{"title":"Indigenous Music Language And Performing Arts","description":null,"products":[{"product_id":"music-dance-and-the-archive-book-amanda-harris-9781743328675","title":"Music, Dance and the Archive","description":"WINNER OF THE 2022 MANDER JONES AWARD  Music, Dance and the Archive reimagines records of performance cultures from the archive through collaborative and creative research. In this edited volume, Amanda Harris, Linda Barwick and Jakelin Troy bring together performing artists, cultural leaders and interdisciplinary scholars to highlight the limits of archival records of music and dance. Through artistic methods drawn from Indigenous methodologies, dance studies and song practices, the contributors explore modes of re-embodying archival records, renewing song practices, countering colonial narratives and re-presenting performance traditions. The book’s nine chapters are written by song and dance practitioners, curators, music and dance historians, anthropologists, linguists and musicologists, who explore music and dance by Indigenous people from the West, far north and southeast of the Australian continent, and from Aotearoa New Zealand, Taiwan and Turtle Island (North America).  Music, Dance and the Archive interrogates historical practices of access to archives by showing how Indigenous performing artists and community members and academic researchers (Indigenous and non-Indigenous) are collaborating to bring life to objects that have been stored in archives. It not only examines colonial archiving practices but also creative and provocative efforts to redefine the role of archives and to bring them into dialogue with contemporary creative work. Through varied contributions the book seeks to destabilise the very definition of “archives” and to imagine the different forms in which cultural knowledge can be held for current and future Indigenous stakeholders. Music, Dance and the Archive highlights the necessity of relationships, Country and creativity in practising song and dance, and in revitalising practices that have gone out of use.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":50130399330577,"sku":"NGR9781743328675","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51049882091793,"sku":"NIN9781743328675","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52427330421009,"sku":"NLS9781743328675","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1743328672.jpg?v=1773317985"},{"product_id":"yuupurnju-book-carmel-o-shannessy-9781743329481","title":"Yuupurnju","description":"Yuupurnju: A Warlpiri song cycle documents a ceremonial song cycle situated within the traditional kurdiji “shield” ceremony, as sung by Warlpiri Elder Henry Cooke Anderson Jakamarra at Lajamanu, Northern Territory, in 2013.  The song cycle relates to a women’s Jukurrpa Dreaming narrative, and tells the story of a group of ancestral women on a journey across the country. Jakamarra performed the songs (recorded by Carmel O’Shannessy) to make them available to the Warlpiri community and the wider public.  Yuupurnju: A Warlpiri song cycle includes:    the words of the songs in Warlpiri interpretation in English as given by the singer, Jakamarra, and Warlpiri Elders Jerry Patrick Jangala OAM, Wanta Steven Patrick Pawu-Kurlpurlurnu Jampijinpa and Steven Dixon Japanangka musical notation by musicologist Myfany Turpin photographs and illustrations for each song a foreword by two senior custodians, Jerry Patrick Jangala OAM and Wanta Jampijinpa.  There are 38 recordings available to be listened to here: https:\/\/open.sydneyuniversitypress.com.au\/yuupurnju.html","brand":"WoB","offers":[{"title":"US \/ NEW \/ INGRAM","offer_id":51050254172433,"sku":"NIN9781743329481","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52616218673425,"sku":"NLS9781743329481","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1743329482.jpg?v=1773315019"},{"product_id":"keeping-time-book-nick-thieberger-9781743329504","title":"Keeping Time","description":"\u003cp\u003eKeeping Time: Dialogues on music and archives in Honour of Linda Barwick explores current issues in ethnomusicology and the archiving and repatriation of ethnographic field recordings.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe 19 chapters by 36 authors consider archiving practices as a site of interaction between researchers and cultural heritage communities; cross-disciplinary approaches to understanding song; and the role of musical transcription in non-Western music.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis volume is international in scope with case studies with Indigenous and minority peoples from Papua New Guinea, China, India, the Torres Strait and mainland Aboriginal Australia; the latter being the focus of the majority of chapters.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eTopics include the revival of songs from early written sources, creation of new songs based in old genres, the concept of sing in other languages, spirits as the origin of song knowledge, and how to manage ethnographic records over time. Keeping Time approaches Indigenous practices from a range of disciplines, including linguistics, history and performing arts, as well as Indigenous Studies, cultural revitalisation (including reclamation of Indigenous languages), Indigenous knowledge and application to climate change.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eOffered in honour of Emeritus Professor Linda Barwick, the founder of the Indigenous Music, Language and Performing Arts series, Keeping Time offers a diverse range of opinions on ethnographic research practices and their value to society.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThere are 3 audio examples available to be listened to here: https: \/\/open.sydneyuniversitypress.com.au\/keeping_time.html\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51080663466257,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51080664547601,"sku":"NGR9781743329504","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52687723397393,"sku":"NLS9781743329504","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1743329504.jpg?v=1768559030"},{"product_id":"music-dance-and-the-archive-book-amanda-harris-9781761540455","title":"Music, Dance and the Archive","description":"\u003cp\u003e\u003cem\u003eMusic, Dance and the Archive\u003c\/em\u003e reimagines records of performance cultures from the archive through collaborative and creative research. In this edited volume, Amanda Harris, Linda Barwick and Jakelin Troy bring together performing artists, cultural leaders and interdisciplinary scholars to highlight the limits of archival records of music and dance. Through artistic methods drawn from Indigenous methodologies, dance studies and song practices, the contributors explore modes of re-embodying archival records, renewing song practices, countering colonial narratives and re-presenting performance traditions. The book's nine chapters are written by song and dance practitioners, curators, music and dance historians, anthropologists, linguists and musicologists, who explore music and dance by Indigenous people from the West, far north and southeast of the Australian continent, and from Aotearoa New Zealand, Taiwan and Turtle Island (North America).