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Drawing on previously unreleased material, this volume explores the man, the filmmaker, the veteran, and the legend-and the ways in which all of those roles shaped Ford's view of America, national character, and his creative output. Among the films discussed here in depth are Ford's early productions, such as The Iron Horse and Drums along the Mohawk, his military films, such as Submarine Patrol, The Battle of Midway, and They Were Expendable, and his Westerns, including Fort Apache, She Wore a Yellow Ribbon, The Searchers, and Cheyenne Autumn. Ford imbued many of his creations with a point of view that represented his ideals, and the films discussed here illustrate their director's distinct vision of American life on the frontier and in service of the country. That vision-Ford's idealization of the American Character-would, in turn, shape the worldview of several generations. 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The studio took seriously Harry Warner's mandate that their films had a duty to educate and demonstrate key values of free speech, religious tolerance, and freedom of the press. This attitude was most aptly demonstrated in films produced by the studio between 1927 and 1941-a period that saw not only the arrival of sound in film but also the Great Depression, the rise of crime, and increased concern about fascism in the lead-up to World War I. In From the Headlines to Hollywood: The Birth and Boom of Warner Bros., Chris Yogerst explores how the only studio with any guts established the groundwork and perfected formulas for social romance dramas, along with gangster, war, espionage, and adventure films. In this book, the author discusses such films as The Public Enemy, Little Caesar, G-Men, The Life of Emile Zola, Angels with Dirty Faces, and Confessions of a Nazi Spy, illustrating the ways in which their plots truly were ripped from the headlines. 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Throughout this period, the Cold War influenced what movies got produced, how such movies were made, and how audiences understood the films they watched. In the post-Cold War era, some genres of film suffered from the shift in our national narratives, while others were quickly reimagined for an audience with different political and social fears. In Hollywood and the End of the Cold War: Signs of Cinematic Change, Bryn Upton compares films from the late Cold War era with movies of similar themes from the post-Cold War era. In this volume, Upton pays particular attention to shifts in narrative that reflect changes in American culture, attitudes, and ideas. In exploring how the absence of the Cold War has changed the way we understand and interpret film, this volume seeks to answer several key questions such as: Has the end of the Cold War altered how we tell our stories? Has it changed how we perceive ourselves? In what ways has our popular culture been affected by the absence of this once dominant presence? With its focus on themes that are central to the concerns of many historians-including civil religion, social fracture, and the culture wars-Hollywood and the End of the Cold War will serve as a useful tool for those seeking to integrate film into the classroom, as well as for film scholars exploring representations of sociopolitical change on screen.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50382493188369,"sku":"CIN1442237937G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52332692275473,"sku":"NLS9781442237933","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1442237937.jpg?v=1759399560"},{"product_id":"ambivalent-legacy-of-elia-kazan-book-ron-briley-9781442271678","title":"The Ambivalent Legacy of Elia Kazan","description":"Elia Kazan first made a name for himself on the Broadway stage, directing productions of such classics as The Skin of Our Teeth, Death of Salesman, and A Streetcar Named Desire. 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The films scrutinized in this book include Viva Zapata!, East of Eden, A Face in the Crowd, Splendor in the Grass, America America, The Last Tycoon, and most notably, On the Waterfront, which many critics interpret as an effort to justify his HUAC testimony.  In 1999, Kazan was awarded an honorary Oscar that caused considerable division within the Hollywood community, highlighting the lingering effects of the director’s testimony. The blacklist had a lasting impact on those who were named and those who did the naming, and the controversy of the HUAC hearings still resonates today. 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When finally permitted to portray the atrocities, filmmakers struggled with issues of fidelity to historical fact, depictions of graphic violence, and how to approach the complexities of the human condition on all sides of this horrific event. In Hollywood and the Holocaust, Henry Gonshak explores portrayals of the Holocaust from the World War I era to the present. In chapters devoted to films ranging from The Great Dictator to Inglourious Basterds, this volume looks at how these films have shaped perceptions of the Shoah. The author also questions if Hollywood, given its commercialism, is capable of conveying the Holocaust in ways that do justice to its historical trauma. Through a careful consideration of over twenty-five films across genres-including Life Is Beautiful, Cabaret, The Reader, The Boys from Brazil, and Schindler's List-this book provides an important look at the social, political, and cultural contexts in which these movies were produced. 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Whether depicting his exploits during World War I (PT-109), capturing crucial moments during his presidency (Thirteen Days), or providing a fictionalized account of his assassination (Executive Action), films continue to portray Kennedy and his legacy. In The JFK Image: Profiles in Docudrama, Raluca Lucia Cimpean examines John F. Kennedy's representations in motion pictures, focusing on how the late president's image has been constructed to keep the myths of the Kennedy era and Camelot alive. The volume explores those myths through docudramas, which combine the aesthetic and narrative codes of documentaries with those of fiction to portray the characters and events of the Kennedy era as classic battles between good and evil. Beginning with an examination of the docudrama and its uses, this book analyzes the Kennedy image-with its focus on the New Frontier, Camelot, and revisionist approaches-and then provides in-depth examinations of such films as JFK, In the Line of Fire, and The Rat Pack. Drawing on archival research and Kennedy letters only recently released to the public, The JFK Image will be of great interest to scholars of film and popular culture, as well as those working in political science, the culture of the 1960s, and, of course, Kennedy studies.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52345039487249,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52345043255569,"sku":"NLS9781442243088","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781442243088.jpg?v=1758175199"},{"product_id":"bringing-history-to-life-through-film-book-kathryn-anne-morey-9781442229631","title":"Bringing History to Life through Film","description":"Whether re-creating an actual event or simply being set in a bygone era, films have long taken liberties with the truth. 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Burroughs, and Jack Kerouac have been appropriated for a new generation in feature-length films, graphic novels, and other media. In Adapting the Beat Poets: Burroughs, Ginsberg, and Kerouc on Screen, Michael J. Prince examines how works by these authors have been translated to film. Looking primarily at three key works-Burroughs' Naked Lunch, Ginsberg's Howl, and Kerouac's On the Road-Prince considers how Beat literature has been significantly altered by the unintended intrusion of irony or other inflections. Prince also explores how these screen adaptations offer evidence of a growing cultural thirst for authenticity, even as mediated in postmodern works. Additional works discussed in this volume include The Subterraneans, Towers Open Fire, The Junky's Christmas, and Big Sur. 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