{"title":"Literary Criticism In Perspective","description":null,"products":[{"product_id":"heinrich-boell-book-reinhard-k-zachau-9781879751958","title":"Heinrich Boell","description":"Survey of the critical response to Heinrich Boell, one of the most popular modern German writers.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49598171840785,"sku":"GOR012592465","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/187975195X.jpg?v=1750726176"},{"product_id":"oscar-wilde-in-the-1990s-book-melissa-knox-9781571130426","title":"Oscar Wilde in the 1990s","description":"An examination of the most significant literary criticism on Wilde at the turn of the century.  In 1891, Oscar Wilde defined 'the highest criticism' as 'the record of one's own soul, and insisted that only by 'intensifying his own personality' could the critic interpret the personality and work of others. This book exploreswhat Wilde meant by that statement, arguing that it provides the best standard for judging literary criticism about Wilde a century after his death.  Melissa Knox examines a range of Wilde criticism in English -- including the work of Lawrence Danson, Michael Patrick Gillespie, Ed Cohen, and Julia Prewitt Brown. Applying Wilde's standards to his critics, Knox discovers that the best of them take to heart Wilde's idea of the aim of criticism -- 'to see theobject as in itself it really is not.' By this, Wilde appreciates Walter Pater's profound observation that everyone sees through a 'thick wall of personality' and that, therefore, objectivity as conceived by Matthew Arnold does not exist. Admiring Pater, Wilde became a prophet for Freud, his exact contemporary. Their intellectual sympathies, made obvious in Knox's exegesis, help to make the case for Wilde as a modern, not a Victorian.    Melissa Knox's book Oscar Wilde: A Long and Lovely Suicide was published in 1994. She teaches at the University of Duisburg-Essen, Germany.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49621090271505,"sku":"GOR013583065","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52613888442641,"sku":"NLS9781571130426","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/157113042X.jpg?v=1750762043"},{"product_id":"afterlife-of-edgar-allan-poe-book-scott-peeples-9781571133571","title":"The Afterlife of Edgar Allan Poe","description":"A study of the controversy-filled scholarship on Poe from the time of his death to the present.  Controversies abound in studies of Edgar Allan Poe. From the time of his death well into the twentieth century, partisans debated the issue of his character: was he an alcoholic? drug addict? pathological liar? necrophile? In the1920s and 30s, psychoanalytic critics sought to divorce the study of Poe from Victorian moral concerns but in the process made scandalous claims by linking Poe's dream-like stories to his personality. The status of Poe's literaryproductions was similarly disputed; dismissed by the New Critics but championed by poets such as William Carlos Williams and Allen Tate. Recent scholars have debated the meaning and significance of Poe's representations of race, class, and gender, often returning to the character issue: how racist and misogynist was he, and how important are those questions to understanding his work? Finally, how have the seemingly countless plays, films, novels, comic books, and pop music experiments based on his image and works intertwined with academic study of Poe? 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The ever-growing body of criticism on Willa Cather and her fiction is indicative of her enduring position as a pre-eminent figure of twentieth-century American literature. It has been spurred by the challenge of situating Cather in relation to established critical approaches. Since the 1920s, Cather's work has been praised by critics for its realism, innovative form, and diversity; simultaneously, it has been derided as nostalgic, anti-modern, and narrow. Drawing on monographs, edited collections, journal articles, and society publications, Willa Cather: The Critical Conversation provides Cather scholars and students at the graduate and undergraduate levels with an accessible overview of Cather's critical reception through the first two decades of the twenty-first century. 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James Baldwin is a widely taught and anthologized author. His short story \"Sonny's Blues\" remains a perennial favorite in literature anthologies, and all of his essay collections and novels are still in print. His first essay collection, Notes of a Native Son, is a seminal work that led a new generation of African American writers from beneath the shadow of Richard Wright. The Fire Next Time is widely held as one of the most profound and accurate articulations of black consciousness during the Civil Rights movement. It is difficult to imagine teaching a survey of African American literature or considering the development of black intellectual thought in the twentiethcentury without mentioning Baldwin.  For more than half a century, readers and critics alike have agreed that Baldwin is a major African American writer. What they do not agree on is why. 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Although some of Henry James's contemporary critics deemed him just short of a great writer, history has elevated him to indisputable preeminence in the American canon. Linda Simon chronicles and analyzes James criticism beginningwith contemporary newspaper and magazine reviews and ending with current academic criticism. The story begins in the 1870s, when critics saw James's works as mirrors of American identity and sought to establish him in the nation's evolving canon. James himself worked to secure that place with his prefaces to the standard edition of his works; Simon analyzes criticism about those prefaces. She also shows how James's reputation became contested after his death: praised by some critics for psychological insight and stylistic innovation, he was dismissed by others as socially and politically irrelevant. 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Harriet Beecher Stowe and Frederick Douglass represent a crucial strand in nineteenth-century American literature: the struggle for the abolition of slavery. Yet there has been no thoroughgoing discussion of the critical receptionof these two giants of abolitionist literature. Reading Abolition narrates and explores the parallels between Stowe's critical reception and Douglass's. The book begins with Stowe's Uncle Tom's Cabin, considering its initial celebration as a work of genius and conscience, its subsequent dismissal in the early twentieth century as anti-Southern and in the mid-twentieth century as racially stereotypical, and finally its recent recovery as a classic of women's, religious, and political fiction. It also considers the reception of Stowe's other, less well-known novels, non-fictional works, and poetry, and how engaging the full Stowe canon has changed the shape of Stowe studies. 