{"title":"Contributions To The Study Of Science Fiction And Fantasy Ser","description":null,"products":[{"product_id":"formula-fiction-book-frank-cioffi-9780313233265","title":"Formula Fiction?","description":"Five percent of all accident and emergency admissions are caused by prescribed medicines. This figure rises to an alarming twelve percent in elderly patients. This may be through inappropriate use or dosage, side effects, drug: drug interactions, failing metabolism in the liver and reduced excretion by the kidneys. Also, erratic compliance with drug taking by a large proportion of patients complicates and sometimes worsens iatrogenic harm. This practical guide details the most common errors made in prescribing and is ideal for day-to-day use. The clear, accessible language used throughout makes for quick and easy reference. It clarifies complex scientific issues and presents them in a practical format, indispensable for professional life. It is highly recommended for all prescribers, clinical pharmacists, medical students and Foundation Year doctors. It is also a vital resource in the medication review now required for the Quality and Outcomes Framework for General Practitioners in England.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":49896209088785,"sku":"CIN0313233268G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52454305038609,"sku":"NLS9780313233265","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0313233268.jpg?v=1751985990"},{"product_id":"fantastic-odysseys-book-mary-pharr-9780313323249","title":"Fantastic Odysseys","description":"Although the odyssey has long been recognized as a crucial characteristic of the epic, scant attention has been paid to it as a telling device within other forms of the fantastic. Fantastic Odysseys supports the long-held awareness of the odyssey metaphor as an integral function within literary discourse, one that demonstrates a continuum of essential change in human cultural experience. By shifting the focus of that awareness from the epic narrative to a range of other fantastic narratives, this collection challenges critical and literary boundaries while it expands the meaning and value of the odyssey metaphor through the examination of a variety of works.    Divided into four sections, the essays cover the odyssey as a journey toward knowledge, identity, transformation, and destiny. Beginning and ending with a critical nod toward 2001: A Space Odyssey, these sections map the narrative trails left by odysseys imagined across time and space, mode and genre: from early French theatre to postmodern film, from Jewish short-story fantasies to Latin American narrative, from quest novels to futuristic crime thrillers, from German Romanticism to Spanish satire. Among the authors studied are Borges, Milás, Kafka, Malamud, Hoffmann, Ende, Straub, King, McKillip, Tiptree, Robinson, and Clark; among the films are Them!, The Rapture, American Psycho, and Fight Club. This unique collection increases our understanding of the odyssey as it is represented in various forms and genres.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52124902359313,"sku":"NLS9780313323249","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780313323249.jpg?v=1757460265"},{"product_id":"back-in-the-spaceship-again-book-karen-sands-o-connor-9780313301926","title":"Back in the Spaceship Again","description":"Much literature for children appears in the form of series, in which familiar characters appear in book after book. In the late nineteenth and early twentieth century, authors began to write science fiction series for children. These early series generally had plots that revolved around inventions developed by the protagonist. But it was the development and use of rocket and atomic science during World War II that paved the way for interesting and exciting new themes, conflicts, and plots. While much has been written about the early juvenile science fiction series, particularly the Tom Swift books, comparatively little has been written about children's science fiction series published since 1945. This book provides a broad overview of this previously neglected topic.    The volume offers a critical look at the history, themes, characters, settings, and construction of post-1945 juvenile science fiction series, including the A.I. Gang, the Animorphs, Commander Toad, Danny Dunn, Dragonfall Five, the Magic School Bus, and Space Cat. The book begins with an introductory history of juvenile science fiction since 1945, with chapters then devoted to particular topics. Some of these topics include the role of aliens and animals, attitudes toward humor, the absence and presence of science, and the characterization of women. A special feature is an appendix listing the various series. In addition, the volume provides extensive bibliographical information.