{"title":"Thinking Media","description":"\u003cp\u003eDive into the world of media studies with Thinking Media. This series offers insightful analysis and critical perspectives on contemporary media, perfect for students and enthusiasts alike. Browse now.\u003c\/p\u003e","products":[{"product_id":"sound-affects-book-sharon-jane-mee-9781501388927","title":"Sound Affects","description":"Sound Affects: A User’s Guide is a collection of sonically-charged concepts ranging from those felt, ‘heard’ and repeated (silence, the oriental riff, shuffle), to the vocal (whispers, sing, the disembodied voice), to sounds at the threshold (tin\/ny, thump, buzz) to sounds beyond the limits of audibility (inaudible tremors, distortion, sub-bass). Sound Affects invites the reader to reflect on the ways that sounds produce affects and the ways that affects can operate as sound.    Each of the entries develops a particular perspective on sound and affect through a close analysis of audiovisual and\/or sonic objects. The objects chosen not only illustrate the concept in question but also demonstrate how the object encourages us to rethink the relationships between sounds and affects. Influenced by the sound theory of Eugenie Brinkema (2011), the concepts of Sound Affects plot the shift in volume from silence that opens up a space to be heard to the audibly near, from the audibly near to sounds beyond the limits of audibility. Sound Affects is an intellectual adventure for those who theorize and listen. The book can also be enjoyed as a narrative of sounds, its absences and its shifting intensities.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":50068248232209,"sku":"NGR9781501388927","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":53134597161233,"sku":"NLS9781501388927","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1501388924.jpg?v=1751085898"},{"product_id":"miscommunications-book-timothy-barker-9781501363856","title":"Miscommunications","description":"What happens when communication breaks down? Is it the condition for mistakes and errors that is characteristic of digital culture? And if mistakes and errors have a certain power, what stands behind it?  To address these questions, this collection assembles a range of cutting-edge philosophical, socio-political, art historical and media theoretical inquiries that address contemporary culture as a terrain of miscommunication. If the period since the industrial revolution can be thought of as marked by the realisation of the possibilities for global communication, in terms of the telephone, telegraph, television, and finally the internet, Miscommunications shows that to think about the contemporary historical moment, a new history and theory of these devices needs to be written, one which illustrates the emergence of the current cultures of miscommunication and the powers of the false.   The essays in the book chart the new conditions for discourse in the 21st century and collectively show how studies of communication can be refigured when we focus on the capacity for errors, accidents, mistakes, malfunctions and both intentional and non-intentional miscommunications.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50697798648081,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":50697800614161,"sku":"NGR9781501363856","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52427512971537,"sku":"NLS9781501363856","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1501363859.jpg?v=1751986806"},{"product_id":"switch-image-book-lorenz-engell-9781501349287","title":"The Switch Image","description":"Television is the most powerful system of images in the late 20th and early 21st centuries. Nonetheless, TV has attained only little philosophical attention so far, especially compared to other (visual) media such as film. This book looks at TV as what happens on the screen and beyond it; which is mainly the operation of switching images. It therefore proposes a new definition of TV as the first picture that can be switched on, off, and over, which stresses that TV is more tactile than visual.   Through the operation of switching, TV figures the world from within and as the course of its figuration. This is grasped here by the term of “ontography”. Through the ongoing interlacing and bridging of “TV 1.0” (the image is being switched) and “TV 2.0” (the image is a switch), TV exponentially increases the production and circulation of images. It transforms the world and itself from an analogue state to a digital one and from central perspectivism to pluri-perspective. In terms of time, through switching and the switch, it develops and reworks new temporal orderings, such as instantaneity, synchronicity, flow, and seriality. TV makes its own history. In space, it creates a mediasphere as its habitat and hence new forms of being-in-the-world, of proximity and distance, and scale. Anthropologically, it works on what a subject and an object is, on what makes the human being, and ontographically, how it is possible that there is something at all instead of nothing: through switch-images.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50697895936273,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":50697898197265,"sku":"NGR9781501349287","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52404564787473,"sku":"NLS9781501349287","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1501349287.jpg?v=1751464689"},{"product_id":"technologos-in-being-book-wolfgang-ernst-9781501362293","title":"Technológos in Being","description":"Wolfgang Ernst’s new work, Technológos in Being, in its explicit media-scientific approach, aligns with the politics of the thinking media series to publish innovative works that advance media studies towards the ‘new sciences.’   Ernst’s invites readers to re-adjust their ideas of Media Studies: the conviction that an extended understanding of \"medium\" needs to include a concept of materiality that focuses on \"non- human\" agencies as well. The book grounds media analysis radically in the technological apparatuses, relays, transistors, hard- and software, to precisely locate the scenes, operations and frictions where reasoning logos and ‘informable’ matter interfere.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50697976545553,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":50697978413329,"sku":"NGR9781501362293","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52151415341329,"sku":"NLS9781501362293","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1501362291.jpg?v=1751986537"},{"product_id":"brainmedia-book-flora-lysen-9781501378751","title":"Brainmedia","description":"Will we ever be able to see the brain at work? Could it be possible to observe thinking and feeling as if watching a live broadcast from within the human head? Brainmedia uncovers past and present examples of scientists and science educators who conceptualize and demonstrate the active human brain guided by new media technologies: from exhibitions of giant illuminated brain models and staged projections of brainwave recordings to live televised brain broadcasts, brains hooked up to computers and experiments with “brain-to-brain” synchronization.  Drawing on archival material, Brainmedia outlines a new history of “live brains,” arguing that practices of—and ideas about—mediation impacted the imagination of seeing the brain at work. By combining accounts of scientists examining brains in laboratories with examples of public demonstrations and exhibitions of brain research, Brainmedia casts new light on popularization practices, placing them at the heart of scientific work.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50698212638993,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":50698216210705,"sku":"NGR9781501378751","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52477961601297,"sku":"NLS9781501378751","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1501378759.jpg?v=1752144292"},{"product_id":"anthropologies-of-entanglements-book-christiane-voss-9781501375118","title":"Anthropologies of Entanglements","description":"Media and human modes of existence are always already intertwined and interdependent. The notion of the anthropocene has further stimulated a new examination of ideas about human agency and responsibility. Various approaches all emphasize relational concepts and the situatedness and embodiment of human—and also non-human—existences and experiences. Their common interest has shifted from any so-called ‘human nature’ to the multitude of cultural, topographical, technical, historical, social, discursive, and media formats with which human existences are entangled.  This volume brings together a range of thinkers from international backgrounds and puts these important reflections and ideas in the spotlight. More specifically, the volume explores the concept of \"anthropomedial entanglements.\" It fosters an understanding of human bodies, experiences, and media as being immanently entangled and mutually constituting, prior to any possible distinction between them. The different contributions thus open up a dialogue between empirical case studies and media-historical research on the one hand and the conceptual work of media and cultural philosophies and aesthetics on the other hand.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51604786741521,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51604786872593,"sku":"NGR9781501375118","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51604786970897,"sku":"NIN9781501375118","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52681351954705,"sku":"NLS9781501375118","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1501375113.png?v=1751243362"},{"product_id":"emerging-contours-of-the-medium-book-bernd-herzogenrath-9781501398711","title":"The Emerging Contours of the Medium","description":"The Emerging Contours of the Medium explores a crucial aspect of media thinking, focusing particularly on the ‘mediality’ of literature, a medium that remains today on the margins of the theoretical discussion of media. The book was written by a collective of authors based in the Institute of Czech Literature, Czech Academy of Sciences, Czech Republic.   