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Among the most important English novelists, Jane Austen is unusual because she is esteemed not only by academics but by the reading public. Her novels continue to sell well, and films adapted from her works enjoy strong box-officesuccess. The trajectory of Austen criticism is intriguing, especially when one compares it to that of other nineteenth-century English writers. At least partly because she was a woman in the early nineteenth century, she was longneglected by critics, hardly considered a major figure in English literature until well into the twentieth century, a hundred years after her death. Yet consequently she did not suffer from the reaction against Victorianism thatdid so much to hurt the reputation of Dickens, Tennyson, Arnold, and others. 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Winner of the Toni Morrison Society Book Prize for Best Single-Authored Book, 2019-2022   Toni Morrison (1931-2019) is the most important American novelist since Faulkner, the most significant American woman writer since Dickinson, and the most widely read African American public intellectual of the last half century. Her influence as a writer, critic, editor, teacher, and scholar is profound: she changed the face of literature and literary criticism in the US, if not worldwide. Yet despite the ever-expanding field of Morrison scholarship, no book tracing her critical reception has existed, until now. The book is as much a cultural history of America as a reception history of an American writer.  Morrison worked brilliantly in many genres - fiction, of course (novels and short stories); drama\/staged performance; poetry; non-fiction on historical, social, and political issues; and critical writings on the work of others and on her own work. 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Undoubtedly the best-selling author of his day and well loved by readers in succeeding generations, Charles Dickens was not always a favorite among critics. Celebrated for his novels advocating social reform, for half a century after his death he was ridiculed by those academics who condescended to write about him. Only the faithful band of devotees who called themselves Dickensians kept alive an interest in his work. Then, during the Second World War, hewas resurrected by critics, and was soon being hailed as the foremost writer of his age, a literary genius alongside Shakespeare and Milton. More recently, Dickens has again been taken to task by a new breed of literary theoristswho fault his chauvinism and imperialist attitudes. Whether he has been adored or despised, however, one thing is certain: no other Victorian novelist has generated more critical commentary. 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Hemingway burst on the literary scene in the 1920s with spare, penetrating short stories and brilliant novels. Soon he was held as a standard for modern writers. Meanwhile, he used his celebrity to create a persona like the stoic,macho heroes of his fiction. After a decline during the 1930s and 1940s, he came roaring back with The Old Man and the Sea in 1952. Two years later he received the Nobel Prize.  While his popularity waxed and waned during his lifetime, Hemingway's reputation among scholars remained strong as long as traditional scholarship dominated. New approaches beginning in the 1960s brought a sea change, however, finding grave fault with his work and making him a figure ripe for vilification. Yet during this time scholarship on him continued to appear. His works still sell well, and several are staples on high-school and college syllabi. 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Herman Melville is among the most thoroughly canonized authors in American literature, and the body of criticism dealing with his writing is immense. Until now, however, there has been no standard volume on the history of Melville criticism. That a volume on this subject is timely and important is shown by the number of introductions and companions to Melville's work that have been published during the last few years (none of which focuses on the critical reception of Melville's works), as well as the steady stream of critical monographs and scholarly biographies that have been published on Melville since the 1920s. Melville's Mirrors provides Melville scholars and graduate and undergraduate students with an accessible guide to the story of Melville criticism as it has developed over the years. 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This study traces the critical engagement with McCarthy's work through his changes in genre, style, and interests. It is the story of an ongoing scholarly conversation that follows McCarthy's big questions and posits what some of the answers might be.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":53511252705553,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":53511253393681,"sku":"NGR9781640141926","price":0.0,"currency_code":"GBP","in_stock":false}]},{"product_id":"critical-reception-of-edith-wharton-book-helen-killoran-9781571131010","title":"The Critical Reception of Edith Wharton","description":"Once considered the 'last Victorian,' Edith Wharton and her fiction were at first greeted with the gentility proper to a lady of New York's social elite. Gradually, however, critics became gadflies incessantly buzzing at a Sphinxwho seemed never to comment on her own work. At times, though, her impulses took control and she made remarks in letters and elsewhere that, on the one hand, appear to illuminate the fiction, but on the other, often raise more problems than they solve.  Ironically, now that she is becoming recognized as a Modernist by some, and as perhaps the greatest American writer of her generation, criticism often obfuscates more than it reveals.obfuscates more than itreveals. The reasons reside in critics' loyalties to various theoretical approaches, the objectivity of which are often compromised by political hopes. This volume not only traces and analyzes the development of Whartonian literary criticism in its historical and political contexts, but also allows Edith Wharton, herself a literary critic, to respond to various concepts through the author's deductions and extrapolations from Wharton's own words. ProfessorKilloran's book provides a fresh reading of the best criticism on Wharton and in so doing throws new light on Wharton's works themselves. HELEN KILLORAN is associate professor of English at the University of Ohio, Lancaster.She is past President of the Edith Wharton Society, and author of a number of articles on Wharton and Henry James, as well as a book, Edith Wharton: Art and Allusion (1996).","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":53576608940305,"sku":"CIN1571131019G","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781571131010.jpg?v=1779274857"}],"url":"https:\/\/www.worldofbooks.com\/collections\/literary-criticism-in-perspective-book-series.oembed?page=2","provider":"World of Books ","version":"1.0","type":"link"}