{"title":"Oxford Studies In American Literary History","description":"\u003cp\u003eDive into American literary history with this essential series. Explore critical perspectives and in-depth analysis of significant authors and movements. Ideal for students and scholars seeking a deeper understanding.\u003c\/p\u003e","products":[{"product_id":"propaganda-1776-book-russ-castronovo-9780190677497","title":"Propaganda 1776","description":"1776 symbolizes a moment, both historical and mythic, of democracy in action. That year witnessed the release of a document, which Edward Bernays, the so-called father of public relations and spin, would later label as a masterstroke of propaganda. 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While declarations about self-evident truths were important to liberty, the path toward American independence required above all else the spread of unreliable intelligence that travelled at such a pace that it could be neither confirmed nor refuted. By tracking the movements of stolen documents and leaked confidential letters, this book argues that media dissemination created a vital but seldom acknowledged connection between propaganda and democracy.   The spread of revolutionary material in the form of newspapers, pamphlets, broadsides, letters, songs, and poems across British North America created multiple networks that spawned new and often radical ideas about political communication. Communication itself became revolutionary in ways that revealed circulation to be propaganda's most vital content. By examining the kinetic aspects of print culture, Propaganda 1776 shows how the mobility of letters, pamphlets, and other texts amounts to political activity par excellence. With original examinations of Ben Franklin, Mercy Otis Warren, Tom Paine, and Philip Freneau, among a crowd of other notorious propagandists, this book examines how colonial men and women popularized and spread the patriot cause across America.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49552687235345,"sku":"GOR013617742","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":50999646126353,"sku":"NIN9780190677497","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52488668971281,"sku":"NLS9780190677497","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/019067749X.jpg?v=1751226759"},{"product_id":"american-tyrannies-in-the-long-age-of-napoleon-book-elizabeth-duquette-9780192899880","title":"American Tyrannies in the Long Age of Napoleon","description":"What if the American experiment is twofold, encompassing both democracy and tyranny? 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This stereotyped character appears primarily in the pulpy sensation fiction of popular writers like George Lippard, Ned Buntline, Emerson Bennett, and others. But this figure also plays an important role in the sometimes sensational work of canonical writers such as Nathaniel Hawthorne, Edgar Allan Poe, and Walt Whitman. Whatever the medium, this character, always overdetermined, does consistent cultural work. This book contends that, as the figure who embodies money and capitalism in the antebellum imagination, the sensational Jew is the character who most fully represents a felt anxiety about the increasingly unstable nature of a range of social categories in the antebellum US, and the sense of loss and self-hatred so often lurking in the background of modern Gentile identity. 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It argues that the picturesque was not simply a landscape aesthetic, but also a discipline of seeing and imaginatively shaping the natural that was widely embraced by bourgeois Americans to transform the national landscape in their own image. Through the picturesque, mid-century bourgeois Americans remade rural spaces into tourist scenery, celebrated the city streets as spaces of cultural diversity, created new urban public parks, and made suburban domesticity a national ideal. This picturesque transformation was promoted in a variety of popular literary genres, all focused on landscape description and all of which trained readers into the protocols of picturesque visual discipline as social reform. Many of these genres have since been dubbed \"minor\" or have been forgotten by our literary history, but the ranks of the writers of this picturesque literature include everyone from the most canonical (Hawthorne, Melville, Thoreau, Emerson, and Poe), to major authors of the period now less familiar (such as Henry Wadsworth Longfellow, Lydia Maria Child, Nathaniel Parker Willis, and Margaret Fuller), to those now completely forgotten. Individual chapters of the book link picturesque literary genres to the spaces that the genres helped to transform and, in the process, create what is recognizably our modern American landscape.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49755182366993,"sku":"NGR9780192894557","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52488829010193,"sku":"NLS9780192894557","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0192894552.jpg?v=1751258490"},{"product_id":"anxieties-of-experience-book-jeffrey-lawrence-9780190690205","title":"Anxieties of Experience","description":"Anxieties of Experience: The Literatures of the Americas from Whitman to Bolaño offers a new interpretation of US and Latin American literature from the nineteenth century to the present. 