{"title":"University Press Of Kentucky New Poetry And Prose Series","description":"\u003cp\u003eDiscover fresh voices and innovative forms in the University Press of Kentucky's New Poetry and Prose Series. Showcasing emerging talents and established poets, these collections offer a vibrant landscape of contemporary writing.\u003c\/p\u003e","products":[{"product_id":"marrow-book-darlene-anita-scott-9780813183626","title":"Marrow","description":"When the mass suicides are remembered, it is usually comically or instructively: Don't drink the Kool-Aid, as the majority of those who died that day drank or were injected with grape flavored Flavor-Aid.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49743118532881,"sku":"NGR9780813183626","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50361560760593,"sku":"CIN0813183626VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0813183626.jpg?v=1750979543"},{"product_id":"ink-book-angela-woodward-9780813196534","title":"Ink","description":"The brutality of war and abuse is juxtaposed with the banal in this story of two women who spend their days transcribing the testimonies of Abu Ghraib prisoners. The prisoners' gruesome accounts of physical and sexual abuse, torture, sodomy, and murder interrupt the ordinary lives and concerns of the typists, and reveal deeper – and more troubling – truths.       Sylvia is a single mother, haunted by the words of the prisoners' testimonies. Her job strains her already-fragmented relationship with her capricious teenage son. Marina's submissive ignorance allows her to become involved in a disturbing relationship with a man who engages her in humiliating and abusive sexual acts and indirectly involves her six-year-old daughter, causing the child to suffer troubling effects from bearing witness to the trauma.      Interjected within the lyrical prose is commentary about the history, development, and qualities of ink, as well as of other objects and elements (such as urine and water) that are part of the accounts of tortured prisoners as well as the lives of Sylvia and Marina. Taken together, this illuminating and meditative work reveals how correlations between the abuse of women, domestic violence, rape, and the abuse and torture of prisoners of war are not as disparate or detached as they might first appear.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49749771911441,"sku":"NGR9780813196534","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0813196531.jpg?v=1750703185"},{"product_id":"redshirt-book-corey-sobel-9781985900448","title":"The Redshirt","description":"2020 Center for Fiction's First Novel Prize Finalist  Corey Sobel challenges tenacious stereotypes in this compelling debut novel, shedding new light on the hypermasculine world of American football. The Redshirt introduces Miles Furling, a young man who is convinced he was placed on earth to play football. Deep in the closet, he sees the sport as a means of gaining a permanent foothold in a culture that would otherwise reject him. Still, Miles's body lags behind his ambitions, and recruiters tell him he is not big enough to compete at the top level. His dreams come true when a letter arrives from King College.  The elite southern school boasts one of the best educations in America and one of the worst Division One football programs. King football is filled with obscure, ignored players like Miles—which is why he and the sports world in general are shocked when the country's top recruit, Reshawn McCoy, also chooses to attend the college. As brilliant a student as he is a player, the intensely private Reshawn refuses to explain why he chose King over other programs.  Miles is as baffled as everyone else, and less than thrilled when he winds up rooming with the taciturn Reshawn. Initially at odds with each other, the pair become confidants as the win-at-all-costs program makes brutal demands on their time and bodies. When their true selves and the identities that have been imposed on them by the game collide, both young men are forced to make life-changing choices.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49754444136721,"sku":"NGR9781985900448","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1985900440.jpg?v=1751251706"},{"product_id":"wonderful-wasteland-and-other-natural-disasters-book-elidio-la-torre-lagares-9780813178226","title":"Wonderful Wasteland and other natural disasters","description":"When Hurricane María unleashed its devastation onto Puerto Rico, thousands of lives were lost to the storm in what was the island's worst natural disaster on record. With so much of the recovery still underway and the scars still fresh, its citizens continue to contend with the reality that life on the island has fundamentally changed.  In his first collection of poems written in English, La Torre Lagares journeys through his memory in an effort to recompose his shattered land. Together, these poems form a poignant, personal account of a man facing the tragic destinies of his family and his country in the aftermath of a natural disaster. For example, the deaths of the mother and the father are resignified as the death of the poet's personal relationship, which at the same time evokes the rupture between individuals and their sense of place.  Drawing from both American and Latin American poetry, as well as global influences, to articulate a language of loss and devastation in search of a new identity, this collection illuminates a chaotic and confusing landscape that is not only physical but also cultural, social, and political. Taken together, this work serves as a stirring reminder of the dislocation and fractured attachment that speaks to many Americans, including transnationals and immigrants. 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A man seeking to save his estranged, drug-addicted brother from the city's underbelly confronts his own mortality. A chess match between a girl and her father turns into a master class about life, self-realization, and pride: \"Now hold on little girl.... Chess is like real life. The white pieces go first so they got an advantage over the black pieces.\"  These are just a few glimpses into the world of the residents of the fictional town of Cross River, Maryland, a largely black settlement founded in 1807 after the only successful slave revolt in the United States. Raw, edgy, and unrelenting yet infused with forgiveness, redemption, and humor, the stories in this collection explore characters suffering the quiet tragedies of everyday life and fighting for survival.  