0313312028VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52617147973905,"sku":"NLS9780313312021","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0313312028.jpg?v=1751259108"},{"product_id":"gordon-craig-s-moscow-hamlet-book-laurence-senelick-9780313224959","title":"Gordon Craig's Moscow Hamlet","description":"Practices of immigration detention are largely resistant to conventional forms of legal correction because contemporary liberal democracies justify these practices with an appeal to their territorial sovereignty, a concept that thwarts the very communicability of individual interests in modern constitutionalism. However, this book argues that human rights in the specific context of immigration detention can function as destabilisation rights, subjecting to full legal scrutiny those claims that the national state presents as predominantly based on its territorial sovereignty. The resulting destabilisation of territorial sovereignty in both domestic and international constitutionalism will have ramifications for a number of instruments of migration control, the perceived necessity and legitimacy of which is almost exclusively based on the self-referential notion of territorial sovereignty.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50292679147793,"sku":"CIN0313224951G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52121642074385,"sku":"NLS9780313224959","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0313224951.jpg?v=1751457472"},{"product_id":"toward-an-aesthetics-of-the-puppet-book-steve-tillis-9780313283598","title":"Toward an Aesthetics of the Puppet","description":"Societies around the world have their puppet traditions and puppetry remains a vital theatrical art; yet puppetry has received little attention in the theoretical study of theatre. The present study offers an aesthetic theory and vocabulary for practitioners, critics, and audiences to utilize in creating, evaluating, viewing, and describing the age-old, yet ever-new art of the puppet.  Asserting that no satisfactory theory or descriptive vocabulary has yet been advanced for the theatrical puppet, Steve Tillis seeks the underlying principles through observation and analysis of puppetry in all its manifestations. He considers the disparate range of puppet performance and puppet construction to determine what is constant and what is variable and explores such theoretical problems as how a puppet is to be defined; how its appeal is to be explained, and how its performance is to be described. Reviewing standard responses to these problems in a thorough survey of the literature on puppetry, he then offers new solutions. In an interesting coda, Tillis discusses the power of the puppet as a metaphor of humanity and a term applied to particular people. This is an essential text not only for college puppetry courses but also for all serious puppet artists, as well as scholars and researchers in performance theory and practice, and more general audiences.","brand":"WoB","offers":[{"title":"US \/ WELL_READ \/ SBYB","offer_id":50347728666897,"sku":"CIN0313283591A","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50349424050449,"sku":"CIN0313283591G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52403593216273,"sku":"NLS9780313283598","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0313283591.jpg?v=1751984963"},{"product_id":"from-belasco-to-brook-book-samuel-leiter-9780313276620","title":"From Belasco to Brook","description":"This multifaceted study, the companion volume to Leiter's From Stanislavsky to Barrault: Representative Directors of the European Stage (Greenwood Press, 1991), provides exhaustively detailed, yet compact accounts of the careers and accomplishments of eight outstanding directors of the English-speaking stage as well as separate, thorough bibliographies and chronologies of each. Samuel L. Leiter selected directors David Belasco, Harley Granville-Barker, George Abbott, Sir Tyrone Guthrie, Margaret Webster, Elia Kazan, Joan Littlewood, and Peter Brook as exemplars of the broad spectrum of directorial art as it has developed in the twentieth century; his cogent introduction identifies salient aspects of that art and reveals the wide divergence of directorial styles and techniques employed by the group. From commercial to classic to avant garde, their stylistic attitudes toward production include Belasco's minutely detailed naturalism, Guthrie's whimsical interpretations of the classics, and Littlewood's improvisational, anti-establishment, left-wing stance. Their varied rehearsal methods show how these directorial greats transformed the nature of the theatre experience through their unique vision of what stage production could encompass. Innovations by these directors in both the shape and function of the performance space are highlighted as are their theatre writings, many of which form the foundation for Western theatrical thought in our times.  Following the introduction, each of the eight chapters is organized into subsections that discuss the individual director's career, concept of theatre art and directing, and actual working methods. Each director is thoroughly assessed in terms of repertory, major productions, theoretical concerns, casting methods, rehearsal processes, and techniques of working with actors, playwrights, designers, and composers. Separate chronologies and a select bibliography complete the work, which will have significant appeal to a diverse group of readers, from stage directing students and their teachers to active professionals in the field and those general readers seeking a broader understanding of twentieth century theatre and stage direction. An excellent choice for text or supplementary reading for classes in stage directing.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50960474407185,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ WELL_READ \/ SBYB","offer_id":50960478601489,"sku":"CIN0313276625A","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52483655893265,"sku":"NLS9780313276620","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0313276625.jpg?v=1751457760"},{"product_id":"best-actors-in-the-world-book-david-grote-9780313320880","title":"The Best Actors in the World","description":"Shakespeare knew actors because he was one. The first book-length study of its kind, this volume investigates Shakespeare as a member of his acting company, dating and casting all the plays they presented from 1594 to 1614, and exploring the effects of actors on his writing. Much has been written about Shakespeare and a great deal is known about the Elizabethan theater. Yet little has been done to examine Shakespeare in relation to his acting company. This book casts light on Shakespeare's life in drama and the creation and staging of his plays. More precisely than any other work, it establishes the dates for his company's productions, exploring the varied and profound influences actors had on the works of Renaissance dramatists, and giving us a unique look at the man who knew his actors best of all.  