{"title":"European Studies In North American Literature And Culture","description":null,"products":[{"product_id":"margaret-atwood-book-reingard-m-nischik-9781571131393","title":"Margaret Atwood","description":"Novelist, poet, cultural critic, Margaret Atwood is one of the most fascinating, versatile, and productive authors of our time, a superb writer in any genre she chooses to tackle. This book was prepared on the occasion of Atwood's sixtieth birthday in November 1999. Its first aim is therefore to take stock of Atwood's multifarious works and international impact at the height of her creative powers. Secondly, the book serves as a wide-ranging introductionto the writer and her works. Fifteen informative articles written specifically for this volume by Atwood specialists from Canada, the USA, the UK, Germany, and France treat her life and status, her works (up-to-date survey articles on Atwood's novels, short fiction, poetry, and literary and cultural criticism), and important approaches to her works (from the standpoints of gender politics, mythology, ecology, popular culture, constructivism, and Canadian nationalism). A final section on creativity, transmission, and reception includes an interview with Atwood on creativity, statements by some of Atwood's important transmitters, including publishers, editors, literary agents, and translators, and some 15 statements by Atwood's fellow writers, in which they explore her importance for them. A number of photographs of Atwood, several cartoons drawn by her, an up-to-date bibliography of works by and about Atwood, and an index round out the volume.    Reingard M. 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Its first aim is therefore to take stock of Atwood's multifarious works and international impact at the height of her creative powers. Secondly, the book serves as a wide-ranging introduction to the writer and her works. Fifteen informative articles written specifically for this volume by Atwood specialists from Canada, the USA, the UK, Germany, and France treat her life and status, her works (up-to-date surveyarticles on Atwood's novels, short fiction, poetry, and literary and cultural criticism), and important approaches to her works (from the standpoints of gender politics, mythology, ecology, popular culture, constructivism, and Canadian nationalism). A final section on creativity, transmission, and reception includes an interview with Atwood on creativity, statements by some of Atwood's important transmitters, including publishers, editors, literaryagents, and translators, and some 15 statements by Atwood's fellow writers, in which they explore her importance for them. A number of photographs of Atwood, several cartoonsdrawn by and about her, an up-to-date bibliography ofworks by and about her, and an index round out the volume.    Reingard M. 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This collection of essays on Munro engages with literary geography, an emergent interdisciplinary field that is located at the interface between human geography and literary studies and is one of the most salient manifestations of the ongoing spatial turn in the arts and humanities.  Critical readings of Munro's stories have labeled her literary production \"regional,\" since she sets the majority of her short stories in the area of rural Ontario where she grew up. Until now, however, little attention has been devoted to the role of that location in the stories and tothe way that particular setting interacts with her characters' development or stasis. This collection contains eleven essays organized in two parts: first, Conceptualizing Space and Place: Houses, Landscapes, Territory; and second, Close Readings of Space and Place.    Contributors: Corinne Bigot, Lynn Blin, Giuseppina Botta, Fausto Ciompi, Ailsa Cox, Christine Lorre-Johnston, Robert McGill, Claire Omhovère, Anca-Raluca Radu, Eleonora Rao, Caterina Ricciardi.    Christine Lorre-Johnston is a senior lecturer in English at the Sorbonne Nouvelle in Paris. Eleonora Rao teaches English and American literatures at the University of Salerno.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50831810461969,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50831810822417,"sku":"GOR014089392","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52121640861969,"sku":"NLS9781640140202","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1640140204.jpg?v=1751024526"},{"product_id":"history-of-literature-in-canada-book-reingard-m-nischik-9781571133595","title":"History of Literature in Canada","description":"The development of literature in Canada with an eye to its multicultural, multiethnic, multilingual nature.  From modest colonial beginnings, literature in Canada has arrived at the center stage of world literature. Works by English-Canadian writers -- both established writers such as Margaret Atwood and new talents such as Yann Martel -- make regular appearances on international bestseller lists. French-Canadian literature has also found its own voice in the North American and francophone worlds. \"CanLit\" has likewise developed into a staple of academic interest, pursued in Canadian Studies programs in Canada and around the world. This volume draws on the expertise of scholars from Canada, Germany, Austria, and France, tracing Canadian literature from the indigenous oral tradition to thedevelopment of English-Canadian and French-Canadian literature since colonial times. Conceiving of Canada as a single but multifaceted culture, it accounts for specific characteristics of English- and French-Canadian literatures,such as the vital role of the short story in English Canada or that of the chanson in French Canada. Yet special attention is also paid to Aboriginal literature and to the pronounced transcultural, ethnically diverse character ofmuch contemporary Canadian literature, thus moving clearly beyond the traditions of the two founding nations.     