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The book's unique focus is the aesthetic, sensory, and emotional legacies of petroleum, from its rise to the preeminent modern fossil fuel during World War I through the current era of so-called \"Tough Oil.\" LeMenager explores the uncomfortable, mixed feelings produced by oil's omnipresence in cultural artifacts such as books, films, hamburgers, and Aspirin tablets. The book makes a strong argument for the region as a vital intellectual frame for the study of fossil fuels, because at the regional level we can better recognize the material effects of petroleum on the day-to-day lives of humans and other, non-human lives. The fluid mobility of oil carries the book outside the United States, for instance to Alberta and Nigeria, emphasizing how both international and domestic resource regions have been mined to produce the idealized modern cultures of the so-called American Century.","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50120480194833,"sku":"CIN0190461977VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50204090728721,"sku":"CIN0190461977G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":50999592386833,"sku":"NIN9780190461973","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52488719696145,"sku":"NLS9780190461973","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0190461977.jpg?v=1751100852"},{"product_id":"propaganda-1776-book-russ-castronovo-9780199354900","title":"Propaganda 1776","description":"Propaganda 1776 reframes the culture of the U.S. Revolution and early Republic, revealing it to be rooted in a vast network of propaganda. Truth, clarity, and honesty were declared virtues of the period-but rumors, falsehoods, forgeries, and unauthorized publication were no less the life's blood of liberty. Looking at famous patriots like George Washington, Benjamin Franklin, Thomas Paine; the playwright Mary Otis Warren; and the poet Philip Freneau, Castronovo provides various anecdotes that demonstrate the ways propaganda was - contrary to our instinctual understanding - fundamental to democracy rather than antithetical to it. 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Arguing that we must stop thinking of neoliberalism as a set of norms, ideological beliefs, or market principles that can be countered with a more just set of norms, beliefs, and principles, Huehls instead insists that we must start to appreciate neoliberalism as a post-normative ontological phenomenon. That is, it's not something that requires us to think or act a certain way; it's something that requires us to be in and occupy space in a certain way. 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Through a close analysis of previously overlooked texts, Unscripted America places American Indian languages within transatlantic intellectual history, while also demonstrating how American letters emerged in the 1810s through 1830s via a complex and hitherto unexplored engagement with the legacies and aesthetic possibilities of indigenous words.   Unscripted America contends that what scholars have more traditionally understood through the Romantic ideology of the noble savage, a vessel of antiquity among dying populations, was in fact a palimpsest of still-living indigenous populations whose presence in American literature remains traceable through words. By examining the foundation of the literary nation through language, writing, and literacy, Unscripted America revisits common conceptions regarding \"early america\" and its origins to demonstrate how the understanding of America developed out of a steadfast connection to American Indians, both past and present.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50999571874065,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":50999574528273,"sku":"NIN9780190077815","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52479309250833,"sku":"NLS9780190077815","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0190077816.jpg?v=1751355770"},{"product_id":"writing-the-rebellion-book-philip-gould-9780190494469","title":"Writing the Rebellion","description":"Writing the Rebellion presents a cultural history of loyalist writing in early America. 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Another chapter turns to Loyalist critiques of Congressional language and especially the Continental Association, which was responsible for radical and increasingly violent measures against the Loyalists. The second half of Gould's book looks at satiric adaptations of the ancient ballad tradition to see what happens when patriots and loyalists interpret and adapt the same text (or texts) for distinctive yet related purposes. The last two chapters look at the Loyalist response to Thomas Paine's Common Sense and the ways the concept of the author became defined in early America. 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Upon first hearing Ojibwe, Nicolas observed that he had encountered the most barbaric language in the world--but after listening to and studying approximately fifteen Algonquian languages over a ten-year period, he wrote that he had \"discovered all of the secrets of the most beautiful languages in the universe.