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He addresses the utilitarian aspect of the illustrations as well by revealing the multidimensional role that these images played for Renaissance readers, particularly emphasizing their pedagogical and mnemonic uses.\u003c\/p\u003e \u003cp\u003eOf value to numerous disciplines, \u003cem\u003eThe Early Printed Illustrations of Dante's \"Commedia\"\u003c\/em\u003e fills a gap in Dante studies and will inspire similar investigations into the visual representation of other literary works in the age of early print.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":53610410475793,"sku":"NLS9780268208370","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":53762724495633,"sku":"NIN9780268208370","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780268208370.jpg?v=1780212601"},{"product_id":"freedom-readers-book-dennis-looney-9780268160746","title":"Freedom Readers","description":"Freedom Readers: The African American Reception of Dante Alighieri and the Divine Comedy is a literary-historical study of the many surprising ways in which Dante Alighieri and the Divine Comedy have assumed a position of importance in African American culture. Dennis Looney examines how African American authors have read, interpreted, and responded to Dante and his work from the late 1820s to the present. \/\/\/ In many ways, the African American reception of Dante follows a recognizable narrative of reception: the Romantic rehabilitation of the author; the late-nineteenth-century glorification of Dante as a radical writer of reform; the twentieth-century modernist rewriting; and the adaptation of the Divine Comedy into the prose of the contemporary novel. But surely it is unique to African American rewritings of Dante to suggest that the Divine Comedy is itself a kind of slave narrative. Only African American translations of Dante use the medieval author to comment on segregation, migration, and integration. While many authors over the centuries have learned to articulate a new kind of poetry from Dante's example, for African American authors attuned to the complexities of Dante's hybrid vernacular, his poetic language becomes a model for creative expression that juxtaposes and blends classical notes and the vernacular counterpoint in striking ways. Looney demonstrates this appropriation of Dante as a locus for black agency in the creative work of such authors as William Wells Brown, the poet H. Cordelia Ray, Richard Wright, Ralph Ellison, Amiri Baraka, Gloria Naylor, Toni Morrison, and the filmmaker Spencer Williams.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":53610410803473,"sku":"NLS9780268160746","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780268160746.jpg?v=1780212603"},{"product_id":"dante-now-book-theodore-j-cachey-jr-9780268008796","title":"Dante Now","description":"\u003cp\u003eWritten by ten distinguished Dante scholars, the essays in \u003ci\u003eDante Now\u003c\/i\u003e represent the most significant areas of contemporary Dante studies. This collection, originating from a 1993 University of Notre Dame conference, includes some of the particular on three intensely cultivated areas of Dante studies: poetics, \"minor works,\"and reception.\u003c\/p\u003e \u003cp\u003eThe stimulating ferment on the problem of Dante's poetics is well represented in the first three essays. These range in approach from the stylistic-ideological treatment of Zygmunt G. Baranski's essay to the inter-and intra-textual concerns presented by Christopher Kleinhenz, to the compelling hermeneutical and epistemological reflections on Dante's poetics given by Giuseppe Mazzotta. Dante's so-called \"minor works\" have increasingly become a focus of attention in contemporary Dante studies, and the textual problems represented by the \u003ci\u003eVita nuova\u003c\/i\u003e are sweepingly reconsidered by Dino S. Cervigni and Edward Vasta. Ronald L. Martinez dedicates a substantial essay to Dante's poem of exile \"Tre donne,\" and Albert Russell Ascoli addresses the issue of the relationship between Dante's \u003ci\u003eCommedia\u003c\/i\u003e and the minor works, especially the \u003ci\u003eMonarchia\u003c\/i\u003e. The final section of essays examines the phenomenon of the original and continuing vitality of Dante's work as a profoundly of influential, enduring, and enlivening literary classic. R.A. Shoaf addresses the literary influence of Dante in medieval England; Kevin Brownlee investigates Dante's most important medieval French connection in the works of Christine de Pizan; and Nancy Vickers illuminates Dante's translatability into avante garde films and videos. 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