{"title":"Global Perspectives On Public History","description":"\u003cp\u003eExplore global public history through diverse lenses. This collection dives into memory, heritage, and identity worldwide. Perfect for understanding how history shapes our present. Start your journey now!\u003c\/p\u003e","products":[{"product_id":"public-in-public-history-book-joanna-wojdon-9780367641030","title":"Public in Public History","description":"Public in Public History presents international research on the role of the public in public history: the ways people perceive, respond to and influence history-related institutions, events, services and products that deal with the past.  The book addresses theoretical reflections on the public, or multiple publics, and their role in public history, and empirical analyses of the publics’ active responses to and impact on existing forms of public history. 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Each chapter reveals how Sharony Green, her students, and collaborators used various public places and spaces in Alabama, including the University of Alabama and Tuscaloosa, where she teaches, as “labs” to learn more about our shared past. Inspired by her familiar beginnings in a historic community in Miami, Florida, the author, a descendant of people from the American South and the Bahamas, unveils her encounters with the built environment, old documents and objects, motion pictures, music, and all kinds of historical actors. The book shares a variety of projects including exhibits and displays, images, videos, songs, and poetry, that serve as manifestations of her encounters with the places around her and her students. Together, these stories uncover an unexpected journey into public history, offering new ways to think about the field and humanities more generally.  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Through first-hand testimonies and critical essays, this book examines how feminist approaches and public history practices are reshaping the politics of heritage, memory, and representation from the 1980s to the present. From Bolivia’s Museo Nacional de Etnografía y Folklore to Colombia’s Museo Itinerante de la Memoria and Guatemala’s Museo Ixkik’, this book promotes reflections that highlight collective efforts and diverse ways of narrating stories in public spaces. This book analyzes the local contexts where curatorial practices and cultural policies emerge, giving prominence to the women who lead museological projects and their transnational impact. It examines the role of these museum projects in the field of public history and in relation to the decolonization processes undertaken by various museums globally.  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