\"   Unscripted America is a study of how colonists in North America struggled to understand, translate, and interpret Native American languages, and the significance of these languages for theological and cosmological issues such as the origins of Amerindian populations, their relationship to Eurasian and Biblical peoples, and the origins of language itself. Through a close analysis of previously overlooked texts, Unscripted America places American Indian languages within transatlantic intellectual history, while also demonstrating how American letters emerged in the 1810s through 1830s via a complex and hitherto unexplored engagement with the legacies and aesthetic possibilities of indigenous words.   Unscripted America contends that what scholars have more traditionally understood through the Romantic ideology of the noble savage, a vessel of antiquity among dying populations, was in fact a palimpsest of still-living indigenous populations whose presence in American literature remains traceable through words. By examining the foundation of the literary nation through language, writing, and literacy, Unscripted America revisits common conceptions regarding \"early america\" and its origins to demonstrate how the understanding of America developed out of a steadfast connection to American Indians, both past and present.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50999629152529,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":50999631741201,"sku":"NIN9780190492564","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52488716419345,"sku":"NLS9780190492564","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0190492562.jpg?v=1750972418"},{"product_id":"surveyors-of-customs-book-joel-pfister-9780190876555","title":"Surveyors of Customs","description":"In 1850, Nathaniel Hawthorne, fired from Salem's Custom House and returning to writing, reconceived his old job title, Surveyor of Customs, as his new one. Taking seriously this naming of the American author's project, Joel Pfister argues that writers from Benjamin Franklin to Louise Erdrich can be read as critical \"surveyors\" of customs, culture, hegemony, capitalism's emotional logic, and much else.  Literary surveyors have helped make possible and can advance what we now call cultural analysis. In recent decades cultural theory and history have changed how we read literature. Literature can return the favor. America's achievement as a literary nation has contributed creatively to its accomplishment as a self-critical nation. The surveyors convened herein wrote novels, stories, plays, poetry, essays, autobiography, journals, and cultural criticism. Surveyors of Customs explores literature's insights into how America--its soft capitalism, its \"democratized\" inequality, its Americanization of power--\"ticks.\"   Historical--and timely--questions abound. When and why did capitalism invest in the secular \"soul-making\" business and what roles did literature play in this? What does literature teach us about its relationship to the establishment of a personnel culture that moved beyond self-help incentive-making and intensified Americans' preoccupations with personal life to turn them into personnel? How did literature contribute to the reproduction of \"classless\" class relations and what does this say about dress-down politics and class formation in our Second Gilded Age?","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50999639802129,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":50999642816785,"sku":"NIN9780190876555","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52124053471505,"sku":"NLS9780190876555","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0190876557.jpg?v=1751131925"},{"product_id":"territories-of-empire-book-andy-doolen-9780190931339","title":"Territories of Empire","description":"In contrast to later imperial pursuits in Mexico, Cuba, and the Philippines, the early United States extended its boundaries through less sensational modes of territorialization: land deals, slavery expansion, treaty diplomacy, immigration and settlement, and the addition of new states on the border. Never the exclusive top-down product of any single strategic plan, empire building relied rather on a hazy, ever-shifting boundary between state and non-state action.  Territories of Empire examines the border writings of U.S. explorers, politicians, travelers, novelists, merchants, newspapermen, and other eye-witnesses to the rapid expansion of the United States in the aftermath of the Louisiana Purchase. It traces how different authors and texts imagined the relations between nation-state and border and reveals how continental ambitions were achieved through the uneven and unpredictable process of territorialization. Andy Doolen looks to writings as dissimilar as Kentucky newspaper accounts of the Aaron Burr conspiracy, the explorer Zebulon Pike's 1810 account of making peace with the Santee Sioux before becoming terribly lost near the upper Rio Grande, and Timothy Flint's 1826 novel about a young New Englander who fights in the Mexican independence struggle in showing how national sentiments were galvanized in support of greater territorial and commercial growth. To this end, Doolen makes clear how both private citizens and government officials collectively authored the spatial logic of a continental republic.  Combining textual analysis with theories of transnationalism and empire, Territories of Empire reconstructs the development of a continental imaginary highly attuned to the objectives of U.S. imperialism, while often betraying an unsettling awareness of resistance and diversity beyond the border.