Even though interest in the technological and media aspects of literature has been slowly building momentum in the past several decades, from comparative perspectives to written culture to new media, the concept of the medium has not informed this process, and its systematic integration into literary studies has never been effectively carried out. Nor has the specific mediality of literature been successfully integrated into the general concept of media\/lity in media science.  Contributors to this work provide both an explanation of and solution to this mutual blindness, setting out from the question: What are the conditions for elaborating a media-theoretical framework in which to situate literature as a medium?  The Emerging Contours of the Medium, available for the first time in English, is divided into three parts, which correlate to the three main research areas of the principles for a media theory of literature. Part 1 develops a perspective of the (pre)history of media thinking, grounding the principles of the genealogical integration. Part 2 concentrates on and develops the related perspectives of media philosophy and media anthropology. Part 3’s main focus is the way media – as dispositifs interlinking the parameters of perception and communication – provide the ground for making emergent media phenomena visible, whether it be between media (in their mutual synergy or discrepancies), between media artefacts, or between human and apparatus.  Stanislava Fedrová is Head of the Department of Art Historiography and Theory at the Institute of Art History at the Czech Academy of Sciences, researcher at the Institute of Czech Literature of the Czech Academy of Sciences and Assistant Professor of Literature and Intercultural Communication at Masaryk University, Czech Republic. Her scholarly interests include literary theory, art theory, visual culture and intermedial research, with a focus on the relations between verbal and visual media. She is co-author, with Alice Jedlicková, of Visible Descriptions: Visuality, Suggestivity and Intermediality of Literary Description (2016).    Tomáš Chudý works as an independent researcher, translator (Kittler, Luhmann, Taylor etc.) and lawyer for the Czech National Bank. His research interests include media philosophy and the interrelation of technical and humanist paradigms by means of working with signs, as well as interlinking social and economic aspects in technically mediated communication. He has published in scholarly journals, such as Social Studies, and he is the co-author, with Richard Müller et al., of the Czech edition of The Emerging Contours of the Medium: Literature and Mediality (2020).    Alice Jedlickova is Senior Researcher at the Institute of Czech Literature of the Czech Academy of Sciences, and Associate Professor of Literature and Intercultural Communication at Masaryk University, Czech Republic. Her research interests include intermedial studies (socio-spatial relations of cultural representations) and its history, literary theory, diachronic poetics and the theory of narrative. She is the editor of, and principle contributor to Narrative Modes of 19th Century Czech Prose (2022), and co-author, with Stanislava Fedrová, of the interdisciplinary inquiry Visible Descriptions: Visuality, Suggestivity and Intermediality of Literary Description (2016). She has published on transmediation as a marker of cultural continuity and on the potential of intermedial approach in education recently.    Richard Müller is Senior Researcher at the Institute of Czech Literature of the Czech Academy of Sciences, professor of Comparative Literature at New York Univeristy Prague, and professor of Literary Criticism and Writing at the Prague School of Creative Communication. His research interests include the contextual transformations of literary mediality, the history of semiotics, (post)structuralism and cultural materialism, the genealogies of literary and media theory, and the writings of Franz Kafka. He is the editor of the scholarly journal Czech Literature, co-author, with Tomáš Chudý et al., of the Czech edition of The Emerging Contours of the Medium: Literature and Mediality (2020), and co-author, with Pavel Šidák et al., of The Dictionary of Modern Literary Theory (2011).     Martin Ritter is Senior Researcher at the Institute of Philosophy of the Czech Academy of Sciences. His research interests lie in phenomenology (especially concerning Jan Patocka), critical theory and German medial philosophy. As editor and translator, he has prepared a three-volume edition of Walter Benjamin’s work, and is author of Walter Benjamin’s Philosophy of Language (2009). His most recent book is Into the World: The Movement of Patocka’s Phenomenology (2019, in English).     Josef Šebek is Assistant Professor of Czech and Comparative Literature at the Faculty of Arts of Charles University in Prague, Czech Republic. His research concerns cultural materialism, the sociology of Pierre Bourdieu and current French sociology of literature and works also on contemporary theory of discourse and rhetoric, media theory of literature, genres of life writing and queer studies. He is the editor of the scholarly journal Word \u0026amp;Sense, and author of Literature and the Social: Bourdieu, Williams, and Their Successors (2019).    Pavel Šidák is researcher at the Institute of Czech Literature of the Czech Academy of Sciences editor-in-chief of the scholarly journal, Czech Literature, and professor of Literary Criticism and Writing at Prague School of Creative Communication, Czech Republic. His research interests include literary theory, literary genology and the relation between literature and folklore. He is the co-author, with Richard Müller et al., of The Dictionary of Modern Literary Theory (2011) and author of Introduction into the Study of Genres (2018).    Josef Vojvodík is Professor of Czech and Comparative Literature at the Faculty of Arts at Charles University in Prague, Czech Republic. His research focuses on modern literature and visual arts (specifically, symbolicist and post-symbolicist modernism and the avant-garde movements of the 1920s–1930s with ‘transhistoric’ links to Mannerism and Baroque), as well as German and French media, social and cultural anthropology, and phenomenology. He is the author of Surface, Latency, Ambivalence: Mannerism, Baroque and the (Czech) Avant-Garde (2008) and Pathos in Czech Art, Poetry and Artistic-Aesthetic Thinking of 1940’s (2014).","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51637915877649,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51637916074257,"sku":"NGR9781501398711","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52693421654289,"sku":"NLS9781501398711","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1501398717.jpg?v=1750957085"},{"product_id":"brainmedia-book-flora-lysen-9781501378720","title":"Brainmedia","description":"Will we ever be able to see the brain at work? Could it be possible to observe thinking and feeling as if watching a live broadcast from within the human head? Brainmedia uncovers past and present examples of scientists and science educators who conceptualize and demonstrate the active human brain guided by new media technologies: from exhibitions of giant illuminated brain models and staged projections of brainwave recordings to live televised brain broadcasts, brains hooked up to computers and experiments with “brain-to-brain” synchronization.  Drawing on archival material, Brainmedia outlines a new history of “live brains,” arguing that practices of—and ideas about—mediation impacted the imagination of seeing the brain at work. By combining accounts of scientists examining brains in laboratories with examples of public demonstrations and exhibitions of brain research, Brainmedia casts new light on popularization practices, placing them at the heart of scientific work.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51653503713553,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51653504074001,"sku":"NGR9781501378720","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52400456139025,"sku":"NLS9781501378720","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1501378724.jpg?v=1750758823"},{"product_id":"concepts-book-patricia-pisters-9781501375330","title":"concepts","description":"This book foregrounds that English monolingualism reduces both our linguistic and conceptual resources, presenting concepts from the cultures of 4 continents and 26 languages.   Concepts seem to work best when created in the interspace between theory and praxis, and between philosophy, art, and science. Deleuze himself had generated many concepts in this encounter between philosophy and non-philosophy, including his ideas of affects and percepts, of becoming, the stutter, the rhizome, movement-image and time-image, the rhizome. What happens, if instead of \"other disciplines,\" we take other cultures, other languages, other philosophies? Does not the focus on English as a hegemonic language of academic discourse deny us a plethora of possibilities, of possible Denkfiguren, of possible concepts?   Each contributor explores ideas that are key to thinking in their language – about sound and silence, voice and image, living and thinking, the self and the world - while simultaneously addressing the issue of translation. Each chapter demonstrates that translation itself is a way of invention, rather than just a rendering of concepts from one system in terms of another. This collection acts as a travelogue. The journey does not follow a particular trajectory—some countries are not on the map; some are visited twice. So, there is no claim to completeness involved here—it is rather an invitation to answer to the call.