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52124902326545,"sku":"NLS9780313301926","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780313301926.jpg?v=1757460265"},{"product_id":"immortal-monster-book-joseph-d-andriano-9780313306679","title":"Immortal Monster","description":"Imaginary beasts have figured prominently in literary works ever since the ancient world, when these myths were first formulated. But the nineteenth century witnessed the rise of science, the discovery of geological findings that challenged the biblical myth of creation, and the birth of Darwin's theory of evolution. Since then, monsters have evolved from supernatural creatures to natural ones endowed with exceptional size, strength, or intelligence. This book explores both literary and cinematic texts that are especially explicit in their Darwinian portrayal of monstrous beasts, though these creatures retain an archaic mythological quality. The myth of Leviathan and Behemoth, for instance, is as central to Jaws as it is to Moby-Dick; indeed, Jaws inherits the myth directly from Moby-Dick, as does King Kong. These and other monster tales, such as The Creature from the Black Lagoon and Grendel, keep the ancient myth alive and relevant by recasting it in the context of biological and cultural evolution.    There is a pattern of alternating bestialization and anthropomorphism in many monster tales, suggesting that these images are being displayed in repeated attempts to define who we are in relation to animals. Thus the more beastly the monster, the more insistently we erect the old paradigm of the Ladder of Being, placing ourselves on a higher and separate rung; but the more human-like the creature, the more readily we shift to the paradigm of the Tree of Life, in which all creatures are more closely related. Since the matter of distinctions between species also involves questions of race, the monster myth is often conscripted to serve racist agendas. But more often than not, the myth has an anti-racist subtext that undercuts the hierarchy. The closing chapters of the volume consider the notion of artificial evolution in works such as The Island of Dr. Moreau, and human-machine interaction in Gravity's Rainbow. As fables of identity, monster tales dramatize our anxieties and fears about our own animal nature and provide a means of coming to terms with our evolution.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52126842323217,"sku":"NLS9780313306679","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780313306679.jpg?v=1757480631"},{"product_id":"some-kind-of-paradise-book-alice-clareson-9780313231674","title":"Some Kind of Paradise","description":"Clareson reveals the interplay between literary expressionism and intellectual history and shows how science fiction was a popular response to world events during the period 1870-1930. He emphasizes that at least before World War II, the predominant tone of American science fiction was optimistic and that one way or another--through advanced technology or a return to primitiveness--the writers were going to produce Some Kind of Paradise.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52133468012817,"sku":"NLS9780313231674","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780313231674.jpg?v=1757530866"},{"product_id":"way-to-ground-zero-book-martha-a-bartter-9780313258923","title":"The Way to Ground Zero","description":"Bartter surveys 250 American science-fiction stories, and American SF novels--with occasional overlaps of stories made into episodic novels--that have some relationship, often direct, sometimes marginal, to atomic weapons and their effects. . . . Highly recommended for popular literature collections. Choice    Divided into three principal parts, The Way to Ground Zero begins by exploring The Way to Hiroshima. Through a detailed analysis of the works included, Bartter reveals the sociopolitical assumptions that authors took for granted and develops a method by which these assumptions can be disclosed. She shows that encoded in these fictions we can find the patterns that led us to create and use the atomic bomb. In the second section, Bartter looks at the deeper assumptions on which these sociopolitical assumptions rest, focusing particularly on those which perpetuate considerations of nuclear war--both in science fiction and in actual policy making. Finally, Bartter explores alternative assumptions proposed by innovative science fiction writers. Throughout, an attempt is made to forge a deeper understanding of the ways in which science fiction both reflects and influences human and international relations. Students of science fiction and of literature and politics will find Bartter's work enlightening, provocative reading.    Bartter argues that a close examination of American fiction, particularly science fiction, can offer important new insights into the events surrounding the bombing of Hiroshima in 1945. The use of an atomic bomb to end the war followed a scenario long established in science fiction--defeating our enemy with a super-weapon developed by native technological genius. By examining the interrelationship between this persistent plot-device and the development and use of a real super-weapon, Bartter sheds new light on the transactional role of literature and real life. Her analysis is based on a comprehensive theory of human nature, substantiated by exhaustive research in science fiction archives and libraries and covers a large number of stories--both well-known and relatively obscure--featuring super weapons or super war and published by American authors.