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50999675355409,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":50999678238993,"sku":"NIN9780190931339","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52488822063377,"sku":"NLS9780190931339","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0190931337.jpg?v=1750694710"},{"product_id":"writing-pain-in-the-nineteenth-century-united-states-book-thomas-constantinesco-9780192855596","title":"Writing Pain in the Nineteenth-Century United States","description":"Writing Pain in the Nineteenth-Century United States examines how pain is represented in a range of literary texts and genres from the nineteenth-century US. It considers the aesthetic, philosophical, and ethical implications of pain across the works of Ralph Waldo Emerson, Harriet Jacobs, Emily Dickinson, Henry James, Elizabeth Stuart Phelps, and Alice James, as the national culture of pain progressively transformed in the wake of the invention of anesthesia.  Through examining the work of nineteenth-century writers, Constantinesco argues that pain, while undeniably destructive, also generates language and identities, and demonstrates how literature participates in theorizing the problems of mind and body that undergird the deep chasms of selfhood, sociality, gender, and race of a formative period in American history. Writing Pain in the Nineteenth-Century United States considers first Emerson's philosophy of compensation, which promises to convert pain into gain. It also explores the limitations of this model, showing how Jacobs contests the division of body and mind that underwrites it and how Dickinson challenges its alleged universalism by foregrounding the unshareability of pain as a paradoxical measure of togetherness. It then investigates the concurrent economies of affects in which pain was implicated during and after the Civil War and argues, through the example of James and Phelps, for queer sociality as a response to the heteronormative violence of sentimentalism. The last chapter on Alice James extends the critique of sentimental sympathy while returning to the book's premise that pain is generative and the site of thought. By linking literary formalism with individual and social formation, Writing Pain in the Nineteenth-Century United States eventually claims close reading as a method to recover the theoretical work of literature.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50999716315409,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":50999719854353,"sku":"NIN9780192855596","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/019285559X.jpg?v=1750908484"},{"product_id":"schools-of-fiction-book-morgan-day-frank-9780192867506","title":"Schools of Fiction","description":"In Schools of Fiction, Morgan Day Frank considers a bizarre but integral feature of the modern educational experience: that teachers enthusiastically teach literary works that have terrible things to say about school. From Ishmael's insistence in Herman Melville's Moby-Dick that \"a whale-ship was my Yale College and my Harvard,\" to the unnamed narrator's expulsion from his southern college in Ralph Ellison's Invisible Man, the most frequently taught books in the English curriculum tend to be those that cast the school as a stultifying and inhumane social institution. Why have educators preferred the anti-scholasticism of the American romance tradition to the didacticism of sentimentalists? Why have they organized \"African American literature\" as a discursive category around texts that despaired of the post-Reconstruction institutional system? Why did they start teaching novels, that literary form whose \"very nature,\" in Mikhail Bakhtin's words, is \"not canonic\"?  Reading literature in class is a paradoxical undertaking that, according to Day Frank, has proved foundational to the development of American formal education over the last two centuries, allowing the school to claim access to a social world external to itself. By drawing attention to the transformative effect literature has had on the school, Schools of Fiction challenges some of our core assumptions about the nature of cultural administration and the place of English in the curriculum. The educational system, Day Frank argues, has depended historically on the cultural objects whose existence it is ordinarily thought to govern and the academic subject it is ordinarily thought to have marginalized.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50999717626129,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":50999720313105,"sku":"NIN9780192867506","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0192867504.jpg?v=1750843184"},{"product_id":"slavery-surveillance-and-genre-in-antebellum-united-states-literature-book-kelly-ross-9780192856272","title":"Slavery, Surveillance, and Genre in Antebellum United States Literature","description":"Slavery, Surveillance, and Genre in Antebellum United States Literature argues for the existence of deep, often unexamined, interconnections between genre and race by tracing how surveillance migrates from the literature of slavery to crime, gothic, and detective fiction. Attending to the long history of surveillance and policing of African Americans, the book challenges the traditional conception of surveillance as a top-down enterprise, equally addressing the tactics of sousveillance (watching from below) that enslaved people and their allies used to resist, escape, or merely survive racial subjugation.   