{"title":"Gingko Library Art Series","description":"\u003cp\u003eDiscover the Gingko Library Art Series, a treasure trove for art enthusiasts. Explore insightful perspectives and stunning visuals across diverse artistic movements and influential figures. A must-have for any art lover's collection.\u003c\/p\u003e","products":[{"product_id":"art-trade-and-culture-in-the-islamic-world-and-beyond-from-the-fatimids-to-the-m-book-alison-ohta-9781909942905","title":"Art, Trade, and Culture in the Islamic World and Beyond - From the Fatimids to the Mughals","description":"The essays in this book trace a rich continuum of artistic exchange that occurred between successive Islamic dynasties from the twelfth through nineteenth centuries as well as the influence of Islamic art during that time on cultures as far away as China, Armenia, India, and Europe. Taking advantage of recent technologies that allow new ways of peering into the pasts of art objects, the authors break new ground in their exploration of the art and architecture of the Islamic world.  The essays range across a variety of topics. These include a look at tile production during the reign of the Qaytbay, the book bindings associated with Qansuh al-Ghuri, and the relationship between Mamluk metalwork and that found in Rasulid Yemen and Italy. Several essays examine inscriptions found on buildings of the Fatimid, Mamluk, and Ottoman periods, and others look at the debt of European lacquer works to Persian craftsmen, the Armenian patrons of eighteenth-century Chinese exports, and the influences of Islam on art and architecture found all across India. The result is a sweeping but deeply researched look at one of the richest networks of artistic traditions the world has ever known.  \"","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49557232976145,"sku":"GOR013534282","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ GARDNERS","offer_id":49740572459281,"sku":"NGR9781909942905","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1909942901.jpg?v=1773317112"},{"product_id":"architectural-heritage-of-yemen-book-trevor-marchand-9781909942073","title":"Architectural Heritage of Yemen","description":"Twenty chapters, authored by leading scholars from around the world, explore the astonishing variety of building styles and traditions that have evolved over millennia in a region of diverse terrains, extreme climates and distinctive local histories. Generations of highly-skilled masons, carpenters and craftspeople have deftly employed the materials-to-hand and indigenous technologies to create urban architectural assemblages, gardens and rural landscapes that dialogue harmoniously with the natural contours and geological conditions of southern Arabia. A sharp escalation in military action and violence in the country since the 1990s has had a devastating impact on the region's rich cultural heritage. In bringing together the astute observations and reflections of an international and interdisciplinary group of acclaimed scholars, the principal aim of this book is to raise awareness among the general public and policy makers of Yemen's long history of cultural creativity, and of the very urgent need for international collaboration to protect it and its people from the destructive forces that have beset the region.Following the editor's introduction, the book is divided into three parts. Part One introduces readers to the astonishing variety of architecture and building traditions across the country, from the Red Sea coast, eastward into the mountainous highlands, to the edge of the Sahara desert, and southward into the deep, dramatic wadis of the Hadhramaut. Part Two is dedicated to exploring the issues and the challenges of conserving and preserving Yemen's rich architectural heritage. Part Three offers vivid personal insights - both historical and contemporary - into the making of place and the construction of identities.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49570828976401,"sku":"GOR012538020","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50401759953169,"sku":"CIN1909942073VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1909942073.jpg?v=1772102475"},{"product_id":"umayyad-mosque-of-damascus-book-alain-george-9781909942455","title":"The Umayyad Mosque of Damascus","description":"The Great Mosque of Damascus is an iconic monument of world architecture, and the oldest mosque still standing in something close to its original state. This book is the first in-depth study of its foundation by the Umayyad dynasty, just as the first Islamic century was drawing to a close. Towards the end of 705, the Umayyad caliph al-Walid determined to build a new monumental mosque at the heart of his capital Damascus. This required the seizure of a church that had stood there since the forceful closure, centuries earlier, of the Roman temple of Jupiter, the walls of which still stand today. When the Christians refused to cede their building, al-Walid decided to take it by force. This controversial act broke with the consensual politics of the early Islamic empire and triggered a major crisis, the ripples of which were felt as far afield as the Byzantine Empire. Still, events ran their course. Once the rubble of the church was cleared, al-Walid and his supervisors deployed complex logistics to create a building of dazzling opulence and splendour that marked a turning point in mosque architecture. The book anchors the foundation of the Umayyad Mosque in its pre-Islamic past and brings to life the commotion that followed the destruction of the church. Alain George explores the process whereby craftsmen and materials were gathered to build the new mosque, seeks to reconstruct its Umayyad appearance, and investigates the subtle aesthetics that underpinned its stupendous ornament. This beautifully illustrated volume is based upon extensive research on new textual and visual sources, including Umayyad court poems and rare nineteenth-century photographs.