\u003c\/p\u003e\u003cp\u003e\u003cem\u003eMusic, Dance and the Archive\u003c\/em\u003e interrogates historical practices of access to archives by showing how Indigenous performing artists and community members and academic researchers (Indigenous and non-Indigenous) are collaborating to bring life to objects that have been stored in archives. It not only examines colonial archiving practices but also creative and provocative efforts to redefine the role of archives and to bring them into dialogue with contemporary creative work. Through varied contributions the book seeks to destabilise the very definition of archives and to imagine the different forms in which cultural knowledge can be held for current and future Indigenous stakeholders. \u003cem\u003eMusic, Dance and the Archive\u003c\/em\u003e highlights the necessity of relationships, Country and creativity in practising song and dance, and in revitalising practices that have gone out of use.\u003c\/p\u003e\u003cp\u003eAs contemporary Australia reckons with its past, this volume is both timely and urgent. We readers are challenged to critically reflect on how history lives on in the present - with implications not only for creativity, heritage, and the arts, but also for prosperous and equitable societies and thriving cultures, now and into the future. This unique and lively collection is a landmark in scholarship on Indigenous performing arts and the archive, with relevance for Australia and beyond.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52476166111505,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52476167389457,"sku":"NLS9781761540455","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781761540455.jpg?v=1759843629"},{"product_id":"recirculating-songs-book-myfany-turpin-9781761540257","title":"Recirculating Songs","description":"\u003cp\u003eThis is the first volume devoted specifically to the revitalisation of ancestral Indigenous singing practices in Australia. These traditions are at severe risk in many parts of the country, and this book investigates the strategies currently being implemented to reverse the damage. In some areas the ancestral musical culture is still transmitted across the generations; in others it is partially remembered, and being revitalised with the assistance of heritage recordings and written documentation; but in many parts of Australia, the transmission of songs has been interrupted, and in those places revitalisation relies on research and restoration. The authors, Indigenous and non-Indigenous, consider these issues across a broad range of geographical locations, and from a number of different theoretical and methodological angles. The chapters provide helpful insights for Indigenous people and communities, researchers and educators and anyone interested in the song traditions of Indigenous Australia.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52595268944145,"sku":"NLS9781761540257","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":53468587229457,"sku":"NIN9781761540257","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781761540257.jpg?v=1773317105"},{"product_id":"vitality-and-change-in-warlpiri-songs-book-georgia-curran-9781743329061","title":"Vitality and Change in Warlpiri Songs","description":"Warlpiri songs hold together the ceremonies that structure and bind social relationships, and encode detailed information about Warlpiri country, cosmology and kinship. Today, only a small group of the oldest generations has full knowledge of ceremonial songs and their associated meanings, and there is widespread concern about the transmission of these songs to future generations.  While musical and cultural change is normal, threats to attrition driven by large-scale external forces including sedentarisation and modernisation put strain on the systems of social relationships that have sustained Warlpiri cultures for millennia. Despite these concerns, songs remain key to Warlpiri identity and cultural heritage.  Vitality and Change in Warlpiri Songs draws together insights from senior Warlpiri singers and custodians of these song traditions, profiling a number of senior singers and their views of the changes that they have witnessed over their lifetimes. The chapters in this book are written by Warlpiri custodians in collaboration with researchers who have worked in Warlpiri communities over the last five decades.  Spanning interdisciplinary perspectives including musicology, linguistics, anthropology, cultural studies, dance ethnography and gender studies, chapters range from documentation of well-known and large-scale Warlpiri ceremonies, to detailed analysis of smaller-scale public rituals and the motivations behind newer innovative forms of ceremonial expression.  Vitality and Change in Warlpiri Songs ultimately uncovers the complexity entailed in maintaining the vital components of classical Warlpiri singing practices and the deep desires that Warlpiri people have to maintain this important element of their cultural identity into the future.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52596187103505,"sku":"NLS9781743329061","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":52754831048977,"sku":"NIN9781743329061","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781743329061.jpg?v=1775728188"},{"product_id":"old-songs-are-always-new-book-genevieve-campbell-9781743329306","title":"The Old Songs are Always New","description":"\u003cp\u003e\u003cstrong\u003eIt's really great. It's like they're all here. I hear all of these voices and I sing with them, you know? - Yikliya Eustace Tipiloura, senior songman and Elder\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003ePerhaps the most defining feature of Tiwi song is the importance placed on the creative innovation of the individual singer\/composer. Tiwi songs are fundamentally new, unique and occasion specific, and yet sit within a continuum of an oral artistic tradition. Performed in ceremony, at public events, for art and for fun, songs form the core of the Tiwi knowledge system and historical archive. 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