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52124595650833,"sku":"NLS9781501375330","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501375330.jpg?v=1757457412"},{"product_id":"sonic-thinking-book-bernd-herzogenrath-9781501327209","title":"Sonic Thinking","description":"Sonic Thinking attempts to extend the burgeoning field of media philosophy, which so far is defined by a strong focus on cinema, to the field of sound. The contributors urge readers to re-adjust their ideas of Sound Studies by attempting to think not only about sound [by external criteria, such as (cultural) meaning], but to think with and through sound. Series editor Bernd Herzogenrath's collection serves two interconnected purposes: in developing an alternative philosophy of music that takes music serious as a ‘form of thinking’; and in bringing this approach into a fertile symbiosis with the concepts and practices of ‘artistic research’: art, philosophy, and science as heterogeneous, yet coequal forms of thinking and researching. Including contributions by both established figures and younger scholars working on cutting edge material, and weaving  artistic responses and interventions in between the more theoretical texts, Herzogenrath's collection provides a lively introduction to a fresh debate.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52137608577297,"sku":"NLS9781501327209","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501327209.jpg?v=1757558301"},{"product_id":"videographic-cinema-book-jonathan-rozenkrantz-9781501369315","title":"Videographic Cinema","description":"In 1957, A Face in the Crowd incorporated live video images to warn about the future of broadcast TV. In 2015, Kung Fury was infused with analogue noise to evoke the nostalgic feeling of watching an old VHS tape. Between the two films, numerous ones would incorporate video images to imagine the implications of video practices. Drawing on media archaeology, Videographic Cinema shows how such images and imaginaries have emerged, changed and remained over time according to their shifting technical, historical and institutional conditions.    Rediscovering forgotten films like Anti-Clock (1979) and reassessing ones like Lost Highway (1997), Jonathan Rozenkrantz charts neglected chapters of video history, including self-confrontation techniques in psychiatry, their complex relation with surveillance, and the invention\/discovery of the “videographic psyche” by artists, therapists and filmmakers. Spanning six decades, Videographic Cinema discovers an epistemic shift from prospective imaginaries of surveillance and control conditioned on video as a medium for live transmission, to retrospective ones concerned with videotape as a recording memory. It ends by considering videographic filmmaking itself as a form of archaeology in the age of analogue obsolescence.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52140591677713,"sku":"NLS9781501369315","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501369315.jpg?v=1757575102"},{"product_id":"disrupted-intersubjectivity-book-andrei-ionescu-9781501391149","title":"Disrupted Intersubjectivity","description":"Disrupted Intersubjectivity investigates two classes of phenomena creating failures of understanding in social interaction, referred to as ‘paralysis’ and ‘invasion.’ Both can be understood as disrupted forms of intersubjectivity, the former being characterized by a lack\/deficiency of ways of relating to others, and the latter by an unnecessary surplus. By studying the literary accounts of these phenomena in a selection of Ian McEwan’s literary works (“Homemade,” On Chesil Beach, Enduring Love, and Atonement), Andrei Ionescu sheds light on the epistemological potential of literature and the structure of human relationships in general.   Part of the developing field of cognitive literary studies, Disrupted Intersubjectivity not only uses cognitive scientific theories in order to clarify literary issues, but also investigates to what extent can literature itself contribute to the process of understanding the workings of the human mind. By investigating the metacognitive issues staged and reflected upon in literary works, Ionescu challenges and refines contemporary cognitive and philosophical approaches to intersubjectivity and opens directions for further theoretical and empirical research.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52334530658577,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52334531150097,"sku":"NLS9781501391149","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501391149.jpg?v=1758157150"},{"product_id":"disformations-book-toms-jirsa-9781501374890","title":"Disformations","description":"What happens when forms fall apart? And how do affects such as fear, shock, fascination, and desire drive and shape formal disturbances in modern literature, cinema, and contemporary art? Opening an interdisciplinary dialogue between cultural affect theory, media philosophy, and literary studies, Tomáš Jirsa explores how specific affective operations disrupt form only to generate new formations. To demonstrate the importance of the structural work of mutually interacting affects, Disformations provides close readings of four intermedia figures stretched out across modernist fictions, contemporary video art, and posthuman visual experiments—the faceless face, the wallpaper pattern, the garbage dump, and the empty chair. Analyzing a wide range of texts, images, and audiovisual works, from Vincent van Gogh and Charlotte Perkins Gilman to Rainer Maria Rilke, Gaston Leroux, and Richard Weiner, to Francis Bacon, Michel Tournier, Ingmar Bergman, Eugène Ionesco, Vladimir Nabokov, Joseph Kosuth, and Jan Šerých, this book opens up a new avenue for addressing how aesthetic forms desubjectify affects to mobilize their mediality and performative qualities. Jirsa’s innovative theoretical framework and incisive readings offer a fresh inquiry into how artistic media produce their own figural thinking and in so doing compel us to think with them anew.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52336195502353,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52336199205137,"sku":"NLS9781501374890","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501374890.jpg?v=1758162546"},{"product_id":"disformations-book-toms-jirsa-9781501362347","title":"Disformations","description":"What happens when forms fall apart? And how do affects such as fear, shock, fascination, and desire drive and shape formal disturbances in modern literature, cinema, and contemporary art? Opening an interdisciplinary dialogue between cultural affect theory, media philosophy, and literary studies, Tomáš Jirsa explores how specific affective operations disrupt form only to generate new formations. To demonstrate the importance of the structural work of mutually interacting affects, Disformations provides close readings of four intermedia figures stretched out across modernist fictions, contemporary video art, and posthuman visual experiments—the faceless face, the wallpaper pattern, the garbage dump, and the empty chair. Analyzing a wide range of texts, images, and audiovisual works, from Vincent van Gogh and Charlotte Perkins Gilman to Rainer Maria Rilke, Gaston Leroux, and Richard Weiner, to Francis Bacon, Michel Tournier, Ingmar Bergman, Eugène Ionesco, Vladimir Nabokov, Joseph Kosuth, and Jan Šerých, this book opens up a new avenue for addressing how aesthetic forms desubjectify affects to mobilize their mediality and performative qualities. Jirsa’s innovative theoretical framework and incisive readings offer a fresh inquiry into how artistic media produce their own figural thinking and in so doing compel us to think with them anew.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52342903439633,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52342907240721,"sku":"NLS9781501362347","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501362347.jpg?v=1758173122"},{"product_id":"skepticism-films-book-philipp-schmerheim-9781501320149","title":"Skepticism Films","description":"Skepticism Films: Knowing and Doubting the World in Contemporary Cinema introduces skepticism films as updated configurations of skepticist thought experiments which exemplify the pervasiveness of philosophical ideas in popular culture. Philipp Schmerheim defends a pluralistic film-philosophical position according to which films can be, but need not be, expressions of philosophical thought in their own right. It critically investigates the influence of ideas of skepticism on film-philosophical theories and develops a typology of skepticism films by analyzing The Truman Show, Inception, The Matrix, Vanilla Sky, The Thirteenth Floor, Moon and other contemporary skepticism films. With its focus on skepticism as one of the most significant philosophical problems, Skepticism Films provides a better understanding of the dynamic interplay between film, theories of film and philosophy.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52347356021009,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52347359691025,"sku":"NLS9781501320149","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501320149.jpg?v=1758177410"},{"product_id":"work-in-progress-book-rieke-jordan-9781501375453","title":"Work in Progress","description":"Work in Progress: Curatorial Labor in Twenty-First Century American Fiction interrogates contemporary texts that showcase forms of reading practices that feel anachronistic and laborious in times of instantaneity and short buffering times. Objects of analysis include the graphic narrative Building Stories by Chris Ware, the music album Song Reader by the indie rock artist Beck Hansen, and the computer game Kentucky Route Zero by the programming team Cardboard Computer. These texts stage their fragmentary nature and alleged “unfinishedness” as a quintessential part of both their narrative and material modus operandi.   