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Gathering texts that originally appeared as newspaper commentary on Fran ois Mitterand's rise to power as France's first Socialist president and the Socialist Party's fraught alliance with the French Communist Party, The Divine Left in essence presents Baudrillard's theory of the simulacrum as it operates in the political sphere.\u003c\/p\u003e\u003cp\u003eIn France, the Left, and even the ultra-Left, had been seduced by power. This scenario--dissected by Baudrillard with deadpan humor and an almost chilling nonchalance--produced a Socialist Party that devoted itself to rallying the market economy and introducing neoliberalism, and replaced an intellectual class with the media stars and hyper-professionals of the spectacle. 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Precarization and fractalization of labor have provoked a deep mutation in the psychosphere, and this can be seen in the rise of psychopathologies such as post-traumatic stress disorder, autism, panic, and attention deficit disorder. Sketching out an aesthetic genealogy of capitalist globalization, Berardi shows how we have arrived at a point of such complexity in the semiotic flows of capital that we can no longer process its excessive currents of information. A swarm effect now rules- it has become impossible to say \"no.\" Social behavior is trapped in inescapable patterns of interaction coded by techno-linguistic machines, smartphones, screens of every size, and all of these sensory and emotional devices end up destroying our organism's sensibility by submitting it to the stress of competition and acceleration.\u003c\/p\u003e \u003cp\u003eArguing for disentanglement rather than resistance, Berardi concludes by evoking the myth of La Malinche, the daughter of a noble Aztec family. 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It is replacing revolution and war. Sarajevo triggered the First World War. New York is what Sarajevo was. September 11th opened Pandora's box. The first war of globalization will be the global accident, the total accident, including the accident of science. And it is on the way. In 1968, Virilio abandoned his work in oblique architecture, believing that time had replaced space as the most important point of reflection because of the dominance of speed. We were basically on the verge of converting space time into space speed... Speed facilitates the decoding of the human genome, and the possibility of another humanity- a humanity which is no longer extra-territorial, but extra-human. \u003ci\u003eCrespuscular Dawn\u003c\/i\u003e expands Virilio's vision of the implosion of physical time and space, onto the micro-level of bioengineering and biotechnology. 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Both biographical and thematic, the book explores the development of Virilio's investigation of space (architecture, urbanism) and time (speed and simultanaeity) that would ultimately lay the foundation for his theories on biotechnology and his startling declaration that after the colonization of space begins the colonization of the body.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49525972140305,"sku":"GOR003894863","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50151624605969,"sku":"CIN158435013XG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50418861998353,"sku":"CIN158435013XVG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52615474446609,"sku":"NLS9781584350132","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/158435013X.jpg?v=1751057036"},{"product_id":"foams-book-peter-sloterdijk-9781584351870","title":"Foams","description":"\u003cb\u003eThe final volume in Peter Sloterdijk's celebrated \u003ci\u003eSpheres\u003c\/i\u003e trilogy, on the phenomenology of community and its spatial peripheries.\u003c\/b\u003e\"So the One Orb has imploded-now the foams are alive.\"\u003cbr\u003e -from \u003ci\u003eFoams\u003c\/i\u003e\u003ci\u003eFoams\u003c\/i\u003e completes Peter Sloterdijk's celebrated \u003ci\u003eSpheres\u003c\/i\u003e trilogy- his 2,500-page \"grand narrative\" retelling of the history of humanity, as related through the anthropological concept of the \"Sphere.\" For Sloterdijk, life is a matter of form and, in life, sphere formation and thought are two different labels for the same thing. The trilogy also offers his corrective answer to Martin Heidegger's \u003ci\u003eBeing and Time\u003c\/i\u003e, reformulating it into a lengthy meditation on Being and Space-a shifting of the question of \u003ci\u003ewho we are\u003c\/i\u003e to a more fundamental question of \u003ci\u003ewhere we are\u003c\/i\u003e.In this final volume, Sloterdijk's \"plural spherology\" moves from the historical perspective on humanity of the preceding two volumes to a philosophical theory of our contemporary era, offering a view of life through a multifocal lens. If \u003ci\u003eBubbles\u003c\/i\u003e was Sloterdijk's phenomenology of intimacy, and \u003ci\u003eGlobes\u003c\/i\u003e his phenomenology of globalization, \u003ci\u003eFoams\u003c\/i\u003e could be described as his phenomenology of spatial plurality- how the bubbles that we form in our duality bind together to form what sociological tradition calls \"society.\" \u003ci\u003eFoams\u003c\/i\u003e is an exploration of capsules, islands, and hothouses that leads to the discovery of the foam city.The \u003ci\u003eSpheres\u003c\/i\u003e trilogy ultimately presents a theology without a God-a spatial theology that requires no God, whose death therefore need not be of concern.As with the two preceding volumes, \u003ci\u003eFoams\u003c\/i\u003e can be read on its own or in relation to the rest of the trilogy.