{"title":"Public Sculpture Of Britain","description":"\u003cp\u003eDelve into Britain's artistic heritage with this insightful series. From iconic landmarks to hidden gems, discover the stories behind the sculptures that shape our landscapes and public spaces. Start exploring today!\u003c\/p\u003e","products":[{"product_id":"public-sculpture-of-sheffield-and-south-yorkshire-book-darcy-white-9781781381687","title":"Public Sculpture of Sheffield and South Yorkshire","description":"This book provides a detailed survey of the significant public sculpture located across South Yorkshire, including statues, memorials, architectural sculpture and reliefs. Each artwork is fully discussed in terms of the circumstances of its commission, the design and making process, and public responses. Style and iconography is also covered. The range of works available in the region is impressive with notable contributions by some of the country’s most significant artists including the very earliest works by Sir Francis Chantrey in Sheffield and later work at Owston, a double memorial by Peter Scheemakers at Barnby Dun, a Pomeroy frieze and other reliefs on Sheffield’s Town Hall, and work by Onslow Ford, Alfred Turner and Alfred Drury.  Many of the memorials and sculptural works relate to the region’s industry which was based on coal mining, steel production and related manufacture. This is reflected in nineteenth, twentieth and twenty first century pieces, sometimes commissioned to remember significant industrial disasters or to register the demise of the mining industry. In other cases sculpture has been commissioned to celebrate the endeavour of the local population.  In terms of local talent the work of Frank Tory \u0026amp; Sons stands out; a highly skilled and prolific family of local sculptors. From the 1880s onwards this family produced beautiful examples of stone and wood carving, and through the first half of the twentieth century, a long period marked by significant stylistic developments. More recently, Sheffield and South Yorkshire has made a significant contribution to the renaissance in public art in Britain from the 1980s onwards and there is much contemporary work that is of interest in its towns and cities.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49507212558609,"sku":"GOR011923389","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1781381682.jpg?v=1751423816"},{"product_id":"public-sculpture-of-greater-manchester-book-terry-wyke-9780853235675","title":"Public Sculpture of Greater Manchester","description":"Covering the area formerly administered by the Greater Manchester Metropolitan Council, Public Sculpture of Greater Manchester focuses on the communities at the heart of the industrial revolution in Britain (Manchester, Salford, Bolton, Bury, Oldham, Rochdale, Stockport, Tameside, Trafford and Wigan), exploring both the connections and the differences among them. Although Manchester’s first free-standing public statue – Francis Chantrey’s portrait of the scientist John Dalton – dates from 1838, it was the wave of public commemoration following the death of Sir Robert Peel in 1850 that proved the decisive event for public statuary in the region, with statues being raised to Peel in Manchester, Salford and Bury. Salford’s Peel Park, opened in 1846, displayed one of the first groups of public statues in Britain. Politics were never far away, with the placing of statues of three living Liberals – Gladstone, Bright and Villiers – in Manchester town hall (also famous for Ford Madox Brown’s murals) marking the strong association of the area with free trade policies. Harry Bates’s Socrates Teaching the People in the Agora, at Manchester University, is one of the most significant examples of the ‘New Sculpture’; notable twentieth-century works include Eric Gill’s relief St Mary, St Denys, St George and the Christ Child for Manchester Cathedral and Barbara Hepworth’s Two Forms (Divided Circle) in Bolton. The 30-mile Irwell Sculpture Trail, following the River Irwell from Salford Quays through Bury to the Pennines, is one of the most ambitious contemporary public art programmes in Britain and has commissioned sculpture from regional, national and international artists. Winner of the Portico Prize for Literature 2004.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49513719955729,"sku":"GOR009794467","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0853235678.jpg?v=1751233795"},{"product_id":"public-sculpture-of-bristol-book-douglas-merritt-9781846314810","title":"Public Sculpture of Bristol","description":"Bristol has an abundance of fine public sculpture adorning its streets, buildings, parks and squares. This volume draws attention to over 200 works of sculpture and includes over 400 illustrations.  Bristol has been a major regional centre for over a thousand years and its fascinating history is reflected in its monuments, just as much of the history of British sculpture is reflected in the public monuments within the city. The wealth of information that this volume makes conveniently available for the first time will enable Bristol to plan for the care and conservation of this rich heritage.  Rysbrack’s William III in Queen Square is the finest equestrian monument in Northern Europe. It was also once the most famous public sculpture in Britain. In the eighteenth century, when Bristol was commissioning major works of art from leading artists of the day, the city was also impressively self sufficient with a number of local workshops and an outstanding dynasty of native sculptors and architects in the Paty family. In the nineteenth century notable Bristol sculptors were to move to London, including E.H. Baily, James Havard Thomas and C.J. Pibworth, but each returned to Bristol to execute important commissions. The tradition of rich architectural sculpture established by the Patys was to be continued to outstanding effect by Foster and Wood in the nineteenth century and well into the twentieth century by Sir George Oatley. Bristol has also been quick to recognise the role of sculpture in urban renewal and regeneration. The three sculptures on Baltic Wharf are early and fine examples. More recently still, there have been works that have challenged and expanded our understanding of the medium itself. It is this continuity of interest and quality that makes the sculpture of this city of special interest.  