In  Insurrections, Rion Amilcar Scott's lyrical prose authentically portrays individuals growing up and growing old in an African American community. Writing with a delivery and dialect that are intense and unapologetically current, Scott presents characters who dare to make their own choices -- choices of kindness or cruelty -- in the depths of darkness and hopelessness. 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But for many, Cuba will always be home. The island's stories pass from refugee to refugee, immigrant to grandchild, mingling hope for the future with grief for what's lost. Yet these stories also pass down a deep, unconscious desire for the unattainable, which often results in fractured relationships and a loss of purpose for both young and old.  Grieving for Guava revels in the unbroken ties between past and future, Havana and Miami, and recounts the unintended generational costs of immigration. Ten stories explore the lives of Cuban refugees in Miami as they grapple with a longing for the past and a fervent need to move forward. Spanning six decades of the Cuban exile, these stories lay bare a collective struggle to overcome the destabilizing effects of migration and to reassemble splintered identities: A journalist returns to the island for a childhood toy. An investment banker leaves Miami to open a bookstore near the Malecon. A girl with cerebral palsy attempts to swim across the ocean to reach her lost home. Cecilia Fernandez artfully weaves together the complicated lives of her characters to produce an overarching sense of yearning for the past, transforming grief into an even more powerful force: communion.  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Steeped in storytelling traditions, the poems in Rachel Danielle Peterson's debut collection exhibit linguistic dexterity and mastery of form as the poet mixes lyrical paragraphs, sonnets, and interview-style poems with free verse. Hey Yvonne! The memoree of some strangerhis shoulder's shadow plunges inta our place: thunk, thunk. Run! Mother's vowels pierce haze. Mother, can we distil the pink threads, fabric, black ball cap, the odor of Bud Light, fills the door she walks through, dust, Mamma. Dust is all we is Taken together, the poems present the coming-of-age story of a girl born in the mountains of rural eastern Kentucky, tracing her journey into a wider world of experience. While the early poems are steeped in Appalachian speech and culture -- a hybrid of a child's diction and regional dialect -- the language shifts as the collection progresses, becoming more standard. The speaker engages with hard issues surrounding gender and violence in contemporary life and explores what it means to be an artist in a culture that favors a literal interpretation of reality. 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A teen accompanies her mother, a prestigious poet, to a writing conference where she navigates a misguided attraction to a married writer -- who is, in turn, attracted to her mother -- leaving her \"inventing punishments for writers who believe in clichés as tired as broken hearts.\" In this affecting collection, Katie Cortese explores the many faces of love and desire. Featuring female narrators that range in age from five to forty, the narratives in  Make Way for Her speak to the many challenges and often bittersweet rewards of offering, receiving, and returning love as imperfect human beings. The stories are united by the theme of desperate love, whether it's a daughter's love for a parent, a sister's for a sibling, or a romantic love that is sometimes returned and sometimes unrequited. Cortese's complex and multilayered stories play with the reader's own desires and anticipations as her characters stubbornly resist the expected. The intrepid girls and women in this book are, above all, explorers. They drive classic cars from Maine to Phoenix, board airplanes for the first time, and hike dense forests in search of adventure; but what they often find is that the most treacherous landscapes lie within. 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Three sections -- {#289-128} Property of the State, {#289-128} Poet-in-Residence (Cell 23), and {#289-128} Poet in New York -- frame the countless ways in which the narrator's body and life are socially and legally rendered by the state even as the act of poetry helps him reclaim an identity during imprisonment.  These poems address the prison industrial complex, the carceral state, the criminal justice system, racism, violence, love, resilience, hope, and despair while exploring the idea of freedom in a cell. In the tradition of Dennis Brutus's  Letters to Martha, Wole Soyinka's  A Shuttle in the Crypt, and Etheridge Knight's  The Essential Etheridge Knight,  {#289-128} challenges the language of incarceration -- especially the ways in which it reinforces stigmas and stereotypes. Though {#289-128} refuses to be defined as a felon, this collection viscerally details the dehumanizing effects of prison, which linger long after release. 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An avenging spirit takes on the patriarchy from beyond the grave. An immigrant woman undergoes a naturalization ceremony in an imagined American state that demands that immigrants pay a toll of the thing they love the most. A first-generation Zimbabwean-American woman haunted by generational trauma is willing to pay the ultimate price to take her pain away—giving up her memories. A neighborhood gossip wakes up to find that houses are mysteriously vanishing in the night. A shapeshifting freedom fighter leaves a legacy of resistance to her granddaughter.  In Drinking from Graveyard Wells, Yvette Lisa Ndlovu assembles poignantly reflective stories that center the voices of African women charting their own Black history through the ages. Ndlovu's stories play with genre, from softly surreal to deeply fantastical. Each narrative is wrapped in the literary eloquence and tradition of southern African mythology, transporting readers into the lives of African women who have fought across space and time to be seen.  Drawing on her own early experiences as a Zimbabwean living under the Mugabe dictatorship, Ndlovu's stories are grounded in truth and empathy. Ndlovu boldly offers up alternative interpretations of a past and a present that speculates upon the everyday lives of a people disregarded. Her words explore the erasure of African women while highlighting their beauty and limitless magic. 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