{"title":"Franklin D Murphy Lectures","description":"\u003cp\u003eDelve into the captivating Franklin D. Murphy Lectures, a thought-provoking series exploring art, culture, and society. 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They were powerful carriers of knowledge, sociality, and identity, and their facture was a matter of serious concern among makers and consumers alike. In this innovative study, Christine M. E. Guth offers a holistic framework for appreciating the crafts produced in the city and countryside, by celebrity and unknown makers, between the late sixteenth and mid-nineteenth centuries. Her study throws into relief the confluence of often overlooked forces that contributed to Japan’s diverse, dynamic, and aesthetically sophisticated artifactual culture. By bringing into dialogue key issues such as natural resources and their management, media representations, gender and workshop organization, embodied knowledge, and innovation, she invites readers to think about Japanese crafts as emerging from cooperative yet competitive expressive environments involving both human and nonhuman forces. 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Trading on current anxieties about class, gender, and nationhood, American visual culture made war with Germany seem inevitable. The second section, Fixing Faces,\" contemplates the corrosive effects of the war on soldiers who literally lost their faces on the battlefield, and on their families back home.  Unable to endure distasteful reminders of war's brutality, postwar Americans grew obsessed with physical beauty, as seen in the simultaneous rise of cosmetic surgery, the makeup industry, beauty pageants, and the cult of screen goddesses such as Greta Garbo, who was worshipped for the masklike perfection of her face. 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