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His boldness of approach and intense curiosity concerning man and nature are unequalled in the prose literature of our times. It is most fitting that this anthology of the best of Henry Miller should have been assembled by one of the first among Miller's contemporaries to recognize his genius, the eminent British writer Lawrence Durrell. Drawing material from a dozen different books Durrell has traced the main line and principal themes of the single, endless autobiography which is Henry Miller's life work. I suspect, writes Durrell in his Introduction, that Miller's final place will be among those towering anomalies of authorship like Whitman or Blake who have left us, not simply works of art, but a corpus of ideas which motivate and influence a whole cultural pattern. Earlier, H. L. Mencken had said, his is one of the most beautiful prose styles today, and the late Sir Herbert Read had written that what makes Miller distinctive among modern writers is his ability to combine, without confusion, the aesthetic and prophetic functions. Included are stories, portraits of persons and places, philosophical essays, and aphorisms. For each selection Miller himself prepared a brief commentary which fits the piece into its place in his life story. 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A riotous and explosive mixture of joys and frustrations, Tropic of Capricorn chronicles Miller's early life in New York, from his repressive Brooklyn childhood spent amongst 'a galaxy of screwballs' to frantic, hilarious years of dead-end jobs and innumerable erotic adventures. Irreverent and ironic, Tropic of Capricorn is both a comic portrait of the irrepressible Miller himself and a scathing attack on respectable America, the very foundations of which he hoped to shatter. Publication of Tropic of Capricorn and its sister-volume Tropic of Cancer in Paris in the 1930s was hailed by Samuel Beckett as 'a momentous event in the history of modern writing'. 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Such antipathy did little to harm Psycho's box-office returns, and it would go on to be acknowledged as one of the greatest film thrillers, with scenes and characters that are among the most iconic in all cinema. In his illuminating study of Psycho, Raymond Durgnat provides a minute analysis of its unfolding narrative, enabling us to consider what happens to the viewer as he or she watches the film, and to think afresh about questions of spectatorship, Hollywood narrative codes, psycho-analysis, editing and shot composition.  In his introduction to the new edition, Henry K. Miller presents A Long Hard Look at 'Psycho' as the culmination of Durgnat's decades-long campaign to correct what he called film studies' 'Grand Error'. In the course of expounding Durgnat's root-and-branch challenge to our inherited shibboleths about Hollywood cinema in general and Hitchcock in particular, Miller also describes the eclectic intellectual tradition to which Durgnat claimed allegiance. 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A mixture of fiction and autobiography, it is the story of Henry V. Miller who works for the Cosmodemonic telegraph company in New York in the 1920s and tries to write the most important work of literature that was ever published. Tropic of Capricorn paints a dazzling picture of the life of the writer and of New York City between the wars: the skyscrapers and the sewers, the lust and the dejection, the smells and the sounds of a city that is perpetually in motion, threatening to swallow everyone and everything.  'Literature begins and ends with the meaning of what Miller has done' Lawrence Durrell   'The only imaginative prose-writer of the slightest value who has appeared among the English-speaking races for some years past' George Orwell   'The greatest American writer' Bob Dylan   Henry Miller (1891-1980) is one of the most important American writers of the 20th century. 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