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49527976460561,"sku":"GOR012484842","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":49733377294609,"sku":"NGR9781584351870","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":50983886422289,"sku":"GOR012351554","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":51825701126417,"sku":"CIN158435187XG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":53215223447825,"sku":"GOR014809176","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/158435187X.jpg?v=1751309969"},{"product_id":"neither-sun-nor-death-book-peter-sloterdijk-9781584350910","title":"Neither Sun nor Death","description":"\u003cp\u003e\u003cb\u003eA series of dialogues with the most exciting and controversial German philosopher writing today.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003ePeter Sloterdijk first became known in this country for his late 1980s Critique of Cynical Reason, which confronted headlong the enlightened false consciousness of Habermasian critical theory. Two decades later, after spending seven years in India studying Eastern philosophy, he is now attracting renewed interest for his writings on politics and globalization and for his magnum opus Spheres, a three-volume archaeology of the human attempt to dwell within spaces, from womb to globe: Bubbles, 1998; Globes, 1999; Foam, 2004, all forthcoming from Semiotext(e). In \u003ci\u003eNeither Sun nor Death\u003c\/i\u003e, Sloterdijk answers questions posed by German writer Hans-Jurgen Heinrichs, commenting on such issues as technological mutation, development media, communication technologies, and his own intellectual itinerary. Iconoclastic and provocative, alternatively sparkling and bombastic, a child of '68 and a libertarian, Sloterdijk is the most exciting and controversial German philosopher to appear on the world scene since Nietzsche and Heidegger. Like Nietzsche, Sloterdijk remains convinced that contemporary philosophers have to think dangerously and let themselves be kidnapped by contemporary hypercomplexities; they must forsake our present humanist and nationalist world for a wider horizon at once ecological and global. \u003ci\u003eNeither Sun nor Death\u003c\/i\u003e is the best introduction available to Sloterdijk's philosophical theory of globalization. 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For years, Eribon had thought of his father largely in terms of the latter's intolerable homophobia. Yet his father's death provokes new reflection on Eribon's part about how multiple processes of domination intersect in a given life and in a given culture. Eribon sets out to investigate his past, the history of his family, and the trajectory of his own life. His story weaves together a set of remarkable reflections on the class system in France, on the role of the educational system in class identity, on the way both class and sexual identities are formed, and on the recent history of French politics, including the shifting voting patterns of the working classes--reflected by Eribon's own family, which changed its allegiance from the Communist Party to the National Front.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eReturning to Reims\u003c\/i\u003e is a remarkable book of sociological inquiry and critical theory, of interest to anyone concerned with the direction of leftist politics in the contemporary world, and to anyone who has ever experienced how sexual identity can clash with other parts of one's identity. 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Schefer describes the schizophrenic subjectivity the cinema offers us- the film as a work projected without memory, viewed by (and thereby lived by) a subject scarred and shaped by memory. \u003ci\u003eThe Ordinary Man of Cinema\u003c\/i\u003e delineates the phenomenology of movie-going and the fleeting, impalpable zone in which an individual's personal memory confronts the cinema's ideological images to create a new way of thinking.\u003c\/p\u003e \u003cp\u003eIt is also a book replete with mummies and vampires, tyrants and prostitutes, murderers and freaks-figures that are fundamental to Schefer's conception of the cinema, because the worlds that cinema traverses (our worlds, interior and exterior) are worlds of pain, unconscious desire, decay, repressed violence, and the endless mystery of the body. 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When the event reaches and oversteps the boundaries authorized by judicial law and by the anomic rules, we speak of revolution.--Ren' Lourau\u003c\/p\u003e\u003cp\u003eThe short-lived grouping of architects, sociologists, and urbanists known as Utopie, active in Paris from 1967 to 1978, was the product of several factors: the student protests for the reform of architectural education, the unprecedented expansion and replanning of the Parisian urban fabric carried out by the government of Charles de Gaulle, and the domestication of military and industrial technologies by an emerging consumer society. The group's collaborative publications included the work of Jean Aubert, Isabelle Auricoste, Jean Baudrillard, Catherine Cot, Charles Goldblum, Jean-Paul Jungmann, Henri Lefebvre, Ren' Lourau, Antoine Stinco, and Hubert Tonka. 