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52133495898385,"sku":"NLS9780313258923","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780313258923.jpg?v=1757530988"},{"product_id":"fantastic-sublime-book-david-m-sandner-9780313300844","title":"The Fantastic Sublime","description":"Many Victorian and Edwardian fantasy stories began as extemporaneous oral tales told for the delight of children and, like Alice in Wonderland and The Wind in the Willows, were written down by chance. These fanciful stories, told with child-like spontaneity, are analyzed here to argue their role in the revolution not only of children's literature, but of the general conception of childhood. In contrast to the traditional moral tales of the 18th century that were written with the express purpose of instructing children how to become adults, this literature that Sandner identifies as the fantastic sublime reveled in the imagination and the enjoyment of reading. By looking at the structure of the Romantic sublime and inventing and exploring the structure of the fantastic sublime, this work offers a completely new way to examine 19th-century children's fantasy literature, and perhaps, fantastic literature in general.    The study begins with a look at works by William Wordsworth and Samuel Taylor Coleridge, focusing on the 18th-century view of childhood and fantasy. 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It then looks at some of the first encounters of European and Native American supernatural beliefs and points to the common elements of these early traditions. The volume next focuses on American literature of the nineteenth century, which has a complex fusion of materialist biases and metaphysical fascinations. The final portion of the book gives greater attention to Spanish-American literature and the blending of the supernatural with attitudes of nostalgia and uncertainty.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52151821467921,"sku":"NLS9780313319396","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780313319396.jpg?v=1757614627"},{"product_id":"dark-fantastic-book-c-w-sullivan-iii-9780313294778","title":"The Dark Fantastic","description":"This anthology of essays focuses on the darker side of the human condition as it appears in fantastic literature. 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Incorporating wide-ranging perspectives, the twenty-six essays in the volume include studies of the fantastic in literature, art, philosophy, film, psychology, drama, history, and aesthetics. Among the subjects and forms examined are allegories, animal fables, horror stories and films, and monsters and fabulous beasts. Examples are drawn from Elizabethan drama, German Romantic music, French Expressionist painting, American science fiction, and cubist film. The contributors, in their exploration of the fantastic, consider the possibility of an intrinsic character or essential nature and examine its characteristic elements. Most of the texts studied have been found to contain echoes of myth and epic, linguistic archaism or invention, emphasis on freedom, and especially in more recent works, concern with sexuality, as well as a penchant for reflexive game-playing with a chosen form.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52335020802321,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52335021162769,"sku":"NLS9780313250354","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780313250354.jpg?v=1758158755"},{"product_id":"literary-symbiosis-book-hazel-pierce-9780313230653","title":"A Literary Symbiosis","description":"A Literary Symbiosis studies the merger of science fiction\/fantasy and mystery fiction from historical and critical perspectives. 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This evaluation focuses on individual authors and novels or short stories which contributed to the original modes and to their synthesis.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52335190966545,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52335191523601,"sku":"NLS9780313230653","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780313230653.jpg?v=1758159260"},{"product_id":"when-world-views-collide-book-john-j-pierce-9780313254574","title":"When World Views Collide","description":"Science fiction has evolved and diverged in many ways and moods. When World Views Collide is the third and final volume in a history of the genre that began with Foundations of Science Fiction and continued in Great Themes of Science Fiction. The conflicts in science fiction are conflicts about world views, which Pierce defines as fundamental beliefs about the nature of man, the universe, and man's place in the universe. Pierce presents each world view in science fiction on its own terms, as expressed in the works of its partisans. This final volume of the trilogy thus examines science fiction as a way of defining and delimiting humanity and human values, which may well be the most important aspect of the genre today.    This unique and formidable study is based on a reading of much of the genre from its beginnings to its most recent publication. Pierce traces relationships and erects a framework on which future scholars can build in their efforts to place the works and the fields in the totality of world literature. 