These works in and of progress feel both contemporary and retro in the 21st century. They draw upon and work against our expectations of interactive art in the digital age, incorporating and likewise rejecting digital forms and practices. This underlines the material and narrative flexibilities of the objects, for no outcome or reading experience is the same or can be replicated. It becomes apparent that the texts presuppose a reader who invests her spare time in figuring these texts out, diagnosing a contorted work-leisure dichotomy: “working these stories out” is a significant part of the reading experience for the reader–curatorial labor. This conjures up a reader, who, as the author argues, is turned into a curator and creative entity of and in these texts, for she implements and reassembles the options made available.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52349796286737,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52349796843793,"sku":"NLS9781501375453","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501375453.jpg?v=1758179616"},{"product_id":"emerging-contours-of-the-medium-book-richard-mller-9781501398674","title":"The Emerging Contours of the Medium","description":"The Emerging Contours of the Medium explores a crucial aspect of media thinking, focusing particularly on the ‘mediality’ of literature, a medium that remains today on the margins of the theoretical discussion of media. The book was written by a collective of authors based in the Institute of Czech Literature, Czech Academy of Sciences, Czech Republic.   Even though interest in the technological and media aspects of literature has been slowly building momentum in the past several decades, from comparative perspectives to written culture to new media, the concept of the medium has not informed this process, and its systematic integration into literary studies has never been effectively carried out. Nor has the specific mediality of literature been successfully integrated into the general concept of media\/lity in media science.  Contributors to this work provide both an explanation of and solution to this mutual blindness, setting out from the question: What are the conditions for elaborating a media-theoretical framework in which to situate literature as a medium?  The Emerging Contours of the Medium, available for the first time in English, is divided into three parts, which correlate to the three main research areas of the principles for a media theory of literature. Part 1 develops a perspective of the (pre)history of media thinking, grounding the principles of the genealogical integration. Part 2 concentrates on and develops the related perspectives of media philosophy and media anthropology. Part 3’s main focus is the way media – as dispositifs interlinking the parameters of perception and communication – provide the ground for making emergent media phenomena visible, whether it be between media (in their mutual synergy or discrepancies), between media artefacts, or between human and apparatus.  Stanislava Fedrová is Head of the Department of Art Historiography and Theory at the Institute of Art History at the Czech Academy of Sciences, researcher at the Institute of Czech Literature of the Czech Academy of Sciences and Assistant Professor of Literature and Intercultural Communication at Masaryk University, Czech Republic. Her scholarly interests include literary theory, art theory, visual culture and intermedial research, with a focus on the relations between verbal and visual media. She is co-author, with Alice Jedlicková, of Visible Descriptions: Visuality, Suggestivity and Intermediality of Literary Description (2016).    Tomáš Chudý works as an independent researcher, translator (Kittler, Luhmann, Taylor etc.) and lawyer for the Czech National Bank. His research interests include media philosophy and the interrelation of technical and humanist paradigms by means of working with signs, as well as interlinking social and economic aspects in technically mediated communication. He has published in scholarly journals, such as Social Studies, and he is the co-author, with Richard Müller et al., of the Czech edition of The Emerging Contours of the Medium: Literature and Mediality (2020).    Alice Jedlickova is Senior Researcher at the Institute of Czech Literature of the Czech Academy of Sciences, and Associate Professor of Literature and Intercultural Communication at Masaryk University, Czech Republic. Her research interests include intermedial studies (socio-spatial relations of cultural representations) and its history, literary theory, diachronic poetics and the theory of narrative. She is the editor of, and principle contributor to Narrative Modes of 19th Century Czech Prose (2022), and co-author, with Stanislava Fedrová, of the interdisciplinary inquiry Visible Descriptions: Visuality, Suggestivity and Intermediality of Literary Description (2016). She has published on transmediation as a marker of cultural continuity and on the potential of intermedial approach in education recently.    Richard Müller is Senior Researcher at the Institute of Czech Literature of the Czech Academy of Sciences, professor of Comparative Literature at New York Univeristy Prague, and professor of Literary Criticism and Writing at the Prague School of Creative Communication. His research interests include the contextual transformations of literary mediality, the history of semiotics, (post)structuralism and cultural materialism, the genealogies of literary and media theory, and the writings of Franz Kafka. He is the editor of the scholarly journal Czech Literature, co-author, with Tomáš Chudý et al., of the Czech edition of The Emerging Contours of the Medium: Literature and Mediality (2020), and co-author, with Pavel Šidák et al., of The Dictionary of Modern Literary Theory (2011).     Martin Ritter is Senior Researcher at the Institute of Philosophy of the Czech Academy of Sciences. His research interests lie in phenomenology (especially concerning Jan Patocka), critical theory and German medial philosophy. As editor and translator, he has prepared a three-volume edition of Walter Benjamin’s work, and is author of Walter Benjamin’s Philosophy of Language (2009). His most recent book is Into the World: The Movement of Patocka’s Phenomenology (2019, in English).     Josef Šebek is Assistant Professor of Czech and Comparative Literature at the Faculty of Arts of Charles University in Prague, Czech Republic. His research concerns cultural materialism, the sociology of Pierre Bourdieu and current French sociology of literature and works also on contemporary theory of discourse and rhetoric, media theory of literature, genres of life writing and queer studies. He is the editor of the scholarly journal Word \u0026amp;Sense, and author of Literature and the Social: Bourdieu, Williams, and Their Successors (2019).    Pavel Šidák is researcher at the Institute of Czech Literature of the Czech Academy of Sciences editor-in-chief of the scholarly journal, Czech Literature, and professor of Literary Criticism and Writing at Prague School of Creative Communication, Czech Republic. His research interests include literary theory, literary genology and the relation between literature and folklore. He is the co-author, with Richard Müller et al., of The Dictionary of Modern Literary Theory (2011) and author of Introduction into the Study of Genres (2018).    Josef Vojvodík is Professor of Czech and Comparative Literature at the Faculty of Arts at Charles University in Prague, Czech Republic. His research focuses on modern literature and visual arts (specifically, symbolicist and post-symbolicist modernism and the avant-garde movements of the 1920s–1930s with ‘transhistoric’ links to Mannerism and Baroque), as well as German and French media, social and cultural anthropology, and phenomenology. He is the author of Surface, Latency, Ambivalence: Mannerism, Baroque and the (Czech) Avant-Garde (2008) and Pathos in Czech Art, Poetry and Artistic-Aesthetic Thinking of 1940’s (2014).","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52411785478417,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52411785576721,"sku":"NLS9781501398674","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501398674.jpg?v=1758798970"},{"product_id":"media-matter-book-bernd-herzogenrath-9781501320101","title":"Media Matter","description":"Launching Bloomsbury’s Thinking Media series, Media Matter introduces readers to the nascent field of media-philosophy. Contributors urge readers to re-adjust their ideas of Media Studies, by extending the understanding of \"medium\" to include a concept of materiality that also includes \"non-human\" transmitters (elements such as water, earth, fire, air) and also by understanding media not only in the context of cultural or discursive systems or apparatuses, relays, transistors, hardware or \"discourse networks,\" but more inclusively, in terms of a \"media ecology.\"  Beginning with more general essays on media and then focusing on particular themes (neuroplasticity, photography, sculpture and music), especially in relation to film, Herzogenrath and the contributors redefine the concept of \"medium\" in order to think through media, rather than about them.