As a member of the newly organized Chamberlain's Men, a company that rose to fame in the London theater, Shakespeare experienced the numerous crises, both personal and political, that nearly destroyed the company at the construction of the Globe. 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He deals sensitively with the recurrent aesthetic question of popular versus highbrow art and also looks at critical reactions to popular theatrical forms of musical entertainment. He introduces the reader to various types of theatrical companies, the changing repertory, and the many kinds of musical performers who have animated the stage. Mates focuses on the creative relationships between the different forms of opera, the minstrel show and circus, melodrama and dance, burlesque, revue, vaudeville, and musical comedy.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52125572464913,"sku":"NLS9780313239489","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780313239489.jpg?v=1757466665"},{"product_id":"theatre-for-working-class-audiences-in-the-united-states-1830-1980-book-daniel-friedman-9780313246296","title":"Theatre for Working-Class Audiences in the United States, 1830-1980","description":"This collection of essays defines and explores American theatres that consciously appealed primarily to workers. The scope of the book extends from the 1830s to the 1980s. Different authors focus on how various plays related to the audience as a class, the historically dynamic interaction between spectators and actors, and why certain plays gained popularity. The collection encompasses essays concerning New York theatre in the 1830s and 1840s, Pittsburgh theatre in the 1870s, various immigrant productions of the late nineteenth and early twentieth century, the politically radical theatre of the 1930s, a concluding section on recent and contemporary theatre for workers, and an overview of the history, politics, and aesthetics of theatres doing shows for working-class audiences today. An original and comprehensive bibliographical essay regarding the history of theatres for workers in the United States completes the volume.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52130168013073,"sku":"NLS9780313246296","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780313246296.jpg?v=1757502440"},{"product_id":"playwright-versus-director-book-sidney-berger-9780313286797","title":"Playwright versus Director","description":"Giving equal space to the sanctity of script and the artistic freedom of directors, this book addresses the difficulties encountered by playwrights and directors as they bring a script to the stage. Inspired directors can help a writer of genius turn his play into exciting theatre, but playwrights find that giving directors leeway to interpret and modify text can result in directors' overriding authorial intentions. This book presents the best that has been written by literary theorists on the current definitions of text and attempts to depart from quick rule-of-thumb assessments of the problem.    Drawing from definitive articles in literary and theatre journals, part one gives the reader basic concepts and terminology. Interviews with playwrights and directors, showing the complexity of the issue, appear in part two, and part three includes case studies of playwrights and directors who faced production crises. Legal aspects of collaboration are considered in part four. 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The author argues that Jung's theories offer the best key to date for these most intriguing of literary and dramatic puzzles.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52137768911121,"sku":"NLS9780313293054","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780313293054.jpg?v=1757559087"},{"product_id":"audience-participation-book-susan-kattwinkel-9780313316715","title":"Audience Participation","description":"Scholarly work on the impact of an active audience on theatrical and dance performance is a relatively new phenomenon, one that until now has manifested itself largely in the form of scattered dialogue on the subject. Audience Participation: Essays on Inclusion in Performance serves as a corrective to this. 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Its comprehensiveness and uniqueness make it an important contribution to the literature on theater and its many forms and facets.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52139584127249,"sku":"NLS9780313316715","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780313316715.jpg?v=1757569824"},{"product_id":"american-popular-entertainment-book-unknown-9780313210723","title":"American Popular Entertainment","description":null,"brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52331585569041,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52331586257169,"sku":"NLS9780313210723","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780313210723.jpg?v=1758148939"},{"product_id":"revolution-in-the-theatre-book-barry-daniels-9780313224768","title":"Revolution in the Theatre","description":null,"brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52334591607057,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52334592033041,"sku":"NLS9780313224768","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780313224768.jpg?v=1758157345"},{"product_id":"sam-shepard-s-metaphorical-stages-book-lynda-hart-9780313253737","title":"Sam Shepard's Metaphorical Stages","description":"A wonderfully helpful survey of the drama of Sam Shepard. 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Resources include a bibliography that offers the most complete listing of relevant critical writings.