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The volumes that appeared from War Music  (1981) onwards were distinct from translations, in that they set out to  be a radical reimagining and reconfiguration of Homer's tale of  warfare, human folly and the power of the gods, in a language and style  of verse that were emphatically modern. As each instalment, from Kings to Cold Calls, was published, it became clear that this was to be Logue's masterpiece.  Sadly, illness prevented him from finishing it. Enough, however, of his projected final volume, Big Men Falling a Long Way,  survives in notebook drafts to give a clear sense of its shape, as well  as some of its dramatic high points. These have been gathered into an  appendix by Logue's friend and one-time editor, Christopher Reid. 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He published his first books in the early 1950s, in Paris, where he was associated with Alexander Trocchi, Samuel Beckett and Maurice Girodias. Returning to London in time for the sixties, he wrote plays and a musical for the Royal Court, began the vogue for public poetry readings, recorded Red Bird, the most successful British poetry\/jazz disc, and invented the poster poem. He published his poems in many forms, including - again his own invention - New Numbers, a constantly changing collage, which appears here in its final form. The selection culminates in an early treatment of a passage from his version of Homer's Iliad - 'the best . . . since Pope's' (New York Review of Books) - and it illustrates Logue's belief in the power of poetry as a social force - dissident, sensual and humorous.   Selected Poems gives the reader a proper idea of Christopher Logue's lyrical gifts, as well as his irrepressible outspokenness and sense of artistic adventure. 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