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With its interdisciplinary scope, attention to practitioners' self-understandings, broad perspectives, and particular case studies, African Cinema and Human Rights is a foundational text that offers questions, reflections, and evidence that help us to consider film's ideal role within the context of our ever-continuing struggle towards a more just global society.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49729093304593,"sku":"NGR9780253039439","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0253039436.jpg?v=1750695098"},{"product_id":"from-street-to-screen-book-michael-t-martin-9780253049544","title":"From Street to Screen","description":"Charles Burnett's 1977 film, Killer of Sheep is one of the towering classics of African American cinema. As a deliberate counterpoint to popular blaxploitation films of the period, it combines harsh images of the banality of everyday oppression with scenes of lyrical beauty, and depictions of stark realism with flights of comic fancy. From Street to Screen: Charles Burnett's Killer of Sheep is the first book-length collection dedicated to the film and designed to introduce viewers to this still relatively unknown masterpiece. Beginning life as Burnett's master's thesis project in 1973, and shot on a budget of $10,000, Killer of Sheep immediately became a cornerstone of the burgeoning movement in African American film that came to be known variously as the LA School or LA Rebellion. By bringing together a wide variety of material, this volume covers both the politics and aesthetics of the film as well as its deeper social and contextual histories. This expansive and incisive critical companion will serve equally as the perfect starting point and standard reference for all viewers, whether they are already familiar with the film or coming to it for the first time.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49738733715729,"sku":"NGR9780253049544","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0253049547.jpg?v=1752316290"},{"product_id":"pleading-the-blood-book-christopher-sieving-9780253059208","title":"Pleading the Blood","description":"The definitive look at one of the most important Black art films and original filmmakers of the 1970s.   Bill Gunn's Ganja \u0026amp; Hess (1973) has across the decades attained a sizable cult following among African American cinema devotees, art house aficionados, and horror fans, thanks to its formal complexity and rich allegory. Pleading the Blood is the first full-length study of this cult classic.    Ganja \u0026amp; Hess was withdrawn almost immediately after its New York premiere by its distributor because Gunn's poetic re-fashioning of the vampire genre allegedly failed to satisfy the firm's desire for a by-the-numbers \"blaxploitation\" horror flick for quick sell-off in the urban market. Its current status as one of the classic works of African American cinema has recently been confirmed by the Blu-ray release of its restored version, by its continued success in screenings at repertory houses, museums, and universities, and by an official remake, Da Sweet Blood of Jesus (2014), directed by Spike Lee, one of the original picture's longtime champions.   Pleading the Blood draws on Gunn's archived papers, screenplay drafts, and storyboards, as well as interviews with the living major creative participants to offer a comprehensive, absorbing account of the influential movie and its highly original filmmaker.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49741559300369,"sku":"NGR9780253059208","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0253059208.jpg?v=1752316000"},{"product_id":"afterlives-of-kathleen-collins-book-l-h-stallings-9780253059017","title":"The Afterlives of Kathleen Collins","description":"An absorbing portrait of a groundbreaking Black woman filmmaker.  Kathleen Collins (1942–88) was a visionary and influential Black filmmaker. Beginning with her short film The Cruz Brothers and Miss Malloy and her feature film Losing Ground, Collins explored new dimensions of what narrative film could and should do. However, her achievements in filmmaking were part of a greater life project. In this critically imaginative study of Collins, L.H. Stallings narrates how Collins, as a Black woman writer and filmmaker, sought to change the definition of life and living.   The Afterlives of Kathleen Collins: A Black Woman Filmmaker's Search for New Life explores the global significance and futurist implications of filmmaker and writer Kathleen Collins. In addition to her two films, Stallings examines the broad and expansive and varying forms of writing produced by Collins during her short life time. The Afterlives of Kathleen Collins showcases how Collins used filmmaking, writing, and teaching to assert herself as a poly-creative dedicated to asking and answering difficult philosophical questions about human being and living. 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