{"title":"Sternberg Press Critical Spatial Practice Ser","description":null,"products":[{"product_id":"don-t-follow-the-wind-book-nikolaus-hirsch-9783956795688","title":"Don't Follow the Wind","description":"\u003cb\u003eDocumenting an invisible, inaccessible exhibition within the radioactive Fukushima exclusion zone.\u003cbr\u003e  \u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e The twelfth volume of the Critical Spatial Practices series focuses on \"Don't Follow the Wind,\" the acclaimed collaborative project situated in Fukushima's radioactive exclusion zone. The book explores the long-term environmental crisis in the coastal Japanese region through this ongoing, inaccessible exhibition, which maintains traces of human presence amid the fallout of the March 2011 nuclear reactor meltdown that displaced entire towns. What can art do in a continuing catastrophe when destruction and contamination have made living impossible?\u003cbr\u003e  \u003cbr\u003e The exhibition is located inside the exclusion zone, an evacuated radioactive area established after the nuclear disaster that forcibly separated residents from their homes, land, and community. In cooperation with former residents, participating artists installed newly commissioned works at sites in the exclusion zone. Although the exhibition opened in March 2015, the zone is still inaccessible to the public--the exhibition, like the radiation, is virtually invisible. The exhibition can only be viewed when restrictions are lifted and people are permitted to return. This might take several years or decades--a period that could extend beyond our lifetime. While nuclear contamination has displaced and ruptured communities, new temporary and translocal formations have emerged among the residents who have lent their sites, other former residents collaborating on the project, and the artists, curators, and cultural workers.\u003cbr\u003e  \u003cbr\u003e This book includes new texts by feminist theorist Silvia Federici, art historians Noi Sawaragi and Sven Lütticken, and political philosopher Jodi Dean. The project was codeveloped and curated by the collective Don't Follow the Wind, whose members include Chim↑Pom, Kenji Kubota, Eva \u0026amp; Franco Mattes, and Jason Waite. The participating artists include Ai Weiwei, Chim↑Pom, Nikolaus Hirsch \u0026amp; Jorge Otero-Pailos, Meiro Koizumi, Eva \u0026amp; Franco Mattes, Grand Guignol Mirai, Aiko Miyanaga, Ahmet Öğüt, Trevor Paglen, Taryn Simon, Nobuaki Takekawa, and Kota Takeuchi.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49599019286801,"sku":"GOR013636617","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":51333526716689,"sku":"CIN3956795687G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/3956795687.jpg?v=1751317865"},{"product_id":"roundabout-revolutions-book-eyal-weizman-9783956790980","title":"The Roundabout Revolutions","description":"One common feature of the wave of recent revolutions and revolts around the world is not political but rather architectural: many erupted on inner-city roundabouts. In thinking about the relation between protest and urban form, Eyal Weizman starts with the May 1980 uprising in Gwangju, South Korea, the first of the \"roundabout revolutions,\" and traces its lineage to the Arab Spring and its hellish aftermath. \u003cp\u003eRereading the history of the roundabout through the vortices of history that traverse it, the book follows the development of the roundabout in Europe and North America in the early twentieth century, to its subsequent export to the colonial world in the context of attempts to discipline and police the \"chaotic\" non-Western city. How did an urban apparatus put in the service of authoritarian power became the locus of its undoing?\u003c\/p\u003e \u003cp\u003eToday, as the tide of revolt that characterized the Arab Spring seems to ebb, when nations and societies disintegrate by brutal civil wars and military oppression, the series of revolutions might seem like Dante's circles of hell. To counter this counter-revolution, Weizman proposes that the immanent power of the people at the roundabouts will need to find its corollary in sustained work at round tables--the ongoing formation of political movements able to enact political change. \u003c\/p\u003e \u003cp\u003eThe sixth volume of the Critical Spatial Practice series stems from Eyal Weizman's contribution to the Gwangju Folly II in 2013, an exhibition curated by Nikolaus Hirsch with Philipp Misselwitz and Eui Young Chun for the Gwangju Biennale. Weizman and the architect Samaneh Moafi constructed a folly composed of seven roundabouts and a round table in front of the Gwangju train station, one of the central points in the events of May 1980.\u003c\/p\u003e \u003cp\u003eCritical Spatial Practice 6\u003cbr\u003e With Blake Fisher and Samaneh Moafi\u003cbr\u003e Edited by Nikolaus Hirsch, Markus Miessen\u003cbr\u003e Featuring photography by Kyungsub Shin\u003c\/p\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51898388775185,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51898388807953,"sku":"NGR9783956790980","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9783956790980.jpg?v=1754994693"}],"url":"https:\/\/www.worldofbooks.com\/collections\/sternberg-press-critical-spatial-practice-ser-book-series.oembed","provider":"World of Books ","version":"1.0","type":"link"}