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As if in a dreamlike state, Degas conflates past and present, things seen and remembered, to create his renowned depictions of dancers and female nudes, jockeys and racehorses, landscapes and portraits. \u003ci\u003eEdgar Degas: The Late Work\u003c\/i\u003e is the first publication to present a comprehensive overview of the technical diversity and wide range of themes in Degas' oeuvre, and is published to coincide with an exhibition at the Fondation Beyeler in Riehen\/Basel.\u003cbr\u003eA founder of the French Impressionist movement, \u003cb\u003eEdgar Degas\u003c\/b\u003e (1834-1917) began to paint early in life, possessing a studio by the age of 18, and working primarily in history painting up until 1864, when he met Manet (while both were copying the same Velazquez portrait in the Louvre, according to legend). In 1872 he lived in New Orleans, producing several portraits of his extended family there. 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