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With patience and respect, Glassie describes life in a time and a place exactly like no other, and yet Ballymenone is like a thousand other places where people work on the land during the day and tell their own tales at night, forgotten, while the men of power fill the newspapers and history books by sending poor boys out to be killed.  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It is about night and day, talk and work, man and nature, history and folklore, text and context, truth and order, art and culture, life and death, the ponderable and imponderable, but above all it is about the effort of one man to find for himself and us the life's breath of the people of Ballymenone...It is certainly a remarkable tour de force. - Emmet Larkin, \"New York Times Book Review\". A catalog of themes and topics ...fails to reveal the glory of \"Passing the Time\": it is one of the most remarkable pieces of literature of the twentieth century. As such, the book merits the attention of all readers who care about great writing and important ideas. - Wilbur Zelinsky, \"Geographical Review\". \"Passing the Time in Ballymenone\" is the result of a decade of research on the life and art, the folklore, history, and common work of a rural community in Northern Ireland. 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What distinguishes true folk creations from the cultural hybrids of commerce and popular innovation? To clarify this muddled situation and to provide clear standards and visual examples for the study and appreciation of a broad range of objects, Henry Glassie has written this detailed examination of material folk culture in the United States. He isolates American material culture—that segment of our culture that embodies the people's plans, methods, and reasons for producing things that can be seen and touched—and discusses methods for determining whether an object is truly folk—as opposed, say, to merely popular—by examining its form, construction, and use.   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Glassie's task in The Stars of Ballymenone is to set the scene, to sketch the backdrop and clear the stage, so that Hugh Nolan and Michael Boyle, Peter Flanagan, Ellen Cutler, and their neighbors can tell their own tale. The Stars of Ballymenone is an integrated analysis of the complete repertory of verbal art from a community where storytelling and singing of quality remained a part of daily life. 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Her family labeled him a killer, destroying his life. Stripped of his lands and his good name, Damien considers everything lost--until Kira sweeps into his life. She's unlike any woman he's ever met, a wild beauty filled with innocence, desire, and a fiery spirit to make her very much his equal in their dance of passion and betrayal. And danger.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50096394305809,"sku":"CIN0890131937G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0890131937.jpg?v=1750980650"},{"product_id":"irish-folktales-book-henry-glassie-9780140175813","title":"Irish Folktales","description":"The 125 tales in this volume represent all facets of Irish identity. 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Social scientists struggled to contrive ideas they could have learned by reading the great literature of the past. This retrograde motion was caused by more than adjustment to the conservative mood of the age.  Moving ahead on independent disciplinary tracks, we had lost touch with one another. What has changed can change again; the moment at which I write will pass. Groping over old territory, relocating the critical purpose of scholarly endeavour, rediscovering subjectivity and situation, the diversity of orders and the interconnectedness of things, we will find points of convergence that will become the basis for a new transdisciplinary practice, at once humanistic and scientific. Renewed in oneness, we will be able to get on with our work, fashioning a view of humanity fit to the needs of the world's people. The concept of culture seems a secure achievement. In the future, history and art, as well as science and philosophy, will be understood to be, like culture, the creations of people who are alike in humanity, but different in tradition and predicament. Problematising is easy and endless. New ideas are a dime a dozen. What matters is how ideas fare in the world, what they yield in hard application. Our work will recognise the reality of the individual.  It will come to judgement contextually, acknowledging the distinctiveness of traditions that unfold only within human control and among uncontrollable circumstances. It will expand through cross-cultural comparisons that bring us understanding at once of the universal and the particular. - Henry Glassie, from the Onward.","brand":"WoB","offers":[{"title":"US \/ WELL_READ \/ SBYB","offer_id":50346312990993,"sku":"CIN0253335744A","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50347251138833,"sku":"CIN0253335744G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51321718767889,"sku":"CIN0253335744VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0253335744.jpg?v=1751037561"},{"product_id":"spirit-of-folk-art-book-henry-glassie-9780810915220","title":"The Spirit of Folk Art","description":null,"brand":"WoB","offers":[{"title":"US \/ WELL_READ \/ SBYB","offer_id":50367004868881,"sku":"CIN0810915227A","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50442237083921,"sku":"CIN0810915227G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":52785979588881,"sku":"GOR014621746","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0810915227.jpg?v=1750946193"},{"product_id":"art-and-life-in-bangladesh-book-henry-glassie-9780253332912","title":"Art and Life in Bangladesh","description":"Art is the most human of things. Based in the genetic, in the creative intelligence and the nimble body, art is a potential in every individual. Nurtured in social experience, taught, learned, and bent against circumstance, art is a reality in every culture. Always unifying what analysis divides, art is personal and collective, intellectual and sensual, inventive and conventional, material and spiritual, useful and beautiful, a compromise between will and conditions. Art is, given the storms and pains and limited resources, the best that can be done. Through art, the human complexity comes into the world for consideration. It is here to see. To study art, we need not sneak about like spies or thieves or detectives, wheedling for information or bullying our companions into uncomfortable confessions. We stand with them, letting their work set the agenda for inquiry. We look together at what they have done, using it to discover what they think and intend. Learning to be fascinated by what fascinates them, overcoming our separation in a oneness of interest, we find in art a courteous entry to the life of the creator and the culture of creation. - from the Introduction. This book does for Bangladesh what Henry Glassie has already brilliantly achieved for Ireland and Turkey. \"I write\", he says, \"to introduce you to the people of Bangladesh through their art, and to use their art to exemplify the study of creativity in its own context as part of a general inquiry into human being\". \"Art and Life in Bangladesh\" is at once an introduction to the country and its history and a meditation on the importance of art and life and the relationship between art, meaning, and understanding. And far from incidentally, it recognizes the work of a variety of gifted artists - potters, metal workers, painters, weavers, poets. 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Glassie believes that all relevant historical evidence – unwritten as well as written – must be taken into account before historical truth can be found. He in convinced that any study of man’s past must make use of nonverbal and verbal evidence, since written history – the story of man as recorded by the intellectual elite – does not tell us much about the everyday life, thoughts, and fears of the ordinary people of the past. Such people have always been in the majority, however, and a way has to be found to include them in any valid history. In Folk Housing in Middle Virginia Glassie admirably sets forth such a way.  The people who lived in Middle Virginia in the eighteenth century are almost unknown to history because so little has been written about them. After Glassie selected the area – roughly Goochland and Louisa counties – for study, he selected a representative part of the countryside, recorded all the older houses there, developed a transformational grammar of traditional house designs, and examined the area’s architectural stability and change.   Comparing the houses with written accounts of the period, he found that the houses became more formal and lee related to their environment at the same time as the areas established political, economic, and religious institutions were disintegrating. It is as though the builders of the houses were deliberately trying to impose order on the surrounding chaotic world. Previous orthodox historical interpretations of the period have failed to note this. Glassie has provided new insights into the intellectual and social currents of the period, and at that time has rescued a heretofore little-known people from historiographical oblivion. Combining a fresh, perceptive approach with a broad interdisciplinary body of knowledge, ha has made an invaluable breakthrough in showing the way to understand the people of history who have left their material things as their only legacy.  Henry Glassie is College Professor of Folklore at Indiana University. He is the author of Pattern in the Material Folk Culture of the Eastern United States, passing the Time in Ballymenone, Irish Folktales, and The Spirit of Folk Art. 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This book is about that, about folk art as a sign of human unity.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52902455542033,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ LIKE_NEW \/ SBYB","offer_id":52902456525073,"sku":"CIN0253067219LN","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780253067210.jpg?v=1765581596"},{"product_id":"presence-of-folk-art-book-henry-glassie-9780253077196","title":"The Presence of Folk Art","description":null,"brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":53137373856017,"sku":"NGR9780253077196","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780253077196.jpg?v=1775728141"}],"url":"https:\/\/www.worldofbooks.com\/de-ch\/collections\/autor-buecher-von-henry-glassie.oembed","provider":"World of Books ","version":"1.0","type":"link"}