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Designed to serve both as an introduction to and a historical overview of fantastic poetry in the Anglo-American tradition, the authors closely analyze specific periods and poems in order to illuminate more clearly the relationships among fantasty, the fantastic, science fiction, and poetry. The scope of the study is unusually broad and encompasses material from Spenser through the work of a wide range of contemporary American and British poets.    Although the contributors focus primarily on English-language authors, their essays provide theoretical and practical criticism relevant to the study of the fantastic in poetry in any language. Among the innovative approaches developed are a feminist-fantastic revisionary reading of Keat's Lamia and a conceptualization of the role of fantasy in the writing of holocaust poetry. In addition, the contributors analyze such works as C.S. 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While a few monographs treat a particular dimension of the fantastic in drama, the Gothic or the fairy tale for instance, no other volume provides a critically sophisticated introduction to the diversity of fantastic drama written and performed in this century. The essays here lay to rest the illusion that realism is the only genuine form of theatrical expression and the notion that cinema special effects have rendered science fiction and the stage incompatible. Competing with the realism of the first half of the twentieth century and the new realism of the second half have been a range of successful theatrical repertoire, including the absurd, the horrific, the supernatural, the mythic, the dream-vision quest, the postmodern, the hyper-realistic, and the science fictional.    Wide ranging in time and space, this volume comprises fourteen essays on the fantastic on the modern stage, assessing dramatic works from the United States, Ireland, England, Western Europe, and the Caribbean. Canonical figures, such as Strindberg, Yeats, Beckett, Ionesco, Cocteau, and Stoppard are studied, along with neglected figures, such as Wassily Kandinsky, better known as an expressionist painter, and Halper Leivick, author of the Yiddish play The Golem, and innovative new performance troupes and individual artists, such as Squat Theatre and Spalding Gray. Concluding essays are devoted to contemporary experimental theatre and postmodern drama. A study of science fiction on stage includes an annotated listing of forty English-language plays. 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The author, Edward Wagenknecht, writes from a long lifetime of scholarly study and publishing, thoroughly internalized familiarity with all of the exemplary works chosen for examination, and personal friendship fostered by extensive epistolary intercourse with two of the subjects, Walter de la Mare and Marjorie Bowen.    The seven chapters on the individual writers each examine plot, character, mood, and setting in a traditional sense, sparked by personal observations and unique comparisons. Each study is preceded by a biographical sketch and documented by comprehensive bibliography and notes. In the case of the less studied writers, like M. R. James and Arthur Machen, these chapters may be the fullest accounts ever published. 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The volume gives valuable perspectives on the territory covered by the fantastic, showing the diversity of the field and the variety of approaches used to survey and comprehend it. Each essay brings its own method of investigation--phenomenological, theoretical, historical, sociological, psychological, textual--in an effort to situate the border between reality and fantasy and the passage from one to the other. Authors and works discussed in the volume include Balzac, Dickens, Poe, Aldous Huxley, C. S. Lewis, Tolkien, Muriel Spark, Mary Shelley, Albee's The Zoo Story, Pynchon, Coleridge's Christabel, Le Fanu's Carmilla, and Stephen Donaldson's Thomas Covenant trilogies. 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But as the 20th century progresses, dystopian fiction has gained power as utopian fiction has become increasingly irrelevant. As an overtly didactic genre, dystopia extrapolates terrifying near-futures from disturbing current trends. In order to quickly create an atmosphere that is at once plausible and terrifying, dystopian writers almost universally turn to an idea certain to generate both fear and sympathy in the reader—the dual concept of language as the primary tool by which repressive societies stifle dissent, and simultaneously as the primary weapon used by rebels bent on understanding, resisting, and countering such oppression.    This volume traces the evolution of language's centrality in 20th-century dystopias in English, beginning with Huxley's ^IBrave New World^R and Orwell's ^I1984^R. As dystopian fiction has branched out to embrace multiple viewpoints and agendas, the emphasis on language has remained at the center of the dystopian impulse. 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