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49738627514641,"sku":"NGR9781909942455","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1909942456.jpg?v=1773316173"},{"product_id":"image-debate-book-christiane-gruber-9781909942349","title":"The Image Debate","description":"The images released by Islamic State of militants smashing statues at ancient sites were a horrifying aspect of their advance across Northern Iraq and Syria during 2015-16. Their leaders justified this iconoclasm (destruction of images) by arguing that such actions were divinely decreed in Islam, a notion that has remained fixed in the public consciousness. The Image Debate: Figural Representation in Islam and Across the World is a collection of thirteen essays which examine the controversy surrounding the use of images in Islamic and other religious cultures and seek to redress some of the misunderstandings that have arisen. Written by leading academics from the United States, Australia, Turkey, Israel and the United Kingdom, the book has a foreword by Stefano Carboni, Director of the Art Gallery of Western Australia, followed by an introduction by the editor Christiane Gruber, who sets the subject in context with a detailed examination of the debates over idols and the production of figural images in Islamic traditions. Twelve further articles are divided into three sections: the first deals with pre-modern Islam: Mika Natif looks at tensions between the Hadith prohibition on images and the praxis of image-making under the Umayyad dynasty and argues that the Umayyad rulers used imagery to establish their political and religious authority; Finbarr Barry Flood examines the practice of epigraphic erasure, i.e., the removal of names of rulers and patrons from historical inscriptions from the medieval Islamic world; and Oya Pancaroglu focuses on the figural conventions of an illustrated manuscript of Varqa and Gulshah, a medieval Persian romance composed in the masnavi (rhyming couplet) form by the 11th-century poet `Ayyuqi. The second section addresses the situation outside Islam: Alicia Walker surveys attitudes toward the production and veneration of religious images in Byzantium from the earliest years of the Christian Roman Empire (early 4th century) to the aftermath of the Iconoclast controversy (late 9th century); Steven Fine explores the history of Jewish engagement with `art' from Roman antiquity through the high middle ages through a detailed exploration of the 3rd-century Dura Europos synagogue and its wall paintings; Michael Shenkar examines evidence for the employment of figural images in the cultic practices of some of the major ancient Iranian cultural and political entities, offering a broad perspective on perceptions of images in ancient Iranian worship; and Robert DeCaroli delves into the question of why no image of the Buddha was made during the first five hundred years of Buddhism. The third section brings the reader back to Islamic lands with five articles examining aspects of the issue in the modern and contemporary periods: Yousuf Saaed investigates South Asian mass-produced images, especially posters that include illustrations of local Sufi shrines, portraits of saints and Shi`i iconography; James Bennett explores the visual depiction of Javanese shadow puppets (wayang kulit), including the sage Begawan Abiyasa, whose narratives convey key elements of Sufi mystical philosophy; Allen and Mary Roberts consider images of Cheikh Amadu Bamba, the founding Sufi saint of the Senegalese Mouride order; Rose Issa addresses how the term `Islamic' relates to contemporary art, how artists manage to create work in countries in constant turmoil and to what extent such works reflect their conceptual, aesthetic, and socio-political concerns; and finally Shiva Balaghi traces the use of the figure, along its symbolic shadows and silhouettes, in works by notable Iranian artists living in Iran and in diaspora.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49739790549265,"sku":"NGR9781909942349","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1909942340.jpg?v=1773314915"},{"product_id":"revealing-the-unseen-book-melanie-gibson-9781909942646","title":"Revealing the Unseen","description":"Collected articles on Iranian art from the Qajar dynasty.      The thirteen articles in this volume were originally given as presentations at the symposium of the same name organized in June 2018 by the Musee du Louvre and the Musee du Louvre-Lens in conjunction with the exhibition The Empire of Roses: Masterpieces of 19th Century Persian Art. The exhibition explored the art of Iran in the nineteenth and early twentieth centuries, while the nation was under the rule of the Qajar dynasty. The symposium set out to present research on previously unknown and unpublished objects from this rich period of art history.      This volume, published with the Louvre Museum in France, is divided into four sections. The first, \"Transitions and Transmissions,\" is dedicated to the arts of painting, illumination, and lithography. The focus of the second section, entitled \"The Image Revealed,\" also considers works on paper, looking at new themes and techniques. \"The Material World\" examines the use of materials such as textiles, carpets, and armor. The articles in the final section discuss the history of two groups of artifacts acquired by their respective museums.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49741024297233,"sku":"NGR9781909942646","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1909942642.jpg?v=1773318161"},{"product_id":"treasures-of-herat-book-barbara-brend-9781909942547","title":"Treasures of Herat","description":"An illustrated reference book for students and scholars of Persian art, poetry, and literature.   With this book, Barbara Brend provides thorough consideration of two celebrated Persian manuscripts housed in the British Library. These two copies of the Khamsah (Quintet) a set of five narrative poems by twelfth-century poet Nizami, a master of allegorical poetry in Persian literature, were produced in Herat in the fifteenth century, one of the greatest periods of Persian painting. Although well known, the manuscripts have never before been written about in relation to each other. Brend tells the story of each poem and the painting that illustrates it, and she formally analyzes the images, placing them in their historical and artistic context.     The images from both highly prized manuscripts are beautifully reproduced in color, and the ownership history of one of the manuscripts-recorded in the form of seal impressions and inscriptions- is also included. 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The project was revived and guided to fruition by the curator of the museum, Mina Moraitou. She has contributed a chapter on Antonis Benakis and the formation of the Iznik collection as well as working on the catalogue which includes 111 objects, 83 tiles and 143 sherds. 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Through the newly-established Dutch, English, and French East India companies, as well as much older mercantile networks, prestigious exotic commodities--silk, ivory, books, glazed porcelains--were transported east and west. The collected essays in this volume introduce a fascinating array of not only trade objects but also customs and traditions that bring this period of intense cultural interplay to life.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50010532970769,"sku":"GOR009914711","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1909942103.jpg?v=1773315798"}],"url":"https:\/\/www.worldofbooks.com\/collections\/gingko-library-art-series-book-series.oembed","provider":"World of Books ","version":"1.0","type":"link"}