{"title":"Moma Primary Documents","description":"\u003cp\u003eDelve into art history with the MoMA Primary Documents series. Essential reading for students and enthusiasts, these volumes offer unparalleled access to pivotal texts and perspectives shaping modern art. 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This book presents a selection of the period's key voices that have introduced recent critical perspectives. Particular attention is given to the research and viewpoints of a new generation of artists, scholars, and curators who have advanced fresh critical perspectives and who are rewriting their own histories. Their examination of artistic practices and systems of cultural production proposes distinct outlooks for acting in the contemporary world while simultaneously rethinking the significance of the socialist legacy on art today. \u003ci\u003eArt and Theory of Post-1989 Central and Eastern Europe\u003c\/i\u003e is an indispensable volume on modern and contemporary art and theory from the region.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e Contributors. 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It is the first publication to provide comprehensive English translations of Pedrosa's writings, which are indispensable to understanding Brazilian art of the twentieth century. Included texts range from art and architectural criticism and theory to political writings as well as correspondence with his artistic and political interlocutors, among them such luminaries as Andr  Breton, Alexander Calder, Lygia Clark, Ferreira Gullar, Oscar Niemeyer, H lio Oiticica, Pablo Picasso, Luiz In cio Lula da Silva, Harald Szeeman, and Leon Trotsky. The book also features newly-commissioned essays by important scholars in the field that contextualize central themes of Pedrosa's writing and frame the importance of his thought for twentieth-century Brazilian art as well as the history of modernism writ large. These new translations will contribute to the international recognition of M rio Pedrosa's importance to the growing fields of global art history and theory. 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