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The book is divided into three sections: Defining Georgic, Managing Nature and Eco-Georgic for the Anthropocene. It centres the georgic genre in the ecocritical conversation, giving it equal prominence with pastoral, elegy and lyric as an example of ‘nature writing’ that can speak to urgent environmental questions throughout literary history and up to the present day. It provides an overview of the myriad ways georgic has been reworked in order to address human relationships with the environment, through focused case studies on individual texts and authors, including James Grainger, William Wordsworth, Henry David Thoreau, George Eliot, Thomas Hardy, Seamus Heaney, Judith Wright and Rachel Blau DuPlessis.  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Chapters consider Shakespeare’s plays and contemporary works, such as those of Barbara Kingsolver and Margaret Atwood, or productions for which Shakespeare is a genetic forebear, as evolutionary artefacts which have helped to shape the human umwelt—the species-specific linguistic habitat that humans share in common. The work investigates the juncture where semisphere meets biosphere and illuminates the role that narrative plays in our construction of the world we occupy. The plays of Shakespeare, as works that have had unparalleled cultural diffusion, are uniquely situated to speak to the ways in which ideas and the texts they use as vehicles are always material, always environmental, and always alive. The book discusses Shakespeare’s works as vital nodes in our cultural, historical, moral and philosophical networks, but also as environmental actors in and of themselves. 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The Australian continent has seen significant, rapid changes to its cultures and land-use from the impact of British colonial rule, yet there is a rich history of Indigenous land-ethics and cosmological thought. By using the age-old idea of ‘cosmos’—the order of the world—to foreground ideas of a good order and chaos, reciprocity and more-than-human agency, this book interrogates the Anthropocene in Australia, focusing on notions of colonisation, farming, mining, bioethics, technology, environmental justice and sovereignty. It offers ‘cosmological readings’ of a diverse range of authors—Indigenous and non-Indigenous—as a challenge to the Anthropocene’s decline-narrative. As a result, it reactivates ‘cosmos’ as an ethical vision and a transculturally important counter-concept to the Anthropocene. Kathrin Bartha-Mitchell argues that the arts can help us envision radical cosmologies of being in and with the planet, and to address the very real social and environmental problems of our era.  This book will be of particular interest to scholars and students of Ecocriticism, Environmental Humanities, and postcolonial, transcultural and Indigenous studies, with a primary focus on Australian, New Zealand, Oceanic and Pacific area studies.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50916123148561,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":50916123934993,"sku":"NGR9781032319629","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52407259463953,"sku":"NLS9781032319629","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1032319623.jpg?v=1750951224"},{"product_id":"mediating-nature-book-sidney-i-dobrin-9781032239781","title":"Mediating Nature","description":"Mediating Nature considers how technology acts as a mediating device in the construction and circulation of images that inform how we see and know nature. 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Combining the practices of literary criticism and creative writing, Decolonising Pastoral develops a new series of tools for the project of the environmental humanities. With an emphasis on subjectivity and experience, essays and fictocriticism are woven with scholarship and stories to create a fresh critical framework. Six chapters focus on laying out a new synthetic methodology, taking readers on a journey across literary genres, forms and modes, to explore nature both as an organic totality that encompasses mind and matter, and as a source of cultural expression and production. Beginning with an introduction to biosemiotics, the text progresses onto the blue humanities, synthetic criticism and metrics for decolonising pastoral, before uniting the threads together. It discusses works from diverse writers such as Thea Astley, Judith Wright, Ted Banfield, Xavier Herbert, Alexis Wright, Sylvia Plath, T.S. Eliot, Seamus Heaney, W.H. 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Ich nicht  Waffeln gehen immer. Im neuen Thermomix TM5 sind sie blitzschnell anger hrt. Alle Rezepte sind aber auch f r die  brigen Thermomix Ger te geeignet. Kinderleicht und gelingsicher. 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