Public sculpture has been defined very widely to include not only open-air sculpture but also architectural sculpture and notable sculpture inside public and semi-public buildings. Sculptures inside museums and art galleries and ecclesiastical sculpture are, as with other volumes in the series, excluded from the catalogue, but for the first time this volume includes a revealing essay on Bristol’s church monuments by Katharine Eustace.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49563009089809,"sku":"GOR009710880","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/184631481X.jpg?v=1751060222"},{"product_id":"public-sculpture-of-birmingham-book-george-t-noszlopy-9780853236924","title":"Public Sculpture of Birmingham","description":"Birmingham not only attracted major sculptors from London, but as a great manufacturing city it possessed busy workshops of local sculptors, often closely associated with its progressive and important art school. As a result the city has an extensive range of monuments and sculptures accessible to the public. 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Only in Glasgow were there significant local workshops, often family-based, training dynasties of native sculptors. Public Sculpture of Glasgow includes work by some of the most influential British and continental sculptors during the last 200 years including John Flaxman, John Gibson, J.H. Foley and Carlo Marochetti. Ray McKenzie has in this volume for the first time demonstrated the importance of Glasgow’s architectural sculpture and explained its function with a wealth superbly arranged and carefully marshalled detail. Joint-winner of the 2002 Saltire Society Scottish Research Book of the Year.","brand":"WoB","offers":[{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":49566968381713,"sku":"GOR011086424","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ WELL_READ \/ INTERNAL","offer_id":49661793042705,"sku":"GOR013671633","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49794513699089,"sku":"GOR004774972","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":53220341612817,"sku":"GOR011755646","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0853239371.jpg?v=1751436857"},{"product_id":"public-sculpture-of-warwickshire-coventry-and-solihull-book-george-noszlopy-9780853238478","title":"Public Sculpture of Warwickshire, Coventry and Solihull","description":"Public sculpture reflects the history of a county and few other areas have Warwickshire's variety and vitality. Coventry was one of the five largest and finest cities of medieval England and the celebrated exploit of Lady Godiva, one of the principal founders, has always been irresistible to artists. Coventry's devastation in the Second World War encouraged much public sculpture related to regeneration. Nearly all the sculpture in Stratford-upon-Avon commemorates William Shakespeare with Ronald Gower's masterpiece displaying French panache in its mixture of portraiture and allegory.","brand":"WoB","offers":[{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":49566975033617,"sku":"GOR013734577","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50525287809297,"sku":"GOR006644593","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0853238472.jpg?v=1751422782"},{"product_id":"public-sculpture-of-liverpool-book-terry-cavanagh-9780853237112","title":"Public Sculpture of Liverpool","description":"A magnificent study of the richest and most extensive collection of public sculpture of any English city outside London. It includes not only the vast Victorian legacy but also twentieth-century works by figures such as Sir Jacob Epstein. With over 270 photographs, including the magnificent Monument to Queen Victoria and the wonderful bronze of Eleanor Rigby, Terry Cavanagh’s book eloquently stands testimony to Liverpool’s past greatness and present cultural wealth.","brand":"WoB","offers":[{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":49567932743953,"sku":"GOR011086423","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49607641858321,"sku":"GOR005792196","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":50822572998929,"sku":"GOR003907806","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0853237115.jpg?v=1751396226"},{"product_id":"public-sculpture-of-north-east-england-book-paul-usherwood-9780853236351","title":"Public Sculpture of North-East England","description":"The North East of England boasts one of the greatest concentrations of recent public sculpture in Britain, the most well known being the ‘Angel of the North’. Public Sculpture of North-East England documents over 450 of these works with full details of their materials, physical condition, ownership and commissioning and also their use and interpretation at various times in history. From this emerges a fascinating picture of the development of public sculpture and monuments in the region and of the contribution these objects make to ideas of local identity.","brand":"WoB","offers":[{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":49567938216209,"sku":"GOR009401862","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49606398771473,"sku":"GOR005616338","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0853236356.jpg?v=1750947260"},{"product_id":"public-sculpture-of-sussex-book-jill-seddon-9781781381250","title":"Public