{"title":"Routledge Studies In Chinese Cinema","description":null,"products":[{"product_id":"general-history-of-chinese-film-ii-book-ding-yaping-9781032069562","title":"General History of Chinese Film II","description":"This volume explores the development of Chinese film from 1949 to 1976. 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This volume focuses on the 40 years of the history of Chinese film in the post-Mao era.   As all aspects of film production, distribution, and exhibition have been commercialized, Chinese film has become an industry of immense scale and has grown by leaps and bounds. Meanwhile, contemporary Chinese film is marked by a new zeitgeist, with Chinese film closely integrated with Chinese society and the economy. The author argues that the Chinese film industry clearly stands at a turning point where the future of Chinese film and the way to further awaken, change, and shape film production have become important issues worth consideration in contemporary film history.   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The book will be essential reading for scholars and students in film studies, Chinese studies, cultural studies and media studies, helping readers develop a comprehensive understanding of Chinese film.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51243891949841,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51243893326097,"sku":"NIN9781032069517","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52476179153169,"sku":"NLS9781032069517","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1032069511.jpg?v=1751333749"},{"product_id":"general-history-of-chinese-film-ii-book-ding-yaping-9781032069531","title":"General History of Chinese Film II","description":"This volume explores the development of Chinese film from 1949 to 1976. 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The periodisation of Chinese cinema(s) does not necessarily match the political periods: on the one hand, the technical development of the film industry and the organisation of translation in China, and on the other hand, official relations with China and translation policies abroad impose different constraints on the circulation of Chinese films. This volume deals with the distribution and translation of films from mainland China, Taiwan, Hong Kong, and the Chinese diaspora. To this end, the contributors address various issues related to the circulation and distribution of Chinese films, including co- productions, agents of exchange, and modes of translation. The approach is a mixture of socio- cultural and translational methods. The data collected provides, for the first time, a quantitative overview of the circulation of Chinese films in a dozen foreign countries.  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