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The work includes every book published about the band, every article that appeared in a major magazine or journal, chapters and entries in books, and articles from The San Francisco Chronicle and The San Francisco Examiner newspapers. Several magazines in their entirety were devoted (and remain devoted) to following the band, and this bibliography chronicles the material that appeared in those fan magazines. 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These are songs that permeated the culture, through both recordings and performances at political gatherings and concerts alike, and James Perone explores the complex relationship between music and the society in which it is written. This music is not merely an indicator of the development of the American popular song; it both reflected and shaped the attitudes of all who were exposed to it.    Whereas in previous wars, musicians rallied behind the government in the way of Aaron Copland and Samuel Barber, the Vietnam conflict provoked anger, frustration, and rage, all of which comes through in the songs of the time. This reference work provides indispensable coverage of this phenomenon, in chapters devoted to Anti-War Songs, Pro-Government Songs, and what might be called Plight-of-the-Soldier (or Veteran) songs. 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Scholars, researchers, students, and reference librarians will find that this guide makes searching easier; bibliographers will welcome its detailed and helpful bibliographies. . . . A very fine addition for all music and academic libraries. Choice  This comprehensive guide is the first to cover the full range of black activity in classical music, with more than 4,000 references to over 300 performers and ensembles. Compiler John Gray has organized a wealth of resources spanning from the mid-eighteenth century to the present, and ranging geographically from Europe and Africa to the United States, Latin America, and the Caribbean. 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