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52334849523985,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52334850408721,"sku":"NLS9780313253737","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780313253737.jpg?v=1758158189"},{"product_id":"from-farce-to-metadrama-book-tori-haring-smith-9780313243264","title":"From Farce to Metadrama","description":"The only complete history of this popular Shakespearean play, Haring-Smith's comprehensive study examines chronologically the development of the play's staging. It also reflects historical variations in stage practice and shifting cultural notions about marriage. 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This six-chapter volume, which also contains a chronology of the writer's life and work and a calendar of premieres, draws on personal interviews with Rozewicz as well as on unpublished or forgotten plays.    The first chapter presents an overview of Rozewicz's innovative dramaturgy in terms of both context and method and discovers a dramatist whose only consistency is his refusal to be faithful to any one of the temporary formulae of a playwright's craft. The following five chapters group the plays thematically and offer critical approaches to interpreting and understanding them. 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The volume treats the reader to a comprehensive view of American commercial theater and how it operates. It documents the thoughts of twenty people who are currently making their living in the commercial theater, exploring aspects of their work usually ignored by the media. Those interviewed made comments on four broad topics: their personal background and key experiences in the theater; their views on the present state of financing, production, writing, casting, directing and designing; their insights into day-to-day theatrical management; and their opinions on proposed changes in theatrical practices. Their words show that it has taken enormous amounts of talent and work to preserve commercial theater from destruction by internal and external economic forces and political neglect. 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Richard Scharine examines issues that shaped the development of the United States during this period, as they were portrayed in selected American plays first produced between 1933 and 1985. Drawing upon fifty years of social, political, and theatrical history, he provides an understanding of the events, ideas, and emotional matrices out of which the plays were born, as well as offering an analysis of human documents that are a reflection of the political events of a time. Along the way, Scharine illustrates how the dramatic representation of American inequalities has evolved in recent decades from the concerns of class to the way class is predetermined by caste.    The work begins with an introductory essay that defines political theatre and shows how it varies from standard drama in plot structure, character, theme, and expectations of its audience. 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Part theater history and part influence study, part production sourcebook and part anthology of criticism, this volume touches on all the possible connections between the playwright and the country to which he was so closely tied. American Literature    Although Eugene O'Neill felt that his Irishness was the single feature that came closest to explaining his work, the reaction of the Irish critics and public to his plays has never been systematically explored. This new study is the first to focus on Irish perceptions of O'Neill. It traces the discussion carried on by Irish critics, scholars, and theatre professionals and reveals, in the process, many exciting new insights into the nature and significance of the dramatist's work. A balanced and informative treatment, it includes the author's penetrating analysis of the ways O'Neill's Irish heritage affected his work, a selection of essays by Irish critics, and information on Irish productions of his plays.    Shaughnessy first examines the dimensions of the playwright's Irish connections -- his ancestry and cultural heritage and his use of Irish-related themes, symbols, and language. He looks at the history of productions staged in Ireland between 1922 and 1987 and at the Irish perceptions of 'the O'Neill issue.' Drawing on reviews, personal interviews, questionnaires, and letters, Shaughnessy reveals the complexity of the controversy surrounding the playwright's work. Selected essays, editorials, reviews, and scholarly commentaries -- many reprinted here for the first time -- demonstrate the range of opinion and the continuing impact of O'Neill plays on Irish thought. A catalog of productions of O'Neill plays in both the Irish Republic and Northern Ireland provides information on the dates and locations of productions as well as casts and directors. 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Eugene O'Neill's Century opens with Moorton's vigorous defense of O'Neill's tragedy and locates its genius in the violation of intimate relationships, especially the family, a notion crucial to Aristotle's definition of tragedy. The six essays in the collection's first section, O'Neill's Tragic Art, analyze O'Neill's drama on its own terms. Found here are a new theory of O'Neill's conception of drama; a Russian Formalist approach to Long Day's Journey into Night; an analysis of the plays' verbal violence; a feminist psychoanalysis of Mourning Becomes Electra; a study of film adaptations of the plays; and a look at O'Neill in translation. The five essays of section two, Art and Life: Wellsprings of Genius, locate the influences that helped to shape the artist's work: both in his own life and in other works of art such as Aeschylus' Eumenides. 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The 22 essays gathered by Gewitz and Kolb reflect recent scholarship and research, including several provocative, new readings of the plays of Eugene O'Neill, contrasting essays for and against the significance of Philip Barry, and considerations of less well-known plays by Elmer Rice and Sidney Howard. Essays also address the continuing relevance of Anderson and Stallings' What Price Glory?, the impact of George Pierce Baker on the playwrights of the 1920s, an analysis of the commercial success, Broadway, and a thoroughly detailed account of the Dramatists Guild and its negotiation of a minimum basic agreement. 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