{"title":"Princeton Series In 19th Century Art Culture And Society","description":null,"products":[{"product_id":"art-and-the-french-commune-book-albert-boime-9780691029627","title":"Art and the French Commune","description":"In this bold exploration of the political forces that shaped Impressionism, Albert Boime proposes that at the heart of the modern is a 'guilty secret - the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology. The Commune of 1871 emerged after the Prussian war when the Paris militia chased the central government to Versailles, enabling the working class and its allies to seize control of the capital. Eventually violence engulfed the city as traditional liberals and moderates joined forces with reactionaries to restore Paris to 'order' - the bourgeois order.Here Boime examines the rise of Impressionism in relation to the efforts of the reinstated conservative government to 'rebuild' Paris, to return it to its Haussmannian appearance and erase all reminders of socialist threat. Boime contends that an organized Impressionist movement owed its initiating impulse to its complicity with the state's program. The exuberant street scenes, spaces of leisure and entertainment, sunlit parks and gardens, the entire concourse of movement as filtered through an atmosphere of scintillating light and color all constitute an effort to reclaim Paris visually and symbolically for the bourgeoisie. Amply documented, richly illustrated, and compellingly argued, Boime's thesis serves as a challenge to all cultural historians interested in the rise of modernism.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49507935584529,"sku":"GOR010441904","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50945834418449,"sku":"CIN0691029628VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0691029628.jpg?v=1751041438"},{"product_id":"art-and-the-french-commune-book-albert-boime-9780691015552","title":"Art and the French Commune","description":"In this bold exploration of the political forces that shaped Impressionism, Albert Boime proposes that at the heart of the modern is a \"guilty secret\"--the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology. The Commune of 1871 emerged after the Prussian war when the Paris militia chased the central government to Versailles, enabling the working class and its allies to seize control of the capital. Eventually violence engulfed the city as traditional liberals and moderates joined forces with reactionaries to restore Paris to \"order\"--the bourgeois order. Here Boime examines the rise of Impressionism in relation to the efforts of the reinstated conservative government to \"rebuild\" Paris, to return it to its Haussmannian appearance and erase all reminders of socialist threat. Boime contends that an organized Impressionist movement owed its initiating impulse to its complicity with the state's program.\nThe exuberant street scenes, spaces of leisure and entertainment, sunlit parks and gardens, the entire concourse of movement as filtered through an atmosphere of scintillating light and color all constitute an effort to reclaim Paris visually and symbolically for the bourgeoisie. 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She considers the performative aspect of the trial on its new stage and shows how the controversially ornate design of the courtroom created a heightened sense of theatricality for participants and spectators alike, exacerbating conflicting notions about the theory and practice of criminal justice. The tension caused by the blending of the inquisitorial procedure of the ancien régime with an accusatorial one in the modern criminal courtroom expressed a larger conflict concerning sources and types of authority, their styles, and their bases for judging evidence--a conflict played out in the representation of authority in many public buildings of the post-Revolutionary era.   This work treats the relationship between judicial and political doctrine and social practice in cultural terms, particularly those of architecture, art, and theater. It offers a unique type of architectural history by interpreting a building through its use and users; it differs from most historical studies of trials by concentrating on the stakes of visual representation.","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":49936474997009,"sku":"CIN0691032149VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50359466361105,"sku":"CIN0691032149G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0691032149.jpg?v=1751360948"},{"product_id":"painting-and-the-journal-of-eugene-delacroix-book-michele-hannoosh-9780691043944","title":"Painting and the Journal of Eugene Delacroix","description":"The \"Journal\" of Eugene Delacroix is one of the most important works in the literature of art history: the record of a life at once private and public, it is also one of the richest and most fascinating documents of the 19th century, as Delacroix reflects throughout on the relations betweeb the arts, especially painting and writing. Indeed, he approaches the question from a unique perspective, that of a painter who wrote extensively and theorized his own writing in the \"Journal\", a painter who had a passion for literature and a powerful literary imagination, a narrative painter whose work is rooted in literature and the library. This book explores the importance of this relation for Delacroix's aesthetic theory and artistic practice. Countering the long critical tradition which sees his writing as the inverse of his painting, it argues that, through his diary and art criticism, he sought to develop a painter's writing, proper to painting itself, and that such a writing is closely related to his conception of pictorial art. This approach has significant implications for interpreting the narratives of his public decorations, four of which are analyzed here: the library schemes of the Senate and the Assemble Nationale, the Apollo Gallery in the Louvre, and the Chapel of the Holy Angels at the church of Saint-Sulpice. Delacroix's ideas on the theoretical and practical relations between writing and painting, narrative and the image, are shown to be central not only to his aesthetic, but also to his views on civilization, history and culture, and on the role of the artist in the modern world.","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50001387487505,"sku":"CIN0691043949VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0691043949.jpg?v=1751327165"},{"product_id":"twelve-views-of-manet-s-bar-book-bradford-collins-9780691036915","title":"Twelve Views of Manet's Bar","description":"Bradford Collins has assembled here a collection of twelve essays that demonstrates, through the interpretation of a single work of art, the abundance and complexity of methodological approaches now available to art historians. Focusing on Manet's A Bar at the Folies-Bergere, each contributor applies to it a different methodology, ranging from the more traditional to the newer, including feminism, Marxism, Lacanian psychoanalysis, and semiotics. By demonstrating the ways that individual practitioners actually apply the various methodological insights that inform their research, Twelve Views of Manet's \"Bar\" serves as an excellent introduction to critical methodology as well as a provocative overview for those already familiar with the current discourse of art history. In the process of gaining new insight into Manet's work, and into the discourse of methodology, one discovers that it is not only the individual painting but art history itself that is under investigation. An introduction by Richard Shiff sets the background with a brief history of Manet scholarship and suggestions as to why today's accounts have taken certain distinct directions.\nThe contributors, selected to provide a broad and balanced range of methodological approaches, include: Carol Armstrong, Albert Boime, David Carrier, Kermit Champa, Bradford R. Collins, Michael Paul Driskel, Jack Flam, Tag Gronberg, James D. Herbert, John House, Steven Z. 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In the Holy Land, they saw a metaphor for their own country, created for a modern chosen people.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50359633248529,"sku":"CIN0691043736G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":53203701432593,"sku":"CIN0691043736VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0691043736.jpg?v=1750783959"},{"product_id":"plight-of-emulation-book-marc-gotlieb-9780691043746","title":"The Plight of Emulation","description":"This work reappraises the work of the 19th-century French painter, Ernest Meissonier. Hailed as a master by his contemporaries, Meissonier's work was largely dismissed by modernist critics. 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