Examining the dialectic of racialized surveillance and sousveillance from fugitive slave narratives to fictional genres focused on crime and detection, the book shows how these genres share a thematic concern with the surveillance of racialized bodies and formal experimentation with ways of telling a story in which certain information is either rendered visible or kept hidden. Through close readings of understudied fugitive slave narratives published in the 1820s and 1830s, as well as texts by Edgar Allan Poe, Herman Melville, Frederick Douglass, Hannah Crafts, and Harriet Jacobs, Ross analyzes the different ways white and black authors take up these issues in their writing--from calming white fears of enslaved rebellion to abolishing slavery--and demonstrates how literary representations ultimately destabilize any clear-cut opposition between watching from above and below. In so doing, the book demonstrates the importance of race to surveillance studies and claims a greater role for the impact of surveillance on literary expression in the US during the era of slavery.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50999719559441,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":50999722541329,"sku":"NIN9780192856272","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0192856278.jpg?v=1776940112"},{"product_id":"literary-neurophysiology-book-randall-knoper-9780192845504","title":"Literary Neurophysiology","description":"Writing about the brain and the nervous system more than a century ago, what were U.S. authors doing? Literary Neurophysiology: Memory, Race, Sex, and Representation in U.S. Writing, 1860-1914 examines their use of literature to experiment with the new materialist psychology, a science that was challenging their capacity to represent reality and forging new understandings of race and sexuality.   Late-nineteenth and eartly-twentieth century authors sometimes emulated scientific epistemology, allowing their art and conceptions of creativity to be reshaped by it, but more often they imaginatively investigated neurophysiological theories, challenging and rewriting scientific explanations of human identity and behavior. By enfolding physiological experimentation into literary inquiries that could nonreductively account for psychological and social complexities beyond the reach of the laboratory, they used literature as a cognitive medium. Mark Twain, W. D. Howells, and Gertrude Stein come together as they probe the effects on mimesis and creativity of reflex-based automatisms and unconscious meaning-making. Oliver Wendell Holmes explores conceptions of racial nerve force elaborated in population statistics and biopolitics, while W. E. B. Du Bois and Pauline Hopkins contest notions of racial energy used to predict the extinction of African Americans. Holmes explores new definitions of \"sexual inversion\" as, in divergent ways, Whitman and John Addington Symonds evaluate relations among nerve force, human fecundity, and the supposed grave of nonreproductive sex. Carefully tracing entanglements and conflicts between literary culture and mental science of this period, Knoper reveals unexpected connections among these authors and fresh insights into the science they confronted. 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Regionalism is usually understood to be a literature bound to the local, but this study explores how regional writing shapes ways of imagining not only the neighborhood or the province, but also the nation, and ultimately the world. Its key premise is that thinking about place always entails imagining time. It analyzes how concepts crystallize across disciplines and in everyday discourse and proposes ways of revising American literary history and close readings of particular authors' work. It demonstrates, for example, the importance of the figure of the school-teacher and the one-room schoolhouse in local color and subsequent place-focused writing. Such representations embody the contested relation in modernity between localities and the knowledge they produce, and books that carry metropolitan and cosmopolitan learning. The volume discusses fiction from the nineteenth, twentieth, and twenty-first centuries, including works by Sui Sin Far\/Edith Eaton, Sarah Orne Jewett, Ernest Gaines, Wendell Berry, and Ursula LeGuin as well as romance novels and regional mysteries.","brand":"WoB","offers":[{"title":"US \/ NEW \/ INGRAM","offer_id":50999729094929,"sku":"NIN9780192871695","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0192871692.jpg?v=1751258469"},{"product_id":"american-house-poem-1945-2021-book-walt-hunter-9780192856258","title":"The American House Poem, 1945-2021","description":"The house is perhaps the most recognizable emblem of the American ideals of self-making: prosperity, stability, domesticity, and upward mobility. Yet over the years from 1945-2021, the American house becomes more famous for the betrayal of those hopes than for their fulfilment: first, through the segregation of cities and public housing; then through the expansion of private credit that lays the ground for the subprime mortgage crisis of the early twenty-first century. Walt Hunter argues that, as access to housing expands to include a greater share of the US population, the house emerges as a central metaphor for the poetic imagination.   