{"title":"Postwestern Horizons","description":"\u003cp\u003eDelve into a captivating series that redefines the Western genre. Postwestern Horizons explores themes of identity, landscape, and change, offering a fresh perspective on classic tropes. Start your journey now.\u003c\/p\u003e","products":[{"product_id":"postwestern-cultures-book-susan-kollin-9780803260443","title":"Postwestern Cultures","description":"Postwestern Cultures synthesizes the most critical topics of contemporary scholarship of the American West within a single volume. This interdisciplinary anthology features leading scholars in the varied fields of western American literary studies and includes new regional studies, global studies, studies of popular culture, environmental criticism, gender and queer theory, and multiculturalism. Postwestern Cultures, like all successful studies of western American literature, is necessarily diverse and wide-ranging; it grasps the multifaceted quality of the landscape, literature, and critical analysis by engaging postmodern theory, spatial theory, cultural studies, and transnational and transcultural understandings of the local. This collection emphasizes the importance of understanding the region not as a confined or static space but as a constantly changing entity in both substance and form. It examines subjects ranging from the use of frontier rhetoric in Japanese American internment camp narratives to the emergence of agricultural tourism in the New West to the application of geographer J. B. Jackson's theories to abandoned western landscapes. Susan Kollin is an associate professor of English at Montana State University and the author of Nature's State: Imagining Alaska as the Last Frontier. 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Teaching Western American Literature features the latest developments in western literary research and cultural studies as well as pedagogical best practices in course development. Contributors provide practical models and suggestions for courses and assignments while presenting concrete strategies for teaching works both inside and outside the canon. In addition, Brady Harrison and Randi Lynn Tanglen have assembled insights from pioneering western studies instructors with workable strategies and practical advice for translating this often complex material for classrooms from freshman writing courses to graduate seminars.  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Just as “western” refers both to a genre and a region, Johnson’s narrative involves a study of both genre and place, a study of the “speculative Wests” that have begun to emerge in contemporary texts such as the zombie-threatened California of Justina Ireland’s Deathless Divide (2020), the reimagined future Navajo nation of Rebecca Roanhorse’s Sixth World series (2018–19), and the complex temporal and geographic borderlands of Alfredo Véa’s time travel novel The Mexican Flyboy (2016). 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Arranged in alphabetical order, from “Alphabet\/Abecedario” to “Zombieland,” Tatum’s essays aim to discover how his eclectic selection of texts both produce uncanny literary effects and bear witness to the entangled capitalist, geopolitical, and ecological crises that shape our external world and our “unhomely” textual worlds.   In keeping with the etymological and conceptual linkage between the unhomely and the uncanny, Tatum’s critical meditations focus on both uncanny textual architectures and architecturally unhomely junkspaces of abandonment and ruin, of corporeal displacement, and of cognitive or affective disorientation. And since an emergent unhomely structure of feeling exposes how our lived present is saturated with history’s apparitional revenants, this collection of essays-comprising a new lexicon of unhomely Wests-conveys a hauntology underwritten by spectrality as a theme, a trope, an image. 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Why is western writing virtually missing from the American literary canon but a frequent success in the marketplace? The skewed status of western literature, Lewis contends, can be directly attributed to the strategies of the region's writers, and these strategies depend consistently on the claim of authenticity. A perusal of western American authorship reveals how these writers effectively present themselves as accurate and reliable recorders of real places, histories, and cultures-but not as stylists or inventors. The imaginative qualities of this literature are thus obscured in the name of authentic reproduction. Through a study of a set of western authors and their relationships to literary and cultural history, Lewis offers a reconsideration of the deceptive and often undervalued history of western American literature. With unequivocal admiration for the literature under scrutiny, Lewis exposes the potential for startling new readings once western writing is freed from its insistence on a questionable authenticity. His book sets out a broader system of inquiry that points writers and critics of western literature in the direction of a new and truly sustaining literary tradition Nathaniel Lewis is an associate professor of English at Saint Michael's College.","brand":"WoB","offers":[{"title":"US \/ NEW \/ INGRAM","offer_id":52740112220433,"sku":"NIN9780803218468","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780803218468.jpg?v=1763481464"},{"product_id":"dirty-wars-book-john-beck-9780803226319","title":"Dirty Wars","description":"Since World War II, the American West has become the nation's military arsenal, proving ground, and disposal site. 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Her 1885 novel called attention to the illegal appropriation of Mexican land by the United States government, and she critiqued the political mores of America after the Civil War in light of the Mexican-American war. Her keen assessment of corporate capitalism at the end of the nineteenth century, frank acknowledgment of feminine desire, and deft insights about economic realities and class relations were unique among her American peers. Using Ruiz de Burton's work to analyze the critical schism conventionally imposed on nineteenth-century literary culture in America, the essays in this collection also draw connections between her work and the contemporary Chicana and Chicano canons. At once richly historical and critically nuanced, these essays appraise a politically complex Mexican American writer alternately celebrated as marginalized and censured for her identification with a social elite. 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