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52425120874769,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52425121497361,"sku":"NLS9781501320101","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501320101.jpg?v=1759153927"},{"product_id":"switch-image-book-lorenz-engell-9781501377372","title":"The Switch Image","description":"Television is the most powerful system of images in the late 20th and early 21st centuries. Nonetheless, TV has attained only little philosophical attention so far, especially compared to other (visual) media such as film. This book looks at TV as what happens on the screen and beyond it; which is mainly the operation of switching images. It therefore proposes a new definition of TV as the first picture that can be switched on, off, and over, which stresses that TV is more tactile than visual.   Through the operation of switching, TV figures the world from within and as the course of its figuration. This is grasped here by the term of “ontography”. Through the ongoing interlacing and bridging of “TV 1.0” (the image is being switched) and “TV 2.0” (the image is a switch), TV exponentially increases the production and circulation of images. It transforms the world and itself from an analogue state to a digital one and from central perspectivism to pluri-perspective. In terms of time, through switching and the switch, it develops and reworks new temporal orderings, such as instantaneity, synchronicity, flow, and seriality. TV makes its own history. In space, it creates a mediasphere as its habitat and hence new forms of being-in-the-world, of proximity and distance, and scale. Anthropologically, it works on what a subject and an object is, on what makes the human being, and ontographically, how it is possible that there is something at all instead of nothing: through switch-images.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52452233543953,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52452234133777,"sku":"NLS9781501377372","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501377372.jpg?v=1759364068"},{"product_id":"skepticism-films-book-philipp-schmerheim-9781501310973","title":"Skepticism Films","description":"Skepticism Films: Knowing and Doubting the World in Contemporary Cinema introduces skepticism films as updated configurations of skepticist thought experiments which exemplify the pervasiveness of philosophical ideas in popular culture. Philipp Schmerheim defends a pluralistic film-philosophical position according to which films can be, but need not be, expressions of philosophical thought in their own right. It critically investigates the influence of ideas of skepticism on film-philosophical theories and develops a typology of skepticism films by analyzing The Truman Show, Inception, The Matrix, Vanilla Sky, The Thirteenth Floor, Moon and other contemporary skepticism films. With its focus on skepticism as one of the most significant philosophical problems, Skepticism Films provides a better understanding of the dynamic interplay between film, theories of film and philosophy.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52456411955473,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52456412479761,"sku":"NLS9781501310973","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501310973.jpg?v=1759377268"},{"product_id":"imperfections-book-caleb-kelly-9781501380341","title":"Imperfections","description":"This open access book synthesizes the swiftly growing critical scholarship on mistakes, glitches, and other aesthetics and logics of imperfection into the first transdisciplinary, transnational framework of imperfection studies.  In recent years, the trend to present the notion of imperfection as a plus rather than a problem has resonated across a range of social and creative disciplines and a wealth of world localities. As digital tools allow media users to share ever more suave selfies and success stories, psychologists promote 'the gifts of imperfections' and point to perfectionism as a catalyst for rising depression and burnout complaints and suicide rates among millennials. As sound technologies increasingly permit musicians to 'smoothen' their work, composers increasingly praise glitches, noise, and cracks. As genetic engineering upgrades with swift speed, philosophers, marketeers, and physicians plea 'against perfection' and supermarkets successfully advertise 'perfectly imperfect' vegetables. Meanwhile, cultural analysts point at skewed perspectives, blurry images, and other 'deliberate imperfections' in new and historical cinema, painting, photography, music, and literature.   While these and other experts applaud imperfection, scholars in fields ranging from disability studies to tourism critically interrogate a trend to fetishize imperfection and poverty. They rightfully warn against projecting privileged (and, often, emphatically western-biased) feel-good stories onto the less privileged, the distorted, and the frail.  The editors unite the different strands in imperfection thinking across various disciplines tools. In fourteen chapters by experts from different world localities, they offer scholars and students more historically grounded and more critically informed conceptualizations of the imperfect.  The ebook editions of this book are available on www.bloomsburycollections.com. Open access was funded by the Netherlands Scientific Organization.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52474596000017,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52474597212433,"sku":"NLS9781501380341","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501380341.jpg?v=1759841440"},{"product_id":"miscommunications-book-timothy-barker-9781501373282","title":"Miscommunications","description":"What happens when communication breaks down? Is it the condition for mistakes and errors that is characteristic of digital culture? And if mistakes and errors have a certain power, what stands behind it?  To address these questions, this collection assembles a range of cutting-edge philosophical, socio-political, art historical and media theoretical inquiries that address contemporary culture as a terrain of miscommunication. If the period since the industrial revolution can be thought of as marked by the realisation of the possibilities for global communication, in terms of the telephone, telegraph, television, and finally the internet, Miscommunications shows that to think about the contemporary historical moment, a new history and theory of these devices needs to be written, one which illustrates the emergence of the current cultures of miscommunication and the powers of the false.   The essays in the book chart the new conditions for discourse in the 21st century and collectively show how studies of communication can be refigured when we focus on the capacity for errors, accidents, mistakes, malfunctions and both intentional and non-intentional miscommunications.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52484543021329,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52484544135441,"sku":"NLS9781501373282","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501373282.jpg?v=1759856453"},{"product_id":"media-matter-book-patricia-pisters-9781628923834","title":"Media Matter","description":"What is a medium? If Nietzsche was right in claiming that “our writing equipment takes part in the forming of our thoughts,” that media help us \"think,\" and if different media allow for different ways of thinking, then the \"body\" of the respective medium in question, its materiality, shapes and influences the range and direction of how media make us think. Shouldn't we consequently speak of informed matter and of materialized information?  Launching Bloomsbury’s Thinking Media series, Media Matter introduces readers to the nascent field of media-philosophy. Contributors urge readers to re-adjust their ideas of Media Studies, by both extending the understanding of \"medium\" in such a way as to include a concept of materiality that also includes \"non-human\" transmitters (elements such as water, earth, fire, air) and by understanding media not only in the context of cultural or discursive systems or apparatuses, relays, transistors, hardware or \"discourse networks,\" but more inclusively, in terms of a \"media ecology.\"  Beginning with more general essays on media and then focusing on particular themes (neuroplasticity, photography, sculpture and music), especially in relation to film, Herzogenrath and contributors redefine the concept of \"medium\" in order to think through media, rather than about them.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52484719444241,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52484720656657,"sku":"NLS9781628923834","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781628923834.jpg?v=1759856696"},{"product_id":"sonic-thinking-book-bernd-herzogenrath-9781501343971","title":"Sonic Thinking","description":"Sonic Thinking attempts to extend the burgeoning field of media philosophy, which so far is defined by a strong focus on cinema, to the field of sound. The contributors urge readers to re-adjust their ideas of Sound Studies by attempting to think not only about sound [by external criteria, such as (cultural) meaning], but to think with and through sound. Series editor Bernd Herzogenrath's collection serves two interconnected purposes: in developing an alternative philosophy of music that takes music serious as a ‘form of thinking’; and in bringing this approach into a fertile symbiosis with the concepts and practices of ‘artistic research’: art, philosophy, and science as heterogeneous, yet coequal forms of thinking and researching. Including contributions by both established figures and younger scholars working on cutting edge material, and weaving  artistic responses and interventions in between the more theoretical texts, Herzogenrath's collection provides a lively introduction to a fresh debate.