{"title":"Thinking Cinema","description":"\u003cp\u003eDive into the Thinking Cinema series, an insightful collection exploring film theory and analysis. Perfect for students and cinephiles alike, these books offer fresh perspectives on classic and contemporary movies. Broaden your understanding today!\u003c\/p\u003e","products":[{"product_id":"european-cinema-and-continental-philosophy-book-thomas-elsaesser-9781441182210","title":"European Cinema and Continental Philosophy","description":"This groundbreaking volume for the Thinking Cinema series focuses on the extent to which contemporary cinema contributes to political and philosophical thinking about the future of Europe's core Enlightenment values. In light of the challenges of globalization, multi-cultural communities and post-nation state democracy, the book interrogates the borders of ethics and politics and roots itself in debates about post-secular, post-Enlightenment philosophy.   By defining a cinema that knows that it is no longer a competitor to Hollywood (i.e. the classic self-other construction), Elsaesser also thinks past the kind of self-exoticism or auto-ethnography that is the perpetual temptation of such a co-produced, multi-platform 'national cinema as world cinema'. Discussing key filmmakers and philosophers, like: Claire Denis and Jean-Luc Nancy; Aki Kaurismäki, abjection and Julia Kristeva; Michael Haneke, the paradoxes of Christianity and Slavoj Zizek; Fatih Akin, Alain Badiou and Jacques Rancière, Elsaesser is able to approach European cinema and assesses its key questions within a global context. His combination of political and philosophical thinking will surely ground the debate in film philosophy for years to come.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49733325029649,"sku":"NGR9781441182210","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1441182217.jpg?v=1751052205"},{"product_id":"ex-centric-cinema-book-janet-harbord-9781628922417","title":"Ex-centric Cinema","description":"In the beginning, cinema was an encounter between humans, images and machine technology, revealing a stream of staccato gestures, micrographic worlds, and landscapes seen from above and below. In this sense, cinema's potency was its ability to bring other, non-human modes of being into view, to forge an encounter between multiple realities that nonetheless co-exist. 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Drawing inspiration from Deleuze’s ethics of immanence, Spinoza’s ethology of passions and Nietzsche’s typology of forces, The Grace of Destruction examines the affective extremities common in much of global, contemporary cinema from the affirmative perspective of vital forces and situations—extremities such as moral\/religious oppression, biopolitical violence, the pain involved in gender relations, the event of death and planetary extinction.    Her analysis diverges from the current literature on extreme cinema through its selection of films, which include key international examples, and through its foregrounding of relational, affective politics over representations of sexuality and graphic violence. Detailed formal and philosophical analyses of films like The White Ribbon, Dogville, Code Unknown, Battle in Heaven, Sonatine, Fireworks, Dolls, Takeshis’, Inland Empire and Melancholia are meant to move us away from the moral appraisal of violence and destruction, and to compose an ethological philosophy of cinema based on Deleuze’s idea that, “when truth and judgment crumble, there remain bodies, which are… nothing but forces.”","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50697491906833,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":50697493840145,"sku":"NGR9781501303029","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52540476883217,"sku":"NLS9781501303029","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1501303023.jpg?v=1751464530"},{"product_id":"body-and-the-screen-book-kate-ince-9781623565817","title":"The Body and the Screen","description":"Winner of the British Association of Film, Television and Screen Studies Best Book Prize 2018  Since the 1980s the number of women regularly directing films has increased significantly in most Western countries; in France, Claire Denis and Catherine Breillat have joined Agnès Varda in gaining international renown, while British directors Lynne Ramsay and Andrea Arnold have forged award-winning careers in feature film. 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It is a meditation that uniquely grapples with the look and the feel of noir, and which dares to detect a unique quality of ‘beatitude’ that runs through a certain strain of noir films. 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During the 21st century this relationship has become increasingly fraught due to proliferating social and environmental crises; recent films from Lars von Trier’s Melancholia (2011) to Apichatpong Weerasethakul’s Uncle Boonmee Who Can Recall His Past Lives (2010) address these problems by reflecting or renegotiating the terms of our engagement with the natural world. In this spirit, this book proposes a new film philosophy for the Anthropocene. It argues that certain contemporary films attempt to transgress the limits of human experience, and that such ‘limit cinema’ has the potential to help us rethink our relationship with nature. Posing a new and timely alternative to the process philosophies that have become orthodox in the fields of film philosophy and ecocriticism, Limit Cinema revitalizes the philosophy of Georges Bataille and puts forward a new reading of his notion of transgression in the context of our current environmental crisis.   To that end, Limit Cinema brings Bataille into conversation with more recent discussions in the humanities that seek less anthropocentric modes of thought, including posthumanism, speculative realism, and other theories associated with the nonhuman turn. The problems at stake are global in scale, and the book therefore engages with cinema from a range of national and cultural contexts. From Ben Wheatley’s psychological thrillers to Nettie Wild’s eco-documentaries, limit cinema pushes against the boundaries of thought and encourages an ethical engagement with perspectives beyond the human.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52650882269457,"sku":"NLS9781501352867","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501352867.jpg?v=1762129099"},{"product_id":"limit-cinema-book-chelsea-birks-9781501381324","title":"Limit Cinema","description":"WINNER of the Society for Cinema and Media Studies (SCMS) Best First Book Award 2023  Limit Cinema explores how contemporary global cinema represents the relationship between humans and nature. During the 21st century this relationship has become increasingly fraught due to proliferating social and environmental crises; recent films from Lars von Trier’s Melancholia (2011) to Apichatpong Weerasethakul’s Uncle Boonmee Who Can Recall His Past Lives (2010) address these problems by reflecting or renegotiating the terms of our engagement with the natural world. In this spirit, this book proposes a new film philosophy for the Anthropocene. It argues that certain contemporary films attempt to transgress the limits of human experience, and that such ‘limit cinema’ has the potential to help us rethink our relationship with nature. Posing a new and timely alternative to the process philosophies that have become orthodox in the fields of film philosophy and ecocriticism, Limit Cinema revitalizes the philosophy of Georges Bataille and puts forward a new reading of his notion of transgression in the context of our current environmental crisis.   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Now more than ever, we are being told that technologies capable of performing as though they were human are being developed at an unprecedented rate. In order to make sense of the wide-ranging social, ethical and philosophical ramifications of such technologies, cultural commentators, researchers and philosophers are turning to science fiction for answers. Rather than dismiss those who do so, this book builds upon this critical impulse to consider how film and television respond to the question: what does it mean to be human in an age of technological crisis?  Liam Rogers makes the case for a film-and-television-philosophy approach to examine what mainstream science fiction can offer posthumanism in its technoscientific visions of the future. 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It examines a range of films from distinct regional and industrial contexts: Hollywood, indie movies, different kinds of documentaries from the US and elsewhere, and auteurist-realist cinema from Europe and Asia. Moving across and beyond critical and industrial categories that often inform thinking about cinema, this book contends that different approaches to film style can push us to imagine disaster in distinct ways, with distinct ethical connotations.  Framed by contemporary concerns around the global climate crisis and the advent of the Anthropocene, questions about how films can best offer responses to historical exigency guide the book’s explorations of spectacular 2010s blockbusters like Gravity (2013) and San Andreas (2015), environmental documentaries including the paradigmatic An Inconvenient Truth (2006), post-disaster films by auteurs including Abbas Kiarostami and Lav Diaz, and more. 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