{"title":"Ekaterina Degot","description":null,"products":[{"product_id":"pleasant-apocalypse-notes-from-the-grand-hotel-abyss-book-ekaterina-degot-9783775747462","title":"A Pleasant Apocalypse: Notes from the Grand Hotel Abyss","description":"A grand hotel on the edge of the abyss? The phrase that provided the title and the agenda for steirischer herbst ’19—Grand Hotel Abyss came from the pen of the philosopher Georg Lukács. In the early 1930's he used this striking metaphor to describe the attitude of the European intellectual and cultural scene who continued to party in an uninhibited, hedonistic manner, despite the looming rise of fascism. Doomsday scenarios viewed from a snug sofa, along with the culinary and cultural comfort zones known as “Genusshauptstädte” (pleasure capitals), demonstrate that the apocalypse can be shaped in a thoroughly pleasant and exciting manner today. This reader, accompanying the 52nd edition of the steirischer herbst, tracks these observations and explores the actual relevance of this historical context, as well as the significance of critical artistic attitudes, in essays, artists’ texts, and numerous illustrations.   Every year for a month, steirischer herbst, the oldest interdisciplinary festival of contemporary art in Europe, turns the city of Graz and the province of Styria in Austria into a parcours of installative and performative works. Since 1968, the festival has offered a platform for public debates, critical positions, and dialogues between the arts.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49739772002577,"sku":"NGR9783775747462","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/377574746X.jpg?v=1751127277"},{"product_id":"paranoia-tv-book-ekaterina-degot-9783960989981","title":"Paranoia TV","description":"\u003cp\u003e\u003cb\u003eA guide to the 2020 iteration of the Austrian contemporary arts festival\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eFor the 54th edition of the Steirischer Herbst festival in Austria, the festival transformed into a semi-fictitious media company, Paranoia TV. 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The project--which takes the form of an exhibition and this book--imagines a contemporary rewriting of the novel as an archipelago of fictitious research institutes. Through an aggregate narrative of essays, works of fiction, artworks, heterogeneous research materials, and curatorial notes, it delves into the idea that contemporary artistic research may be the place where the dialectical materialist magic of \u003ci\u003eMonday Begins on Saturday \u003c\/i\u003ehas its afterlife.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eContributors\u003cbr\u003e\u003c\/b\u003eJan Verwoert, Our Literal Speed, Boris Groys, Pavel Pepperstein, Renata Salecl, Benedict Seymour, Konstanze Schmitt, Pelin Tan and Anton Vidokle, Ritwik Ghatak, Aleksandr Rodchenko, Clemens von Wedemeyer, Stephan Dillemuth, Roee Rosen, Christian von Borries, Keti Chukhrov, Josef Dabernig, Olga Chernysheva, Wladyslaw Strzeminski, Carlfriedrich Claus et al.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49960845705489,"sku":"NGR9783943365740","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50403280519441,"sku":"CIN3943365743G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/3943365743.jpg?v=1750775081"},{"product_id":"there-is-no-society-book-ekaterina-degot-9783753300467","title":"There Is No Society?","description":"\u003cp\u003e\u003cb\u003eLeading theorists from Silvia Federici to Eva Illouz address the pandemic's intensification of neoliberal alienation\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThe success of \"social distancing\" as a strategy against the COVID-19 pandemic resonates acutely with neoliberalism's destruction of the very notion of society itself. This was most famously expressed by Margaret Thatcher's dictum \"there is no society,\" which supplies the title of this anthology--with a question mark added. How can we deal with the paradoxical mix of solitude and common experience that the pandemic entails? How can culture and critical discourse even continue when public space has been shut down upon the advice of epidemiologists? 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