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52516359897361,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52516360323345,"sku":"NLS9781501343971","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501343971.jpg?v=1760502503"},{"product_id":"concepts-book-bernd-herzogenrath-9781501375309","title":"concepts","description":"This book foregrounds that English monolingualism reduces both our linguistic and conceptual resources, presenting concepts from the cultures of 4 continents and 26 languages.   Concepts seem to work best when created in the interspace between theory and praxis, and between philosophy, art, and science. Deleuze himself had generated many concepts in this encounter between philosophy and non-philosophy, including his ideas of affects and percepts, of becoming, the stutter, the rhizome, movement-image and time-image, the rhizome. What happens, if instead of \"other disciplines,\" we take other cultures, other languages, other philosophies? Does not the focus on English as a hegemonic language of academic discourse deny us a plethora of possibilities, of possible Denkfiguren, of possible concepts?   Each contributor explores ideas that are key to thinking in their language – about sound and silence, voice and image, living and thinking, the self and the world - while simultaneously addressing the issue of translation. Each chapter demonstrates that translation itself is a way of invention, rather than just a rendering of concepts from one system in terms of another. This collection acts as a travelogue. The journey does not follow a particular trajectory—some countries are not on the map; some are visited twice. So, there is no claim to completeness involved here—it is rather an invitation to answer to the call.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52545192427793,"sku":"NLS9781501375309","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501375309.jpg?v=1760692730"},{"product_id":"eigenvalue-book-hanjo-berressem-9781501363177","title":"Eigenvalue","description":"Eigenvalue provides the first history of 'eigenvalue' by building an important bridge between the hard and the soft sciences. Originally a mathematical term, Hanjo Berressem applies Eigenvalue, which roughly translates to proper value, to the media studies discipline for the first time, providing a philological history and line of development across the sciences through to contemporary cultural studies. Berressem's groundbreaking work is organized into 2 books, with the first book broken down into six topical areas - mathematics, physics, cybernetics, biology, literary studies, cultural studies. The second book discusses the place of eigenvalues in sound, light and literature, specifically, Alvin Lucier’s experimental composition “I am Sitting in a Room,” Bill Morrison’s eight-minute experimental film Light is Calling and the literary works of Thomas Pynchon. Berressem's thought-provoking philology is an important reference point for readers seeking an authoritative introduction to a term that connects other key ideas in contemporary debate.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52608635666705,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52608636322065,"sku":"NLS9781501363177","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501363177.jpg?v=1761346150"},{"product_id":"society-after-money-book-project-society-after-money-9781501347375","title":"Society After Money","description":"Project Society After Money is an interdisciplinary project between commons theory, evolutionary political economy, media studies and sociology, that enter into a dialogue with one another in order to look at their specific theories and criticisms of money. Conceived as the beginning of a necessary interdisciplinary dialogue, the possibilities of post-monetary forms of organization and production are taken into account and examined. On  one hand there is a lot of talk about ‘digital revolution’, ‘mediatized society’, ‘networks‘, ‘Industry 4.0’. On the other hand the present is described in terms of crisis: ‘financial crisis’, ‘economic crisis’, ‘planetary boundaries’. At once there is the description of a media-technological change along with massive social and ecological disruptions.   Society After Money is based on the premise that  there might be a conflict between digital media\/digital technology and the medium of money – and perhaps new digital possibilities that allow alternative forms of economy. It criticizes what is normally seen as self-evident and natural, namely that social coordination has to be done by the medium of money. We're left with a highly innovative collection of contributions that initiates a broader social discourse on the role of money in the global society of the 21st century.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52620414648593,"sku":"NLS9781501347375","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501347375.jpg?v=1761539181"},{"product_id":"work-in-progress-book-rieke-jordan-9781501347726","title":"Work in Progress","description":"Work in Progress: Curatorial Labor in Twenty-First Century American Fiction interrogates contemporary texts that showcase forms of reading practices that feel anachronistic and laborious in times of instantaneity and short buffering times. Objects of analysis include the graphic narrative Building Stories by Chris Ware, the music album Song Reader by the indie rock artist Beck Hansen, and the computer game Kentucky Route Zero by the programming team Cardboard Computer. These texts stage their fragmentary nature and alleged “unfinishedness” as a quintessential part of both their narrative and material modus operandi.   These works in and of progress feel both contemporary and retro in the 21st century. They draw upon and work against our expectations of interactive art in the digital age, incorporating and likewise rejecting digital forms and practices. This underlines the material and narrative flexibilities of the objects, for no outcome or reading experience is the same or can be replicated. It becomes apparent that the texts presuppose a reader who invests her spare time in figuring these texts out, diagnosing a contorted work-leisure dichotomy: “working these stories out” is a significant part of the reading experience for the reader–curatorial labor. This conjures up a reader, who, as the author argues, is turned into a curator and creative entity of and in these texts, for she implements and reassembles the options made available.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52660089225489,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52660090011921,"sku":"NLS9781501347726","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501347726.jpg?v=1762264477"},{"product_id":"eigenvalue-book-hanjo-berressem-9781501335181","title":"Eigenvalue","description":"Eigenvalue provides the first history of 'eigenvalue' by building an important bridge between the hard and the soft sciences. Originally a mathematical term, Hanjo Berressem applies Eigenvalue, which roughly translates to proper value, to the media studies discipline for the first time, providing a philological history and line of development across the sciences through to contemporary cultural studies. Berressem's groundbreaking work is organized into 2 books, with the first book broken down into six topical areas - mathematics, physics, cybernetics, biology, literary studies, cultural studies. The second book discusses the place of eigenvalues in sound, light and literature, specifically, Alvin Lucier’s experimental composition “I am Sitting in a Room,” Bill Morrison’s eight-minute experimental film Light is Calling and the literary works of Thomas Pynchon. Berressem's thought-provoking philology is an important reference point for readers seeking an authoritative introduction to a term that connects other key ideas in contemporary debate.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52670159257873,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52670159847697,"sku":"NLS9781501335181","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501335181.jpg?v=1770717607"},{"product_id":"technologos-in-being-book-wolfgang-ernst-9781501378546","title":"Technologos in Being","description":"Wolfgang Ernst’s new work, Technológos in Being, in its explicit media-scientific approach, aligns with the politics of the thinking media series to publish innovative works that advance media studies towards the ‘new sciences.’   Ernst’s invites readers to re-adjust their ideas of Media Studies: the conviction that an extended understanding of \"medium\" needs to include a concept of materiality that focuses on \"non- human\" agencies as well. The book grounds media analysis radically in the technological apparatuses, relays, transistors, hard- and software, to precisely locate the scenes, operations and frictions where reasoning logos and ‘informable’ matter interfere.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52685040910609,"sku":"NLS9781501378546","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501378546.jpg?v=1762324530"},{"product_id":"disrupted-intersubjectivity-book-andrei-ionescu-9781501362460","title":"Disrupted Intersubjectivity","description":"Disrupted Intersubjectivity investigates two classes of phenomena creating failures of understanding in social interaction, referred to as ‘paralysis’ and ‘invasion.’ Both can be understood as disrupted forms of intersubjectivity, the former being characterized by a lack\/deficiency of ways of relating to others, and the latter by an unnecessary surplus. By studying the literary accounts of these phenomena in a selection of Ian McEwan’s literary works (“Homemade,” On Chesil Beach, Enduring Love, and Atonement), Andrei Ionescu sheds light on the epistemological potential of literature and the structure of human relationships in general.   