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In discussing such issues as the role of Zinnemann's documentary aesthetic throughout his career, the relationship between his life and his art, his use and construction of history, and the central importance of women characters in his films, The Films of Fred Zinnemann lends new perspectives to the work of a major filmmaker and makes a significant contribution to the study of American cinema.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52820448772369,"sku":"NLS9780791442265","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780791442265.jpg?v=1764329982"},{"product_id":"detecting-men-book-philippa-gates-9780791468142","title":"Detecting Men","description":"Looks at how detective films have reflected and shaped our ideas about masculinity, heroism, law and order, and national identity.  Detecting Men examines the history of the Hollywood detective genre and the ways that detective films have negotiated changing social attitudes toward masculinity, heroism, law enforcement, and justice. Genre film can be a site for the expression and resolution of problematic social issues, but while there have been many studies of such other male genres as war films, gangster films, and Westerns, relatively little attention has been paid to detective films beyond film noir. In this volume, Philippa Gates examines classical films of the thirties and forties as well as recent examples of the genre, including Die Hard, the Lethal Weapon films, The Usual Suspects, Seven, Devil in a Blue Dress, and Murder by Numbers, in order to explore social anxieties about masculinity and crime and Hollywood's conceptions of gender. Up until the early 1990s, Gates argues, the primary focus of the detective genre was the masculinity of the hero. However, from the mid-1990s onward, the genre has shifted to more technical portrayals of crime scene investigation, forensic science, and criminal profiling, offering a reassuring image of law enforcement in the face of violent crime. By investigating the evolution of the detective film, Gates suggests, perhaps we can detect the male.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52820881703185,"sku":"NLS9780791468142","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780791468142.jpg?v=1764330767"},{"product_id":"phantom-of-the-cinema-book-lloyd-michaels-9780791435687","title":"The Phantom of the Cinema","description":"The first book to focus on the representation of character in film, encompassing the art cinema, popular movies, and documentaries.  The first extended study to focus on the representation of character in film, The Phantom of the Cinema provides a historically informed, theoretically sophisticated, yet eminently readable account of a broad spectrum of texts that center on elusive, ambiguous protagonists. Ranging across acknowledged classics such as Citizen Kane and Persona, including relatively neglected works such as House of Games, The Last Tycoon, and Badlands, and encompassing the art cinema, popular movies, and documentary, Michaels applies the concept of \"presence of absence\" to distinguish cinema from other performative arts. He then suggests how this propensity to present images that reflect a constantly mediated sense of reality allows certain reflexive films to project a problematic understanding of human identity.  In analyzing these spectral figures haunting the modern cinema, Michaels combines contemporary theory with his own close reading in order to reconcile the structuralist emphasis on textuality with the humanist account of character as representing the autonomous self. 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This split screen characterizes the Belgian cinema, which has not received the critical praise that it deserves, despite the recent international successes of films like Toto the Hero, and the achievements of individual directors such as Henri Storck, Andr  Delvaux, and Chantal Akerman. In surveying the evolution of Belgian cinema from its beginnings to the present day, Philip Mosley locates all the major feature films, describes the crucial intervention of the state in film production, and reveals undervalued Belgian traditions in documentary, in animation, in short films, and in a colonial cinema created partly by missionaries in the former Belgian Congo. 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This book leaves little doubt, however, that Harold Pinter has made important contributions to the cinema, not the least of which has to do with the primary characteristics of his screenplays-in almost every case he has produced a script that is a work of art in its own right, one that can stand on its own.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":53213356065041,"sku":"NLS9780791449325","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780791449325.jpg?v=1772754553"},{"product_id":"dead-ringers-book-jennifer-forrest-9780791451694","title":"Dead Ringers","description":"Addresses the important role of remakes in film culture, from early cinema to contemporary Hollywood.  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Bad examines the long line of thieves, rapists, varmints, codgers, dodgers, manipulators, exploiters, conmen, killers, vamps, liars, demons, cold-blooded megalomaniacs, and warmhearted flakes that populate cinematic narrative. From Nosferatu to The Talented Mr. Ripley, the contributors consider a wide range of genres and use a variety of critical approaches to examine evil, villainy, and immorality in twentieth-century film.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":53213387620625,"sku":"NLS9780791459393","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780791459393.jpg?v=1772754657"},{"product_id":"film-voices-book-gerald-duchovnay-9780791461556","title":"Film Voices","description":"Interviews with prominent filmmakers, actors, and others on the art, craft, and business of moviemaking.  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