{"title":"Recovering Languages And Literacies Of The Americas","description":"\u003cp\u003eDelve into the rich tapestry of indigenous languages and literatures of the Americas. This collection celebrates vital efforts to preserve and revitalise these unique voices and stories for future generations.\u003c\/p\u003e","products":[{"product_id":"kawsay-vida-book-rosaleen-howard-9780292754447","title":"Kawsay Vida","description":"A course book and interactive multimedia program on DVD that is suitable for the teaching and learning of the Quechua language from beginner to advanced levels. It provides a practical introduction to spoken Quechua through the medium of English, while the multimedia program offers a choice of English or Spanish as the medium of instruction.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49727471223057,"sku":"NGR9780292754447","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":50480335159569,"sku":"CIN0292754442G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0292754442.jpg?v=1763221118"},{"product_id":"relacion-de-michoacan-1539-1541-and-the-politics-of-representation-in-colonial-m-book-anglica-afanadorpujol-9781477302392","title":"The Relacion de Michoacan (1539-1541) and the Politics of Representation in Colonial Mexico","description":"The Relaci n de Michoac n (1539-1541) is one of the earliest surviving illustrated manuscripts from colonial Mexico. Commissioned by the Spanish viceroy Antonio de Mendoza, the Relaci n was produced by a Franciscan friar together with indigenous noble informants and anonymous native artists who created its forty-four illustrations. To this day, the Relaci n remains the primary source for studying the pre-Columbian practices and history of the people known as Tarascans or P'urh pecha. However, much remains to be said about how the Relaci n's colonial setting shaped its final form. By looking at the Relaci n in its colonial context, this study reveals how it presented the indigenous collaborators a unique opportunity to shape European perceptions of them while settling conflicting agendas, outshining competing ethnic groups, and carving a place for themselves in the new colonial society. Through archival research and careful visual analysis, Ang lica Afanador-Pujol provides a new and fascinating account that situates the manuscript's images within the colonial conflicts that engulfed the indigenous collaborators. These conflicts ranged from disputes over political posts among indigenous factions to labor and land disputes against Spanish newcomers. Afanador-Pujol explores how these tensions are physically expressed in the manuscript's production and in its many contradictions between text and images, as well as in numerous emendations to the images. By studying representations of justice, landscape, conquest narratives, and genealogy within the Relaci n, Afanador-Pujol clearly demonstrates the visual construction of identity, its malleability, and its political possibilities.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49733508792593,"sku":"NGR9781477302392","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1477302395.jpg?v=1763114804"},{"product_id":"trail-of-footprints-book-alex-hidalgo-9781477317525","title":"Trail of Footprints","description":"Trail of Footprints offers an intimate glimpse into the commission, circulation, and use of indigenous maps from colonial Mexico. A collection of sixty, largely unpublished, maps from the late sixteenth to the eighteenth centuries made in the southern region of Oaxaca, anchors an analysis of the way ethnically diverse societies produced knowledge in colonial settings. Mapmaking, proposes Hidalgo, formed part of an epistemological shift tied to the negotiation of land and natural resources between the region's Spanish, Indian, and mixed-race communities. The craft of making maps drew from social memory, indigenous and European conceptions of space and ritual, and Spanish legal practices designed to adjust spatial boundaries in the New World. Indigenous mapmaking brought together a distinct coalition of social actors--Indian leaders, native towns, notaries, surveyors, judges, artisans, merchants, muleteers, collectors, and painters--who participated in the critical observation of the region's geographic features. Demand for maps reconfigured technologies associated with the making of colorants, adhesives, and paper that drew from Indian botany and experimentation, trans-Atlantic commerce, and Iberian notarial culture. The maps in this study reflect a regional perspective associated with Oaxaca's decentralized organization, its strategic position amidst a network of important trade routes that linked central Mexico to Central America, and the ruggedness and diversity of its physical landscape.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49733536940305,"sku":"NGR9781477317525","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/147731752X.jpg?v=1750795359"},{"product_id":"portraying-the-aztec-past-book-angela-herren-rajagopalan-9781477316078","title":"Portraying the Aztec Past","description":"During the period of Aztec expansion and empire (ca. 1325-1525), scribes of high social standing used a pictographic writing system to paint hundreds of manuscripts detailing myriad aspects of life, including historical, calendric, and religious information. Following the Spanish conquest, native and mestizo tlacuiloque (artist-scribes) of the sixteenth century continued to use pre-Hispanic pictorial writing systems to record information about native culture. Three of these manuscripts--Codex Boturini, Codex Azcatitlan, and Codex Aubin--document the origin and migration of the Mexica people, one of several indigenous groups often collectively referred to as Aztec. In Portraying the Aztec Past, Angela Herren Rajagopalan offers a thorough study of these closely linked manuscripts, articulating their narrative and formal connections and examining differences in format, style, and communicative strategies. Through analyses that focus on the materials, stylistic traits, facture, and narrative qualities of the codices, she places these annals in their historical and social contexts. Her work adds to our understanding of the production and function of these manuscripts and explores how Mexica identity is presented and framed after the conquest.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49734927450385,"sku":"NGR9781477316078","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":52816433447185,"sku":"CIN1477316078VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1477316078.jpg?v=1763480425"},{"product_id":"heaven-hell-and-everything-in-between-book-ananda-cohen-suarez-9781477309551","title":"Heaven, Hell, and Everything in Between","description":"Examining the vivid, often apocalyptic church murals of Peru from the early colonial period through the nineteenth century, Heaven, Hell, and Everything in Between explores the sociopolitical situation represented by the artists who generated these murals for rural parishes. Arguing that the murals were embedded in complex networks of trade, commerce, and the exchange of ideas between the Andes and Europe, Ananda Cohen-Aponte also considers the ways in which artists and viewers worked through difficult questions of envisioning sacredness.  