Part of the developing field of cognitive literary studies, Disrupted Intersubjectivity not only uses cognitive scientific theories in order to clarify literary issues, but also investigates to what extent can literature itself contribute to the process of understanding the workings of the human mind. By investigating the metacognitive issues staged and reflected upon in literary works, Ionescu challenges and refines contemporary cognitive and philosophical approaches to intersubjectivity and opens directions for further theoretical and empirical research.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52685044187409,"sku":"NLS9781501362460","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501362460.jpg?v=1762324537"},{"product_id":"imperfections-book-caleb-kelly-9781501380310","title":"Imperfections","description":"This open access book synthesizes the swiftly growing critical scholarship on mistakes, glitches, and other aesthetics and logics of imperfection into the first transdisciplinary, transnational framework of imperfection studies.  In recent years, the trend to present the notion of imperfection as a plus rather than a problem has resonated across a range of social and creative disciplines and a wealth of world localities. As digital tools allow media users to share ever more suave selfies and success stories, psychologists promote 'the gifts of imperfections' and point to perfectionism as a catalyst for rising depression and burnout complaints and suicide rates among millennials. As sound technologies increasingly permit musicians to 'smoothen' their work, composers increasingly praise glitches, noise, and cracks. As genetic engineering upgrades with swift speed, philosophers, marketeers, and physicians plea 'against perfection' and supermarkets successfully advertise 'perfectly imperfect' vegetables. Meanwhile, cultural analysts point at skewed perspectives, blurry images, and other 'deliberate imperfections' in new and historical cinema, painting, photography, music, and literature.   While these and other experts applaud imperfection, scholars in fields ranging from disability studies to tourism critically interrogate a trend to fetishize imperfection and poverty. They rightfully warn against projecting privileged (and, often, emphatically western-biased) feel-good stories onto the less privileged, the distorted, and the frail.  The editors unite the different strands in imperfection thinking across various disciplines tools. In fourteen chapters by experts from different world localities, they offer scholars and students more historically grounded and more critically informed conceptualizations of the imperfect.  The ebook editions of this book are available on www.bloomsburycollections.com. Open access was funded by the Netherlands Scientific Organization.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52686023524625,"sku":"NLS9781501380310","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501380310.jpg?v=1762327012"},{"product_id":"videographic-cinema-book-jonathan-rozenkrantz-9781501362422","title":"Videographic Cinema","description":"In 1957, A Face in the Crowd incorporated live video images to warn about the future of broadcast TV. In 2015, Kung Fury was infused with analogue noise to evoke the nostalgic feeling of watching an old VHS tape. Between the two films, numerous ones would incorporate video images to imagine the implications of video practices. Drawing on media archaeology, Videographic Cinema shows how such images and imaginaries have emerged, changed and remained over time according to their shifting technical, historical and institutional conditions.    Rediscovering forgotten films like Anti-Clock (1979) and reassessing ones like Lost Highway (1997), Jonathan Rozenkrantz charts neglected chapters of video history, including self-confrontation techniques in psychiatry, their complex relation with surveillance, and the invention\/discovery of the “videographic psyche” by artists, therapists and filmmakers. Spanning six decades, Videographic Cinema discovers an epistemic shift from prospective imaginaries of surveillance and control conditioned on video as a medium for live transmission, to retrospective ones concerned with videotape as a recording memory. It ends by considering videographic filmmaking itself as a form of archaeology in the age of analogue obsolescence.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52688729538833,"sku":"NLS9781501362422","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501362422.jpg?v=1762333686"},{"product_id":"society-after-money-book-project-society-after-money-9781501374005","title":"Society After Money","description":"Project Society After Money is an interdisciplinary project between commons theory, evolutionary political economy, media studies and sociology, that enter into a dialogue with one another in order to look at their specific theories and criticisms of money. Conceived as the beginning of a necessary interdisciplinary dialogue, the possibilities of post-monetary forms of organization and production are taken into account and examined. On  one hand there is a lot of talk about ‘digital revolution’, ‘mediatized society’, ‘networks‘, ‘Industry 4.0’. On the other hand the present is described in terms of crisis: ‘financial crisis’, ‘economic crisis’, ‘planetary boundaries’. At once there is the description of a media-technological change along with massive social and ecological disruptions.   Society After Money is based on the premise that  there might be a conflict between digital media\/digital technology and the medium of money – and perhaps new digital possibilities that allow alternative forms of economy. It criticizes what is normally seen as self-evident and natural, namely that social coordination has to be done by the medium of money. We're left with a highly innovative collection of contributions that initiates a broader social discourse on the role of money in the global society of the 21st century.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52690783174929,"sku":"NLS9781501374005","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501374005.jpg?v=1762338351"},{"product_id":"new-wave-cinema-book-golnaz-sarkar-farshi-9798765125106","title":"The New-Wave Cinema","description":"This book introduces a novel conceptualization of “new-wave cinema” as a borderless phenomenon, akin to a “wave” that crashes upon established film aesthetics in a certain society. Using Niklas Luhmann's systems theory, the book explores the correlation between the rise of new-wave cinema and the societal conflicts contemporaneous with its inception.   The term “new-wave cinema,” historically attributed by film critics to specific film collections within different societies, has lacked universal applicability in film scholarship. This book identifies the defining criterion of the new wave not solely within its specific aesthetics but in the transformative “break” that these aesthetic properties effectuate upon the prevailing filmic communication. This “break” extends beyond singular films, manifesting within a substantial cohort, thereby justifying the label “wave.” Notably, this “wave” does not materialize as a result of a collective decision by filmmakers but rather in correlation with the societal “contradictions and conflicts” prevailing during the emergence of new-wave films.   This book delineates how the resonance of societal contradictions and conflicts in films, as a subsystem of art, can catalyze three different reactions to existing aesthetic and narrative traditions, thereby giving birth to new cinematic waves. The analysis concentrates on three paradigmatic new-wave cinemas spanning three continents, namely New German Cinema, New Hollywood, and New Iranian Cinema, illustrating the universality of its thesis despite the aesthetic differences among the cinematic movements commonly labeled as “new wave” in film scholarship.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":53613247562001,"sku":"NGR9798765125106","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9798765125106.jpg?v=1780317024"},{"product_id":"cinematic-mode-of-existence-book-halbe-hessel-kuipers-9798216373094","title":"A Cinematic Mode of Existence","description":"A Cinematic Mode of Existence studies what images can do. Can the percepts and affects that cinematic images engender shape our eyes anew, by which we do not just see differently, but see different things and different worlds with many eyes?    Expanding on Gilles Deleuze’s work on cinema, the book practices a new, perspectival analytic of the image honed to movement. In doing immanent analyses of numerous filmic works, the book blows wide open cinema’s modern constitution, its all-too-narrow, anthropocentric operative logic, and the natural mode of perception underlying it. A spiritual automaton, an extraordinary machine for perspectives, a cosmopolitical medium for the more-than-human – cinema far exceeds what we have dogmatically held it for, and only in starting to see that can we learn to live with its images in ways that they do not just haunt and possess us.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":53634679701777,"sku":"NLS9798216373094","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9798216373094.jpg?v=1780994070"},{"product_id":"stillmoving-book-jon-inge-faldalen-9798765129012","title":"Stillmoving","description":"This two-volume work explores a static long take, termed a still Einstellung, as well as coexistent still and moving imagery by Lumière, Welles and the MPEG compression codec, to contemplate the kind of image it generates.   