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Designed in a facsimile format that follows the innovative graphic layouts of the journals, pamphlets, posters, and articles produced by Utopie, the volume not only provides the first thorough overview of the group's activities but also seeks to capture Utopie's linkage of architectural and urban theory to radical publication strategies.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":50052880564497,"sku":"NGR9781584350958","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1584350954.jpg?v=1751276834"},{"product_id":"chaosophy-book-felix-guattari-9781584350606","title":"Chaosophy","description":"\u003cb\u003eGroundbreaking essays that introduce Guattari's theories of \"schizo-analysis,\" in an expanded edition.\u003c\/b\u003e \u003cp\u003eChaosophy is an introduction to Felix Guattari's groundbreaking theories of \"schizo-analysis\"- a process meant to replace Freudian interpretation with a more pragmatic, experimental, and collective approach rooted in reality. 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The roots of the concept of the dividuum can be traced back to Latin philosophy, when Cicero used the term to translate the divisible in the writings of Epicurus and Plato; later, medieval scholars utilized the term in theological discussions on the unity of the trinity. Grounding himself in the writings of the medieval bishop Gilbert de Poitiers and his extensive commentaries on Boethius, Gerald Raunig charts a genealogy of the concept and develops a philosophy of dividuality as a way of addressing contemporary modes of production and forms of life. Through its components of dispersion, subsistence, and similarity, dividuality becomes a hidden principle of obedience and conformity, but it also brings with it the potential to realize disobedience and noncompliant con\/dividualities.\u003c\/p\u003e\u003cp\u003eRaunig's bad news is that dividuality is responsible for much of the intensified exploitation and enslavement taking place under contemporary machinic capitalism. 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By carefully distilling the most radical elements of his previous books, Baudrillard constructed the skeleton key to all of the work that was to come in the second half of his career, and set the scene for what he termed the \"obscene\": a world in which alienation has been succeeded by ceaseless communication and information. \u003ci\u003eThe Ecstasy of Communication\u003c\/i\u003e is a decisive, compact description of what it means to be \"wired\" in our braver-than-brave new world, where sexuality has been superseded by pornography, knowledge by information, hysteria by schizophrenia, subject by object, and violence by terror.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eThe Ecstasy of Communication\u003c\/i\u003e is an anti-manifesto that confronted and dispensed with such influences as Marshall McLuhan, Guy Debord, and Georges Bataille. It is an essential crib-book, lexicon, and companion piece to any and all of Baudrillard's books. 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Globalization, Virilio argues, is the planet's ultimate accident.Paul Virilio was born in Paris in 1932 to an immigrant Italian family. Trained as an urban planner, he became the director of the Ecole Speciale d'Architecture in the wake of the 1968 rebellion. He has published twenty-five books, including Pure War (1988) (his first in English) and The Accident of Art (2005), both with Sylvere Lotringer and published by Semiotext(e). Sylvere Lotringer, general editor of Semiotext(e), lives in New York and Baja California. 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Over the course of several months, she lost her physical and cognitive autonomy, and despite his resistance, Eribon and his brothers were compelled to place her in a nursing home. The doctor had warned that she'd rapidly decline. And indeed, refusing the degradation and humiliation of her condition, Eribon's mother died just a few weeks later.\u003cbr\u003e \u003cbr\u003e In \u003ci\u003eThe Life, Old Age, and Death of a Working-Class Woman\u003c\/i\u003e, Eribon furthers the archeological, historical, sociological, political, and personal reflection he began with \u003ci\u003eReturning to Reims\u003c\/i\u003e, this time to look at the question of old age. How does our society treat the elderly, especially the very elderly? What are the daily humiliations the elderly are forced to suffer? 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Unlike recent works that make history end with the consumer, or project the conflict between the capitalist and the oppressed into the future, the writers in these essays perform a much more basic task: they argue that we can now think through the end of the world. The idea of a unified world, they claim, has given way to new sensibilities about history. The essays evaluate current negative obsessions such as apocalypse and the elimination of difference, and offer positive approaches to the gamble of thinking required in a society without traditional subjects and institutions. Capitalism, the book argues, has changed all the rules of the game, and any nostalgia for starting from the familiar in terms of intellectual critique is doomed. Collectively, the authors sketch the unfamiliarity of the new, those moments when our categories dissolve in the face of connections and relations that announce all sorts of ends. 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