Sculpture of Sussex","description":"This is the seventeenth volume in the series the Public Sculpture of Britain, part of the PMSA National Recording Project, which will eventually cover the whole of the country. The introduction considers the ways in which the rural and urban landscapes of Sussex, from market town, rural village and country estate, to city, major seaside resort and new town development, are reflected in the county’s public sculptures. The historical period covered ranges from the allegedly pre-historic (the Long Man of Wilmington) to the present day (the most recent entry is Maggi Hambling’s The Resurrection Spirit, 2013). There is a high proportion of nineteenth- century sculptures, including significant works by John Flaxman, Michael Rysbrack, Frances Chantrey and John Edward Carew; the ‘statuemania’ that characterised the last part of this century is well illustrated by Thomas Brock’s imposing statue celebrating Queen Victoria’s Diamond Jubilee on Hove seafront. The achievements of major twentieth and twenty-first century sculptors are represented by Elisabeth Frink and William Pye among others.  Many works from this period are the result of public art initiatives by local councils, often as part of more wide-ranging regeneration schemes for Sussex towns. The patronage of health authorities, influenced by new thinking about the calming and healing qualities of art in public places has also benefitted both local sculptors and those based elsewhere in the country. Each individual work is catalogued, with precise details of location, condition and history, including commissioning, opening ceremonies and re-siting.  Most are individually illustrated in black and white. Biographies of local and less well-known sculptors, together with a selected bibliography are included at the end of the volume.","brand":"WoB","offers":[{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":49567977439505,"sku":"GOR013606815","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49596366389521,"sku":"GOR006891474","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":49736168505617,"sku":"NGR9781781381250","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1781381259.jpg?v=1750864848"},{"product_id":"public-sculpture-of-south-london-book-terry-cavanagh-9781846310751","title":"The Public Sculpture of South London","description":"This latest addition to the celebrated Public Sculpture of Britain series provides a highly illustrated guide to the public sculpture of south London.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49587916079377,"sku":"GOR006517472","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/184631075X.jpg?v=1750833802"},{"product_id":"public-sculpture-of-bristol-book-douglas-merritt-9781846316388","title":"Public Sculpture of Bristol","description":"Bristol has an abundance of fine public sculpture adorning its streets, buildings, parks and squares. This volume draws attention to over 200 works of sculpture and includes over 400 illustrations.  Bristol has been a major regional centre for over a thousand years and its fascinating history is reflected in its monuments, just as much of the history of British sculpture is reflected in the public monuments within the city. The wealth of information that this volume makes conveniently available for the first time will enable Bristol to plan for the care and conservation of this rich heritage.  Rysbrack’s William III in Queen Square is the finest equestrian monument in Northern Europe. It was also once the most famous public sculpture in Britain. In the eighteenth century, when Bristol was commissioning major works of art from leading artists of the day, the city was also impressively self sufficient with a number of local workshops and an outstanding dynasty of native sculptors and architects in the Paty family. In the nineteenth century notable Bristol sculptors were to move to London, including E.H. Baily, James Havard Thomas and C.J. Pibworth, but each returned to Bristol to execute important commissions. The tradition of rich architectural sculpture established by the Patys was to be continued to outstanding effect by Foster and Wood in the nineteenth century and well into the twentieth century by Sir George Oatley. Bristol has also been quick to recognise the role of sculpture in urban renewal and regeneration. The three sculptures on Baltic Wharf are early and fine examples. More recently still, there have been works that have challenged and expanded our understanding of the medium itself. It is this continuity of interest and quality that makes the sculpture of this city of special interest.  Public sculpture has been defined very widely to include not only open-air sculpture but also architectural sculpture and notable sculpture inside public and semi-public buildings. Sculptures inside museums and art galleries and ecclesiastical sculpture are, as with other volumes in the series, excluded from the catalogue, but for the first time this volume includes a revealing essay on Bristol’s church monuments by Katharine Eustace.