Jon Inge Faldalen’s volumes are a theoretical exploration of the concept of Einstellung. The author keeps the original German term, capitalizing on the ambiguity inherent in this type of image phenomenon; in this case, the long take, or at least a continuous unbroken take, effected by an immobile camera whose captured content could potentially contain perceptible movements produced by entities within the composition framed. The author embraces neologisms in order to capture specific aesthetic-technical phenomena more accurately than has hitherto been possible.    Stillmoving I is a theoretical exploration of the concept of Einstellung. The author asks whether this image is a still image, or a moving image, or both, or neither, or, finally, what Faldalen terms stillmoving. Underlying these deliberations is the question of how cinema represents or mediates stillness. It unfolds over three chapters that examine the concept of still Einstellung in relation to slow cinema scholarship throughout the last two decades, in relation to approaches referred to as stillmoving scholarship, and in relation to reflections and shadows.  Stillmoving II continues the work of the first volume, exploring the concept of Einstellung through a small set of specific case studies, including Louis Lumière’s Quai de l’Archevêché (Lumière operator, 1896), André Bazin’s analysis of the kitchen scene in The Magnificent Ambersons (Orson Welles, 1942), and James Benning’s Stemple Pass (2012), as well as what the author calls “digital imagenesis,” which concerns the MPEG compression codec.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":53634813657361,"sku":"NLS9798765129012","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9798765129012.jpg?v=1780994594"},{"product_id":"towards-a-film-theory-from-below-book-jiri-anger-9798765107270","title":"Towards a Film Theory from Below","description":"Operating between film theory, media philosophy, archival practice, and audiovisual research, Jiri Anger focuses on the relationship between figuration and materiality in early films, experimental found footage cinema, and video essays.   Would it be possible to do film theory from below, through the perspective of moving-image objects, of their multifarious details and facets, however marginal, unintentional, or aleatory they might be? Could we treat scratches, stains, and shakes in archival footage as speculatively and aesthetically generative features? Do these material actors have the capacity to create “weird shapes” within the figurative image that decenter, distort, and transform the existing conceptual and methodological frameworks?  Building on his theoretical as well as practical experience with the recently digitized corpus of the first Czech films, created by Jan Kríženecký between 1898 and 1911, the author demonstrates how technological defects and accidents in archival films shape their aesthetic function and our understanding of the materiality of film in the digital age. The specific clashes between the figurative and material spheres are understood through the concept of a “crack-up.” This term, developed by Francis Scott Fitzgerald and theoretically reimagined by Gilles Deleuze, allows us to capture the convoluted relationship between figuration and materiality as inherent to the medium of film, containing negativity and productivity, difference and simultaneity, contingency and fate, at the same time, even within the tiniest cinematic units.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":53636301095185,"sku":"NLS9798765107270","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9798765107270.jpg?v=1781000119"},{"product_id":"frictionlessness-book-jakko-kemper-9798765104422","title":"Frictionlessness","description":"Frictionlessness provides an examination of the environmentally destructive digital design philosophy of \"frictionlessness\" and the critical significance of a technological aesthetic of imperfection.  If there is one thing that defines digital consumer technologies today, it is that they are designed to feel frictionless. From smart technologies to cloud computing, from from one-click shopping to the promise of seamless streaming—digital technology is framed to host ever-faster operations while receding increasingly into the background of perception. The environmental costs of this fetishization of frictionlessness are enormous and unevenly distributed; the frictionless experience of the end user tends to be supported by opaque networks of exploited labor and extracted resources that disproportionately impact the Global South. This situation marks an urgent need for alternate, less destructive aesthetic relations to technology. As such, this book examines imperfection, as an aesthetic concept that highlights existential conditions of finitude and fragility, as a particularly powerful counterweight to the dominant digital design philosophy of frictionlessness.  While frictionlessness aims to draw the user’s perception away from the exploitative and destructive conditions of digital production, imperfection forms an aesthetic source of friction that alerts users to the fragile nature of technology and the finite resources on which it relies. These arguments are elaborated through a close reading of three technological objects—a video game that was programmed to expire, an audiovisual performance that laments the fate of disused technology and a collection of music albums that dramatize a techno-cultural logic of relentless consumerism. Together, these case studies underline the value of technological aesthetics of imperfection and point to the need for a renewed ethics of care in relation to technology.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":53637824839953,"sku":"NLS9798765104422","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9798765104422.jpg?v=1781005887"},{"product_id":"relational-technologies-book-amanda-lagerkvist-9798765118764","title":"Relational Technologies","description":"This open access collection gathers thinkers, media practitioners, scholars, and artists to bring attention to how our relational selves, lives, and lifeworlds emerge within a range of digital platforms, media environments, creative media practices, and performances to probe what it means to become subjective by evolving in and with a world of relational technologies.  As biometric artificial intelligence, datafication procedures and algorithms increasingly saturate and reconfigure human and more-than-human realms, technologies, and selves co-evolve in deepest relationality. Nearly every form of existence has today become subject to computational harvesting and utilization. This renders our relations with technologies—those we actively compose and those that are forced upon us—ever more complex and inconceivably entwined.  Topics covered in this collection include: face monitoring and modelling practices, quantified applications, writing techniques, biometric identifications of age and health, AI informed decision making, biohacking, voice recognition, social media, and algorithmic cultures of datafication. The overarching motivation is to generate new forms of understanding, but also “counter-measures” for negotiating this relational condition existentially, socially, and artistically. Thus, offering a unique contribution to the debates on data selves, Relational Technologies provides manifold possibilities for a co-existentialist understanding of technological developments of datafication and biometrics. This way the volume brings posthumanist critique into conversation with the young field of existential media studies, in search of new inflection points of change and transformation through new modes of knowing, reflecting, and crafting media futures of relationality.    The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the Marianne and Marcus Wallenberg Foundation.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":53638904283409,"sku":"NLS9798765118764","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9798765118764.jpg?v=1781009650"},{"product_id":"towards-a-film-theory-from-below-book-jiri-anger-9798765107263","title":"Towards a Film Theory from Below","description":"Operating between film theory, media philosophy, archival practice, and audiovisual research, Jiri Anger focuses on the relationship between figuration and materiality in early films, experimental found footage cinema, and video essays.   Would it be possible to do film theory from below, through the perspective of moving-image objects, of their multifarious details and facets, however marginal, unintentional, or aleatory they might be? Could we treat scratches, stains, and shakes in archival footage as speculatively and aesthetically generative features? Do these material actors have the capacity to create “weird shapes” within the figurative image that decenter, distort, and transform the existing conceptual and methodological frameworks?  Building on his theoretical as well as practical experience with the recently digitized corpus of the first Czech films, created by Jan Kríženecký between 1898 and 1911, the author demonstrates how technological defects and accidents in archival films shape their aesthetic function and our understanding of the materiality of film in the digital age. The specific clashes between the figurative and material spheres are understood through the concept of a “crack-up.” This term, developed by Francis Scott Fitzgerald and theoretically reimagined by Gilles Deleuze, allows us to capture the convoluted relationship between figuration and materiality as inherent to the medium of film, containing negativity and productivity, difference and simultaneity, contingency and fate, at the same time, even within the tiniest cinematic units.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":53639446266129,"sku":"NLS9798765107263","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9798765107263.jpg?v=1781011726"}],"url":"https:\/\/www.worldofbooks.com\/collections\/thinking-media-book-series.oembed","provider":"World of Books ","version":"1.0","type":"link"}