{"title":"Science And The Arts Since 1750","description":"\u003cp\u003eExplore the fascinating intersection of science and art since 1750. This collection delves into the dialogue between disciplines, offering insights into how each has shaped the other, and our world.\u003c\/p\u003e","products":[{"product_id":"visualizing-the-body-in-art-anatomy-and-medicine-since-1800-book-andrew-graciano-9781138544376","title":"Visualizing the Body in Art, Anatomy, and Medicine since 1800","description":"This book expands the art historical perspective on art’s connection to anatomy and medicine, bringing together in one text several case studies from various methodological perspectives. The contributors focus on the common visual and bodily nature of (figural) art, anatomy, and medicine around the central concept of modeling (posing, exemplifying and fabricating). Topics covered include the role of anatomical study in artistic training, the importance of art and visual literacy in anatomical\/medical training and in the dissemination (via models) of medical knowledge\/information, and artistic representations of the medical body in the contexts of public health and propaganda.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50378820223249,"sku":"CIN113854437XG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/113854437X.jpg?v=1751112483"},{"product_id":"vitalist-modernism-book-fae-brauer-9781032423487","title":"Vitalist Modernism","description":"This book reveals how, when, where, and why vitalism and its relationship to new scientific theories, philosophies and concepts of energy became seminal from the fin de siècle until the Second World War for such Modernists as Sophie Taeuber-Arp, Hugo Ball, Juliette Bisson, Eva Carrière, Salvador Dalì, Robert Delaunay, Marcel Duchamp, Edvard Munch, Picasso, Yves Tanguy, Gino Severini and John Cage. For them, Vitalism entailed the conception of life as a constant process of metamorphosis impelled by the free flow of energies, imaginings, intuition and memories, unconstrained by mechanistic materialism and chronometric imperatives, to generate what the philosopher Henri Bergson aptly called Creative Evolution.  Following the three main dimensions of Vitalist Modernism, the first part of this book reveals how biovitalism at the fin de siècle entailed the pursuit of corporeal regeneration through absorption in raw nature, wholesome environments, aquatic therapies, electromagnetism, heliotherapy, modern sports, particularly rugby, water sports, the Olympic Games and physical culture to energize the human body and vitalize its life force. This is illuminated by artists as geoculturally diverse as Gustave Caillebotte, Thomas Eakins, Munch and Albert Gleizes. The second part illuminates how simultaneously Vitalism became aligned with anthroposophy, esotericism, magnetism, occultism, parapsychology, spiritism, theosophy and what Bergson called \"psychic states\", alongside such new sciences as electromagnetism, radiology and the Fourth Dimension, as captured by such artists as Juliette Bisson, Giacomo Balla, Albert Besnard, Umberto Boccioni, Eva Carrière, John Gerrard Keulemans, László Moholy-Nagy, James Tissot, Albert von Schrenck Notzing and Picasso. During and after the devastation of the First World War, the third part explores how Vitalism, particularly Bergson’s theory of becoming, became associated with Dadaist, Neo-Dadaist and Surrealist notions of amorality, atemporality, dysfunctionality, entropy, irrationality, inversion, negation and the nonsensical captured by Hans Arp, Charlie Chaplin, Theo Van Doesburg, Kazimir Malevich, Kurt Schwitters and Vladimir Tatlin alongside Cage’s concept of Nothing. After investigating the widespread engagement with Bergson’s philosophies and Vitalism and art by Anarchists, Marxists and Communists during and after the First World War, it concludes with the official rejection of Bergson and any form of Vitalism in the Soviet Union under Stalin.   This book will be of vital interest to gallery, exhibition and museum curators and visitors, plus readers and scholars working in art history, art theory, cultural studies, modernist studies, occult studies, European art and literature, health, histories of science, philosophy, psychology, sociology, sport studies, heritage studies, museum studies and curatorship.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50698523541777,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":50698525507857,"sku":"NGR9781032423487","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/103242348X.jpg?v=1750854434"},{"product_id":"integrative-contemporary-art-and-science-practices-book-jd-talasek-9781032466026","title":"Integrative Contemporary Art and Science Practices","description":"Contributors investigate the motivation behind scientifically-embedded contemporary art practices as well as art-based scientific research and engagement that attempt to shape society.   This edited volume reflects the rapidly developing practices comprising integrative and collaborative work across different knowledge domains (including art and science), the benefit of those processes to the individual, to knowledge production (and its complexity) and ultimately the benefits to society (why it is worth doing). The book will provide an overview of the factors in which the exhibition and performance of scientifically-engaged art inside and outside of traditional museum spaces has instigated cultural and aesthetic transformations and social interactions while presenting a variety of opportunities for educators, scientists, artists and the interested public to critically expand its engagement.   The book is intended for scholars interested in collaborative and\/or integrative work who study research, methodology, art history, science, and museum studies.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51597019218193,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51597019349265,"sku":"NGR9781032466026","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1032466022.jpg?v=1750886970"},{"product_id":"organic-school-of-the-russian-avant-garde-book-isabel-wnsche-9781472432698","title":"The Organic School of the Russian Avant-Garde","description":"Examines the cultural potential as well as the utopian dimension of the artists' approaches to creativity and their ambitious visions for the role of art in promoting human psychophysiological development and shaping post-revolutionary culture.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52692920860945,"sku":"NLS9781472432698","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":53491796607249,"sku":"NIN9781472432698","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781472432698.jpg?v=1762343714"},{"product_id":"organic-school-of-the-russian-avant-garde-book-isabel-wnsche-9781138548190","title":"The Organic School of the Russian Avant-Garde","description":"The artists of the Organic School of the Russian avant-garde found inspiration as well as a model for artistic growth in the creative principles of nature. Isabel Wünsche analyzes the artistic influences, intellectual foundations, and scientific publications that shaped the formation of these artists, the majority of whom were based in St. Petersburg. Particular emphasis is given to the holistic worldviews and organic approaches prevalent among artists of the pre-revolutionary avant-garde, specifically Jan Ciągliński, Nikolai Kulbin, and Elena Guro, as well as the emergence of the concept of Organic Culture as developed by Mikhail Matiushin, practiced at the State Institute of Artistic Culture, and taught at the reformed Art Academy in the 1920s. Discussions of faktura and creative intuition explore the biocentric approaches that dominated the work of Pavel Filonov, Kazimir Malevich, Voldemar Matvejs, Olga Rozanova, and Vladimir Tatlin. The artistic approaches of the Organic School of the Russian avant-garde were further promoted and developed by Vladimir Sterligov and his followers between 1960 and 1990. The study examines the cultural potential as well as the utopian dimension of the artists’ approaches to creativity and their ambitious visions for the role of art in promoting human psychophysiological development and shaping post-revolutionary culture.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":53688580112657,"sku":"NLS9781138548190","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781138548190.jpg?v=1781910958"}],"url":"https:\/\/www.worldofbooks.com\/collections\/science-and-the-arts-since-1750-book-series.oembed","provider":"World of Books ","version":"1.0","type":"link"}