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Through the imaginations of our childhoods, can we find our true selves liberated in adulthood?\"\u003c\/p\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cp\u003e--Chelsea Handler\u003c\/p\u003e \u003cp\u003eIn her debut children's book, Rebecca Solnit reimagines a classic fairytale with a fresh, feminist Cinderella and new plot twists that will inspire young readers to change the world, featuring gorgeous silhouettes from Arthur Rackham on each page.\u003c\/p\u003e \u003cp\u003eIn this modern twist on the classic story, Cinderella, who would rather just be Ella, meets her fairy godmother, goes to a ball, and makes friends with a prince. But that is where the familiar story ends. 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In it, she makes a radical case for hope as a commitment to act in a world whose future remains uncertain and unknowable. Drawing on her decades of activism and a wide reading of environmental, cultural, and political history, Solnit argued that radicals have a long, neglected history of transformative victories, that the positive consequences of our acts are not always immediately seen, directly knowable, or even measurable, and that pessimism and despair rest on an unwarranted confidence about what is going to happen next. 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She ventures into territories as dark as prison and as sublime as a broad vista, revealing beauty in the harshest landscape and political struggle in the most apparently serene view. Her introduction sets the tone and the book's overarching themes as she describes Thoreau, leaving the jail cell where he had been confined for refusing to pay war taxes and proceeding directly to his favorite huckleberry patch.In this way she links pleasure to politics, brilliantly demonstrating that the path to paradise has often run through prison. These startling insights on current affairs, politics, culture, and history, always expressed in Solnit's pellucid and graceful prose, constantly revise our views of the otherwise ordinary and familiar. 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