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It was also historically important: when a Texas movie theater owner showing the film was arrested for violating local censorship laws, his case went to the U.S. Supreme Court, which ruled the censorship ordinance unconstitutional.      In Cinematic Identity, Cindy Patton takes Pinky as a starting point to meditate on the critical reception of this and other “problem films” of the period and to explore the larger issues they raise about race, gender, and sexuality. It was films like Pinky, Patton contends, that helped lay the groundwork for a shift in popular understanding of social identity that was essential to white America’s ability to accept the legitimacy of the civil rights movement.      The production of these films, beginning with 1949’s Gentleman’s Agreement, coincided with the arrival of the Method school of acting in Hollywood, which demanded that performers inhabit their characters’ lives. 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