{"title":"Humor In America","description":"\u003cp\u003eDive into the hilarious side of the USA with the 'Humor in America' series. Explore witty observations and laugh-out-loud stories that capture the American spirit with a humorous twist. 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In this book, James E. Caron examines these and other satirists through the lenses of humor studies, cultural theory, and rhetorical and social philosophy, arriving at a new definition of the comic art form.   Tracing the history of modern satire from its roots in the Enlightenment values of rational debate, evidence, facts, accountability, and transparency, Caron identifies a new genre: “truthiness satire.” He shows how satirists such as Colbert, Bee, Oliver, and Kimmel—along with writers like Charles Pierce and Jack Shafer—rely on shared values and on the postmodern aesthetics of irony and affect to foster engagement within the comic public sphere that satire creates. Using case studies of bits, parodies, and routines, Caron reveals a remarkable process: when evidence-based news reporting collides with a discursive space asserting alternative facts, the satiric laughter that erupts can move the audience toward reflection and possibly even action as the body politic in the public sphere.  With rigor, humor, and insight, Caron shows that truthiness satire pushes back against fake news and biased reporting and that the satirist today is at heart a citizen, albeit a seemingly silly one.  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A Laughable Empire examines this substantial archival corpus, attempting to make sense of nineteenth-century American humor about Hawai‘i and the rest of the Pacific world.  Todd Nathan Thompson collects and interprets these comic, sometimes  racist depictions of Pacific culture in nineteenth-century American print culture. Drawing on an archive of almanac and periodical humor, sea yarns, jest books, and literary comedy, Thompson demonstrates how jokes and humor functioned sometimes in the service of and sometimes in resistance to US imperial ambitions. Thompson also includes Indigenous voices and jokes lampooning Americans and their customs to show how humor served as an important cultural contact zone between the United States and the Pacific world. He considers how nineteenth-century Americans and Pacific Islanders alike used humor to employ stereotypes or to question them, to “other” the unknown or to interrogate, laughingly, the process by which “othering” occurs and is disseminated.  Incisive and detailed, A Laughable Empire documents American humor about Pacific geography, food, dress, speech, and customs. 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