From the kitchenette of Gwendolyn Brooks to the duplex of Jericho Brown, and from the suburban imagination of Adrienne Rich to the epic constructions of James Merrill, the American house poem represents the changing abilities of US poets to imagine new forms of life while also building on the past. In The American House Poem, 1945-2021, Hunter focuses on poets who register the unevenly distributed pressures of successive housing crises by rewriting older poetic forms. Writing about the materials, tools, and plans for making a house, these poets express the tensions between making their lives into art and freeing their lives from inherited constraints and conditions.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50999743250705,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":50999746494737,"sku":"NIN9780192856258","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0192856251.jpg?v=1776938719"},{"product_id":"melville-beauty-and-american-literary-studies-book-cody-marrs-9780192871725","title":"Melville, Beauty, and American Literary Studies","description":"When people think about Herman Melville, they often think about experiences of madness, horror, and the sublime. But throughout his life, Melville was deeply and persistently interested in beauty. In this fascinating book, Cody Marrs retraces Melville's engagements with beauty and provides a revisionary account of Melville's philosophy, aesthetics, and literary career. In writings such as Moby-Dick, Timoleon, and Weeds and Wildings, Melville reflects on the nature, origins, and effects of beauty, and the ways in which beauty is inexorably bound up with considerations of religion, science, ecology, art, literature, and metaphysics. Melville's writing indicates that beauty is, ultimately, an experience of non-sovereignty, a felt recognition of the self's interdependence.   In a series of fresh readings of Melville's works, ranging from the most to the least canonical, Marrs demonstrates how and why Melville developed this understanding of beauty, and the ways it resonates with recent scholarship on aesthetics, posthumanism, ecocriticism, materialism, and the means and methods of American literary studies. By recentring Melville's treatment of beauty and exploring its philosophical and scholarly implications, Marrs provides a new, evocative perspective on Melville as well as the broader field of American literary studies.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50999743283473,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":50999746691345,"sku":"NIN9780192871725","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0192871722.jpg?v=1750908505"},{"product_id":"haitian-revolution-in-the-early-republic-of-letters-book-duncan-faherty-9780192889157","title":"The Haitian Revolution in the Early Republic of Letters","description":"Concerns about Haiti suffused the early American print public sphere from the outbreak of the revolution in 1791 until well after its conclusion in 1804. The gothic, sentimental, and sensationalist undertones of openly speculative periodical accounts were accelerated within the genre of fiction, where the specter of Haiti was a commonplace trope. Haiti was not an enigma occasionally deployed by American writers, but rather the overt bellwether against which the prospects for national futurity were imagined and interrogated. Ideological representations of Haiti infected the imaginations of early American readers in ways that have yet to be accounted for in American literary history.  Unfortunately, scholars have long occluded how early Americans understood their nation as entwined with Haiti. Faherty aims to counter this tacit disavowal by registering just how obsessed early American readers were with the seismic force of the Haitian Revolution and its capacity to produce aftershocks in the American domestic sphere. In unraveling how American literary history has silenced certain historical contexts around race, citizenship, belonging, and freedom, The Haitian Revolution in the Early Republic of Letters: Incipient Fevers recuperates lost textual objects while redressing a crucial blind spot in American literary history. For myriad writers in the early Republic, Haiti was both unambiguously familiar and categorically incompatible. Synchronously held fast and rejected, Haiti was the ever-present index of the United States: a distorted reflection of the Republic's past, a troubling echo of its present, and a nightmarish harbinger of divisive futures.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50999778345233,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":50999781032209,"sku":"NIN9780192889157","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/019288915X.jpg?v=1751101258"},{"product_id":"earthquake-and-the-invention-of-america-book-anna-brickhouse-9780198914143","title":"Earthquake and the Invention of America","description":"Earthquake and the Invention of America: The Making of Elsewhere Catastrophe explores the role of earthquakes in shaping the deep timeframes and multi-hemispheric geographies of American literary history. Spanning the ancient world to the futuristic continents of speculative fiction, the earthquake stories assembled here together reveal the emergence of a broadly Western cultural syndrome that became an acute national fantasy: elsewhere catastrophe, an unspoken but widely prevalent sense that catastrophe is somehow \"un-American.