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49589503787281,"sku":"GOR004045827","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":53190113001745,"sku":"GOR009637040","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1846316383.jpg?v=1751249448"},{"product_id":"public-sculpture-of-outer-south-and-west-london-book-fran-lloyd-9781846312250","title":"Public Sculpture of Outer South and West London","description":"This volume focuses on the public sculpture and monuments in the eight boroughs of outer south and west London. These stretch in a curve from the northernmost borough of Hillingdon, which borders the boroughs of Ealing and Hounslow, to Richmond that straddles the Thames, to the southern boroughs Kingston, Merton, Sutton, and Croydon. Of the 300 public monuments and sculptures detailed, over three quarters were originally commissioned by wealthy royal and aristocratic patrons to adorn their private residencies from the 16th to the 18th century. The wealth of works include architectural reliefs, statues, and garden ornaments such as fountains and urns produced by major metropolitan sculptors. Hampton Court Palace has architectural and garden sculpture by John Van Nost, Gabriel Caius Cibber, Grinling Gibbons and Edward Pierce. Cibber’s Hercules pediment was perhaps Britain’s first monumental pediment sculpture later imitated throughout the country. At Chiswick House Lord Burlington with his supreme knowledge of European sculpture employed Michael Rysbrack, Peter Scheemakers and Giovanni Battista Guelfi. The rise of new patrons in the nineteenth and twentieth centuries and the desire to establish strong local identities resulted in a rich diversity of monuments, obelisks, bridges, fountains and clock towers. Municipal patronage replaced private commissions exemplified by Croydon’s Town Hall, Library and Law Courts with its ambitious programme of decorative and symbolist sculpture emphasizing education, public order and other civic virtues. Education is also the theme of Hamo Thornycroft’s statue of John Colet, the founder of St Paul’s School. Early aviation at Croydon and Heathrow inspired much distinctive public sculpture and more recently prosperous commercial centres within the boroughs include the hundred-acre Stockley Business Park which has provided a wealth of contemporary work by major sculptors such as Stephen Cox, and William Pye, alongside works by Nigel Hall and David Mach commissioned by Kingston in partnership with Kingston University.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49608708391185,"sku":"GOR006761983","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1846312256.jpg?v=1751249447"},{"product_id":"public-sculpture-of-birmingham-book-george-t-noszlopy-9780853236825","title":"Public Sculpture of Birmingham","description":"Birmingham not only attracted major sculptors from London, but as a great manufacturing city it possessed busy workshops of local sculptors, often closely associated with its progressive and important art school. 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One category in which Leicestershire can truly be considered without rival is the collection of twentieth-century sculpture sited in its schools and colleges and featuring works by some of the leading British sculptors of their day, including Lynn Chadwick, Barbara Hepworth and William Pye. Rutland, England’s smallest county, is home to Alexander’s The Great Tower, which was reputed at its unveiling in 1980 to be ‘the largest bronze sculpture of modern times’.","brand":"WoB","offers":[{"title":"GB \/ GOOD \/ INTERNAL","offer_id":49609531457809,"sku":"GOR006644590","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50188776276241,"sku":"GOR007078639","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":50704218685713,"sku":"GOR014041190","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0853236550.jpg?v=1751447526"},{"product_id":"public-sculpture-of-leicestershire-and-rutland-book-terry-cavanagh-9780853236450","title":"Public Sculpture of Leicestershire and Rutland","description":"This book provides a comprehensive survey of the surprisingly rich heritage of publicly accessible monuments and sculpture in two counties. 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It excludes only those sculptures which were conceived as integral to buildings, for which a separate volume is planned, and covers predominantly commemorative monuments to royalty and politicians, war memorials, fountains and works of art placed in the street for public enjoyment. For each work there are one or more illustrations and catalogue details. In the case of commemorations of individuals, the brief biography preceding the entry focusses on the achievements celebrated. The entries themselves provide blow-by -blow accounts of how individual works came to be erected, with particular emphasis on the selection of artist and site. These histories are accompanied by surveys of contemporary and later critical responses, and some account of the work’s “afterlife” and conservation history, particularly where any significant change has been made to the work.  The introduction addresses general issues of  policy on commemoration and attitudes to the beautification of the metropolis. In the process instances of royal intervention, and the adaptation of  bureaucratic structures within national and local government to conserve and promote  public art,  along with relevant legislation,  are explored. 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Fiona Waterhouse, an editorial assistant on Warwickshire has been his co-author in the last two volumes. Public Sculpture in Herefordshire, Shropshire and Worcestershire is the eleventh volume in the Public Monuments and Sculpture Association series, which aims to disseminate research into the commissioning, execution, installation and reception of these important works of art in public spaces, significant parts of our cultural history and heritage. Each of the individual entries includes details about the condition of the sculpture or monument, which may prove helpful to those responsible for planning conservation projects.  The volume begins with an introductory essay outlining the distinct features of public sculpture in the region and drawing the reader’s attention to changes in the types of work commissioned over time. It is followed by the main body of the work, a catalogue of public sculpture and monuments dating from medieval times up to 2005. 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