This study brings to light the fact that, unlike the murals of New Spain, the murals of the Andes possess few direct visual connections to a pre-Columbian painting tradition; the Incas’ preference for abstracted motifs created a problem for visually translating Catholic doctrine to indigenous congregations, as the Spaniards were unable to read Inca visual culture. Nevertheless, as Cohen Suarez demonstrates, colonial murals of the Andes can be seen as a reformulation of a long-standing artistic practice of adorning architectural spaces with images that command power and contemplation. Drawing on extensive secondary and archival sources, including account books from the churches, as well as on colonial Spanish texts, Cohen Suarez urges us to see the murals not merely as decoration or as tools of missionaries but as visual archives of the complex negotiations among empire, communities, and individuals.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50385793155345,"sku":"CIN1477309551G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1477309551.jpg?v=1750795353"},{"product_id":"at-home-with-the-sapa-inca-book-stella-nair-9781477302507","title":"At Home with the Sapa Inca","description":"By examining the stunning stone buildings and dynamic spaces of the royal estate of Chinchero, Nair brings to light the rich complexity of Inca architecture. This investigation ranges from the paradigms of Inca scholarship and a summary of Inca cultural practices to the key events of Topa Inca’s reign and the many individual elements of Chinchero’s extraordinary built environment.  What emerges are the subtle, often sophisticated ways in which the Inca manipulated space and architecture in order to impose their authority, identity, and agenda. The remains of grand buildings, as well as a series of deft architectural gestures in the landscape, reveal the unique places that were created within the royal estate and how one space deeply informed the other. These dynamic settings created private places for an aging ruler to spend time with a preferred wife and son, while also providing impressive spaces for imperial theatrics that reiterated the power of Topa Inca, the choice of his preferred heir, and the ruler’s close relationship with sacred forces.  This careful study of architectural details also exposes several false paradigms that have profoundly misguided how we understand Inca architecture, including the belief that it ended with the arrival of Spaniards in the Andes. Instead, Nair reveals how, amidst the entanglement and violence of the European encounter, an indigenous town emerged that was rooted in Inca ways of understanding space, place, and architecture and that paid homage to a landscape that defined home for Topa Inca.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51359518654737,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51359518982417,"sku":"NGR9781477302507","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1477302506.jpg?v=1763472098"},{"product_id":"use-and-development-of-the-xinkan-languages-book-chris-rogers-9781477308325","title":"The Use and Development of the Xinkan Languages","description":"Once spoken only in Santa Rosa Department, Guatemala, the Xinkan language family is unique within Mesoamerica, comprising four closely related languages that are unrelated to any of the other language groups used within the region. Descriptions of Xinkan date to 1770 but are typically only sketches or partial word lists. Not even the community of indigenous people who identify as Xinka today--the last speakers--have had access to a reliable descriptive source on their ancestral tongue. Preserving this endangered communication system in accurate, thorough detail, The Use and Development of the Xinkan Languages presents a historical framework, internal classifications, and both synchronic and diachronic descriptions, incorporating all elements of grammar based on extensive unpublished data collected in the 1970s by Lyle Campbell and Terrence Kaufman. This valuable contribution is enhanced by author Chris Rogers's emphasis on contextualizing the findings. Introducing the languages, Rogers presents important information regarding the social and cultural milieu of the speakers. He also traces a phonological reconstruction of Proto-Xinkan and reconstructs historical morphology and syntax. These revelations are of particular interest because the development of Xinka and the many aspects of Xinka morphosyntax have not been well understood. A sample text, Na Mulha Uy, is included as well. Solving numerous complex, centuries-old linguistic puzzles, The Use and Development of the Xinkan Languages unlocks new potential for the rediscovery of a rich cultural history.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51885282033937,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51885282361617,"sku":"NGR9781477308325","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781477308325.jpg?v=1763224927"},{"product_id":"songs-that-make-the-road-dance-book-linda-o-brien-rothe-9781477305386","title":"Songs That Make the Road Dance","description":"An important and previously unexplored body of esoteric ritual songs of the Tz'utujil Maya of Santiago Atitl n, Guatemala, the Songs of the Old Ones are a central vehicle for the transmission of cultural norms of behavior and beliefs within this group of highland Maya. Ethnomusicologist Linda O'Brien-Rothe began collecting these songs in 1966, and she has amassed the largest, and perhaps the only significant, collection that documents this nearly lost element of highland Maya ritual life. This book presents a representative selection of the more than ninety songs in O'Brien-Rothe's collection, including musical transcriptions and over two thousand lines presented in Tz'utujil and English translation. (Audio files of the songs can be downloaded from the UT Press website.) Using the words of the songmen who perform them, O'Brien-Rothe explores how the songs are intended to move the Old Ones--the ancestors or Nawals--to favor the people and cause the earth to labor and bring forth corn. She discusses how the songs give new insights into the complex meaning of dance in Maya cosmology, as well as how they employ poetic devices and designs that place them within the tradition of K'iche'an literature, of which they are an oral form. O'Brien-Rothe identifies continuities between the songs and the K'iche'an origin myth, the Popol Vuh, while also tracing their composition to the late sixteenth and early seventeenth centuries by their similarities with the early chaconas that were played on the Spanish guitarra espa ola, which survives in Santiago Atitl n as a five-string guitar.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":53510306267409,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":53510306595089,"sku":"CIN1477305386G","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781477305386.jpg?v=1778173239"}],"url":"https:\/\/www.worldofbooks.com\/collections\/recovering-languages-and-literacies-of-the-americas-book-series.oembed","provider":"World of Books ","version":"1.0","type":"link"}