Contributors: Reingard M. Nischik, Eva Gruber, Iain M. Higgins, Guy Laflèche, Dorothee Scholl, Gwendolyn Davies, Tracy Ware, Fritz Peter Kirsch, Julia Breitbach, Lorraine York, Marta Dvorak, Jerry Wasserman, Ursula Mathis-Moser, Doris G. Eibl, Rolf Lohse, Sherrill Grace, Caroline Rosenthal, Martin Kuester, Nicholas Bradley, Anne Nothof, Georgiana Banita, Gilles Dupuis, and Andrea Oberhuber.    Reingard M. 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This volume takes its cue from the emerging field of transparency studies, recent scholarly work in sociology, political theory, and cultural studies that identifies a hegemonic rhetoric of transparency in public and political life. While scholars in this new field routinely gesture toward literature as the realm where secrecy may be productive, they rarely engage with literature directly, and literary studies itself remains notably absent from their debates. This collection of essays seeks to redress that state of affairs by focusing on literary texts written in an American cultural tradition steeped in the interplay between transparency and exposure, fear and secrecy, security and surveillance, and information and disinformation. The essays draw on authors ranging from Whitman, James, and Ellison to Pynchon, Morrison, and Eggers to argue that American literature complicates theoretical assumptions about transparency made in other disciplines. They question the field's strong theoretical emphasis on present-day technopolitical practices and discourses as the location of hegemonic discourse on transparency, and instead historicize such phenomena and extend them to discursive spheres that have so far been neglected (such as issues of sexuality and race).  Edited by Paula Martín-Salván and Sascha Pöhlmann. Contributors: Tomasz Basiuk, Jesús Blanco Hidalga, Cristina Chevereșan, Michel Feith, Julián Jiménez Heffernan, Tiina Käkelä, Juan L. 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The first group imitates an entire musical genre and consists of jazz novels by Toni Morrison, Albert Murray, Xam Wilson Cartiér, Stanley Crouch, Jack Fuller, Michael Ondaatje, and Christian Gailly. The secondgroup of novels, by Richard Powers, Gabriel Josipovici, Rachel Cusk, Nancy Huston, and Thomas Bernhard, imitates a single piece of music, J. S. Bach's Goldberg Variations.    Emily Petermann is Assistant Professor of American Literature at the University of Konstanz.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51042563522833,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51042566209809,"sku":"NIN9781640140271","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52127357010193,"sku":"NLS9781640140271","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":53567548457233,"sku":"GOR014965075","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1640140271.jpg?v=1751246425"},{"product_id":"humor-in-contemporary-native-north-american-literature-book-eva-gruber-9781571132574","title":"Humor in Contemporary Native North American Literature","description":"In contrast to the popular clich  of the stoic Indian, humor has always been important in Native North American cultures. Recent Native literature testifies to the centrality of this tradition. Yet literary criticism has so far largely neglected these humorous aspects, instead frequently choosing to concentrate on representations of trauma and cultural disruption, at the risk of reducing Native characters and Native cultures to the position of the tragic victim. This first comprehensive study explores the use of humor in today's Native writing, focusing on a wide variety of texts spanning all genres. It combines concepts from cultural studies and humor studies with approaches by Native thinkers and critics, analyzing the possible effects of humorous forms of representation on the self-image and identity formation of Native individuals and Native cultures. Humor emerges as an indispensable tool for engaging with existing stereotypes: Native writers subvert degrading clich s of the Indian from within, reimagining Nativeness in a celebration of laughing survivors, decolonizing the minds of both Native and non-native readers, and contributing to a renewal of Native cultural identity. This book will be of interest to scholars and students of Native Studies both literary and cultural. Due to its encompassing approach, it will also provide a point of entry for the wider readership interested in contemporary Native writing. 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His books have been translated into twenty-three languages. He had a strong following in the United Kingdom, where his books were routinely reviewed in all the leading national newspapers. In Germany, France, Italy, and other countries too, his books were discussed in major publications.Although Updike died in 2009, interest in his writing remains strong among European scholars. They are active in the John Updike Society and on the John Updike Review (which began publishing in 2011). During the past fourdecades, several Europeans have influenced the study of Updike worldwide. No recent volume, however, collects diverse European views on his oeuvre. The current book fills that void, presenting essays that perceive Updike's renditions of America through the eyes of scholar-readers from both Western and Eastern Europe. Contributors: Kasia Boddy, Teresa Botelho, Biljana Dojcinovic, Brian Duffy, Karin Ikas, Ulla Kriebernegg, Sylvie Math , Judie Newman, Sue Norton, Andrew Tate, Aristi Trendel, Eva-Sabine Zehelein. Laurence W. Mazzeno is President Emeritus of Alvernia University. Sue Norton is a Lecturer in English at the Dublin Institute of Technology.