{"title":"Critical Asian Cinemas","description":"\u003cp\u003eDelve into the groundbreaking 'Critical Asian Cinemas' series, exploring the diverse landscape of Asian film. Perfect for film enthusiasts and scholars alike, discover insightful analyses and cultural perspectives.\u003c\/p\u003e","products":[{"product_id":"korean-cinema-in-global-contexts-book-soyoung-kim-9789463729147","title":"Korean Cinema in Global Contexts","description":"\u003cp\u003eOffering the most comprehensive analysis of Korean cinema from its early history to the present, and including the films of Park Chan-wook, Bong Joon-ho and Kim Ki-young, \u003ci\u003eKorean Cinema in Global Contexts: Postcolonial Phantom, Blockbuster and Trans-Cinema\u003c\/i\u003e situates itself in the local, Inter-Asian, and transnational contexts by mobilizing the critical frameworks of feminism, postcolonial critique and comparative film studies. 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Pao-chen Tang theorizes and analyzes this animist imagination--a new mode of filmmaking that delves into both the definition of the cinematic medium and how to live with the nonhuman. Moving images are animate beings and the animism of cinema further compels an eye-opening vision to examine East Asian history and ecological anxieties of our times. The shamanic protagonists of the animist imagination transform the worldly and medial figurations onscreen into thought experiments on human-nonhuman relationality, modelling for the viewers anti-anthropocentric forms of existence and action. The book distills this form of agency through a systematic analysis of narrative structures, stylistic devices, and cultural implications in a stunning demonstration of a world viewed and enacted otherwise. 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The book emphasizes on the film market in mainland China since the mid- 2010s and how it has been dramatically different from the previous decades, featuring big names like Zhang Yimou and Feng Xiaogang. Witnessing an age of baokuan films – films that have renewed box office records, represented by Wolf Warrior 2, The Wandering Earth, Nezha, and Hi, Mom – this study contends that baokuan films have forged a unique category in the landscape of Chinese cinema. It further reveals how these commercially successful films interact with industrial, economic, political, and social elements, illuminating transformations in Chinese filmmaking amid the country’s evolving landscape since the 2010s through the post-pandemic era.  It will be an insightful resource for undergraduate students, postgraduate students, and general audiences interested in Asian Studies, Film Studies, Chinese media and cultural studies, contemporary Chinese cinema and cultural industries, and Chinese cinema studies. The book will also inspire researchers in China Studies by discussing the instability of globalization and China’s changing global strategies, state and popular nationalism, and the rise of active audiences through the lens of popular films.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":52462268875025,"sku":"NGR9789048564392","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":53158818873617,"sku":"NLS9789048564392","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9789048564392.jpg?v=1770113629"},{"product_id":"representations-of-japan-in-south-korean-cinema-of-the-park-geun-hye-era-book-russell-edwards-9789048561018","title":"Representations of Japan in South Korean Cinema of the Park Geun-hye Era","description":"Providing a rare example of a national cinema that has managed to overturn the prevailing global paradigm of Hollywood dominance, South Korean films are nevertheless still haunted by the peninsula’s earlier colonial history. 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Offering a perceptive look at an underexplored area, this book will be embraced by professionals and laypersons intrigued by South Korea and Japan’s frequently tense relationship.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":52462280114449,"sku":"NGR9789048561018","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":53158819365137,"sku":"NLS9789048561018","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9789048561018.jpg?v=1770286203"},{"product_id":"transformative-cinema-of-lav-diaz-book-corinne-maury-9789048568246","title":"The Transformative Cinema of Lav Diaz","description":"This collective work brings together contributions from academic researchers and film critics who offer analyses of the singular aesthetics of Filipino filmmaker, Lav Diaz's cinema.  The cinematographic work of Lav Diaz is steeped in the hopes and suffering of a people exposed to both state violence and the climatic cataclysms that regularly devastate the archipelago. A diary of the filming of Essential Truths of the Lake (2023), as well as previously unpublished interviews and masterclasses, take us to the heart of Lav Diaz's singular creative process, rooted in time and organically confronting places and their inhabitants. His characteristically lengthy films tie in with the destinies of opponents, of the marginalised and the disenfranchised. Confronting history and the tragic consequences of successive colonisations, encouraging resistance, reviving progressively forgotten animist practices, restoring the dignity of those who disappeared: Lav Diaz's cinematic frescoes stand up against silence, amnesia and repression.  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From the popularity of CIA-sponsored espionage films in Hong Kong and South Korea to the enduring Cold War rhetoric of brotherly relations in contemporary Sino-Indian co-production, cinema has always been a focal point of the cultural Cold War in Asia. Historically, both the United States and the Soviet Union viewed cinema as a powerful weapon in the battle to win hearts and minds--not just in Europe, but also in Asia. The Cold War in Asia was, properly speaking, a hot war, with proxy military confrontations between the United States, on one side, and the Soviet Union and China on the other. Amid this political and military turbulence, cataclysmic shifts occurred in the culture and history of Asian cinemas as well as in the latitude of US cultural diplomacy in Asia. The collection of essays in this volume sheds light on the often-forgotten history of the cultural Cold War in Asia. Taken together, the volume's fifteen chapters examine film cultures and industries in Asia to showcase the magnitude and depth of the Cold War's impact on Asian cinemas, societies, and politics. By shifting the lens to Asia, the contributors to this volume re-examine the dominant narratives about the global Cold War and highlight the complex and unique ways in which Asian societies negotiated, contested, and adapted to the politics and cultural manifestations of the Cold War.","brand":"WoB","offers":[{"title":"US \/ NEW \/ INGRAM","offer_id":52463247622417,"sku":"NIN9789463727273","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52619780194577,"sku":"NLS9789463727273","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9789463727273.jpg?v=1759833764"},{"product_id":"japanese-filmmakers-in-the-wake-of-fukushima-book-mitsuyo-wada-marciano-9789463728287","title":"Japanese Filmmakers in the Wake of Fukushima","description":"This book is dedicated to convincing readers of the clarity of the message from the filmmakers from the post-Fukushima period that There must be no more nuclear weapons. 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