\" Catastrophe must be elsewhere because it affirms the rightness of \"here\" where conquest, according to the syndrome's logic, did not happen and is not occurring. The psychic investment in elsewhere catastrophe coalesced slowly, across centuries; varieties of it can be found in various European traditions of the modern. Yet in its most striking modes and resonances, elsewhere catastrophe proves fundamental to the invention of US-America--which is why earthquake, as the exemplary elsewhere catastrophe, is the disaster that must always happen far away or be forgotten. The book's eight chapters and epilogue range from Plato to the Puritans, from El Inca Garcilaso de la Vega and Voltaire to Herman Melville and N.K. Jemisin, examining along the way the seismic imaginings of Edgar Allan Poe, James Fenimore Cooper, Frederick Douglass, Emily Dickinson, and Jose Martí, among other writers. At the core of the book's inquiries are the earthquakes, historical and imagined, that act as both a recurrent eruptive force and a provocation for disparate modes of critical engagement with the long and catastrophic history of the Americas.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51000054448401,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51000057626897,"sku":"NIN9780198914143","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0198914148.jpg?v=1750940184"},{"product_id":"national-review-s-literary-network-book-stephen-schryer-9780198886204","title":"National Review's Literary Network","description":"National Review's Literary Network traces the careers of novelists, journalists, and literary critics who wrote for William F. Buckley, Jr.'s National Review. In the 1950s, the magazine sought to establish itself as a conservative alternative to liberal journals like Partisan Review. To do so, it needed a robust book review section, featuring nationally recognized writers. Between the 1950s and the 1980s, Whittaker Chambers, John Dos Passos, Hugh Kenner, Guy Davenport, Joan Didion, Garry Wills, and D. Keith Mano wrote for the magazine. The magazine boosted their careers and they, in turn, helped make Buckley's version of conservatism respectable. In the pages of National Review and elsewhere, these writers fashioned a body of literary work that takes up and refracts right-wing concerns about tradition, religion, and personal liberty.  Uncovering a neglected part of post-World War II American literary history, Stephen Schryer highlights these writers' enduring impact on movement conservatism. Believing in the power of intellectuals, Buckley and his fellow editors argued that the academy, the media, and other institutions had been taken over by a liberal establishment that sought to impose its ideas on the nation. They wanted to establish a network of institutional counter-circuits staffed by conservatives. The magazine's literary intellectuals contributed to this effort, helping conservatives present themselves as a counter-elite sheltering traditional, humanities-based knowledge within a technocratic welfare state. 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It offers revisionary readings of works by Charles Brockden Brown, Robert Montgomery Bird, James Fenimore Cooper, Harriet Beecher Stowe, Frederick Douglass, and Nathaniel Hawthorne to show how these Romantic writers were preoccupied with how individuals come to embrace their deepest convictions and what happens when they encounter others who see the world differently.","brand":"WoB","offers":[{"title":"US \/ NEW \/ INGRAM","offer_id":51000088625425,"sku":"NIN9780198891956","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0198891954.jpg?v=1776938927"},{"product_id":"latino-continuum-and-the-nineteenth-century-americas-book-carmen-e-lamas-9780198871484","title":"The Latino Continuum and the Nineteenth-Century Americas","description":"The Latino Continuum and the Nineteenth-Century Americas argues that the process of recovering Latina\/o figures and writings in the nineteenth century does not merely create a bridge between the US and Latin American countries, peoples, and literatures, as they are currently understood. 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To recover this continuum of Latinidad, which is neither confined to the US or Latin American nation states nor located primarily within them, is to recover forgotten histories of the hemisphere, and to find new ways of seeing the past as we have understood it. The figures of the Félix Varela, Miguel Teurbe Tolón, Eusebio Guiteras, José Martí and Martín Morúa Delgado serve as points of departures for this reconceptualization of the intersection between American, Latin American, Cuban, and Latinx studies.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51000087544081,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51000090657041,"sku":"NIN9780198871484","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52516145955089,"sku":"NLS9780198871484","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0198871481.jpg?v=1776940755"},{"product_id":"war-power-book-philip-gould-9780198897354","title":"War Power","description":"What happens if we reconsider the literature of the Civil War North in light of the transformation of the federal state's power? 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