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52120381587729,"sku":"NLS9781571139726","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781571139726.jpg?v=1757425469"},{"product_id":"farm-novel-in-north-america-book-florian-freitag-9781571135377","title":"The Farm Novel in North America","description":"From John Steinbeck's The Grapes of Wrath and Martha Ostenso's Wild Geese to Louis H mon's Maria Chapdelaine, some of the most famous works of American, English Canadian, and French Canadian literature belongto the genre of the farm novel. In this volume, Florian Freitag provides the first history of the genre in North America from its beginnings in the middle of the nineteenth century to its apogee in French Canada around the middleof the twentieth. Through surveys and selected detailed analyses of a large number of farm novels written in French and English, Freitag examines how North American farm novels draw on the history of farming in nineteenth-centuryNorth America as well as on the national self-conceptions of the United States, English Canada, and French Canada, portraying farmers as national icons and the farm as a symbolic space of the American, English Canadian, and FrenchCanadian nations. Turning away from traditional readings of farm novels within the frameworks of regionalism and pastoralism, Freitag takes a comparative look at a genre that helped to spatialize North American national dreams. 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Yet in contrast to the stature and popularity of the genre and the writers who partake in it, surprisingly little literary criticism has been devoted to the Canadian short story. This book begins the process of redressing that imbalance by providing the first collection of critical interpretations of a range of thirty well-known and often-anthologized Canadian short stories from the genre's beginnings through the twentieth century; due to the genre's outstanding vitality and productivity since the 1960s, the larger part of the volume is devoted to stories from that period. A historical survey of the genre introduces the volume and a timeline comparing the genre's development in Canada, the US, and Great Britain via representative examples completes it. The contributors are German and Austrian Canadian Studies specialists whose diversity of approaches to the variety of authors, themes, and styles testifies to the versatility of the Canadian short story and its paramount role in the history of Canadian literature. Geared both to specialists in and to students of Canadian literature, it is of particular benefit to the latter because it provides not only a collection of interpretations, but a comprehensive introduction to the history of the Canadian short story. Reingard M. Nischik is professor and chair of American Literature at the University of Constance, Germany. Among her numerous publications are the pioneering book she co-edited with Robert Kroetsch in 1985, Gaining Ground: European Critics on Canadian Literature, and other edited volumes for Camden House, including Margaret Atwood: Works and Impact (2000), and History of Literature in Canada: English-Canadian and French-Canadian (2008).","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52462689255697,"sku":"NLS9781571134790","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781571134790.jpg?v=1759530565"},{"product_id":"biofictions-book-martin-middeke-9781571131232","title":"Biofictions","description":"A pioneering collection of articles on fictionalized biographies of the Romantics in contemporary fiction and drama.  It appears that the lives of the British Romantics and the myths surrounding them have a special appeal for contemporary writers.The present volume sets out to explore this renewed interest in Romantic artist-figures in the context of the current renaissance of 'life-writing'. The essays collected here deal with Romantic 'biofictions' by such authors as Peter Ackroyd, Adrian Mitchell, Ann Jellicoe, Liz Lochhead, Judith Chernaik, Amanda Prantera, Robert Nye, Tom Stoppard, Howard Brenton, Edward Bond, and others. Thomas Chatterton, William Blake, James Hogg, Sir Walter Scott, Percy Bysshe Shelley, Mary Shelley, John Polidori, John Clare, and -- most prominently -- Lord Byron featureas the 'biographical subjects' in the works discussed.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52476343582993,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52476344860945,"sku":"NLS9781571131232","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781571131232.jpg?v=1759843908"},{"product_id":"vote-with-a-bullet-book-sascha-pohlmann-9781640141131","title":"Vote with a Bullet","description":"Conceptualizes the genre of American assassination fiction as a dramatization of the tension between individualism and mass society in US culture.    Vote with a Bullet is the first systematic study of assassination in American fiction. 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