{"title":"Shierry Weber Nicholsen","description":null,"products":[{"product_id":"exact-imagination-late-work-book-shierry-weber-nicholsen-9780262640404","title":"Exact Imagination, Late Work","description":"\u003cp\u003e\u003cb\u003eIn \u003ci\u003eExact Imagination, Late Work\u003c\/i\u003e, Shierry Weber Nicholsen begins the process of appropriating Adorno through the centrality of the aesthetic dimension.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eUntil now, most English-language writing on Adorno has attempted to place him in various contexts and to differentiate him from other thinkers. Such work, while important, masks our failure to imaginatively appropriate Adorno's ideas. In \u003ci\u003eExact Imagination, Late Work\u003c\/i\u003e, Shierry Weber Nicholsen begins the process of appropriation through the centrality of the aesthetic dimension.\u003c\/p\u003e\u003cp\u003eAdorno uses the term exact imagination to describe nondiscursive rationality. Exact imagination, which is the opposite of creative imagination, marks the conjunction of knowledge, subjective experience, and aesthetic form. Unlike exact imagination, late work is characterized by the disjunction of subjectivity and objectivity.\u003c\/p\u003e\u003cp\u003eExact imagination and late work mark the bounds of Nicholsen's exploration. The five interlocked essays, based on material from Adorno's aesthetic writings, take up such issues as subjective aesthetic experience, the historicity of artworks and our experience of them, Adorno's conception of language, the nature of configurational or constellational form in Adorno's work, and the relation between the artwork, aesthetic experience, and philosophy. A subtext is the unraveling of Adorno's use of the ideas of his colleague Walter Benjamin. Nicholsen's essays themselves can be perceived as a constellation of their own around the central issue of the inseparability of form in its aesthetic dimension and nondiscursive rationality.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50044879733009,"sku":"GOR010171810","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50347515379985,"sku":"CIN0262640406G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51069859037457,"sku":"CIN0262640406VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262640406.jpg?v=1750812071"},{"product_id":"exact-imagination-late-work-book-shierry-weber-nicholsen-9780262140621","title":"Exact Imagination, Late Work","description":"\u003cp\u003e\u003cb\u003eIn \u003ci\u003eExact Imagination, Late Work\u003c\/i\u003e, Shierry Weber Nicholsen begins the process of appropriating Adorno through the centrality of the aesthetic dimension.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eUntil now, most English-language writing on Adorno has attempted to place him in various contexts and to differentiate him from other thinkers. Such work, while important, masks our failure to imaginatively appropriate Adorno's ideas. In \u003ci\u003eExact Imagination, Late Work\u003c\/i\u003e, Shierry Weber Nicholsen begins the process of appropriation through the centrality of the aesthetic dimension.\u003c\/p\u003e\u003cp\u003eAdorno uses the term exact imagination to describe nondiscursive rationality. Exact imagination, which is the opposite of creative imagination, marks the conjunction of knowledge, subjective experience, and aesthetic form. Unlike exact imagination, late work is characterized by the disjunction of subjectivity and objectivity.\u003c\/p\u003e\u003cp\u003eExact imagination and late work mark the bounds of Nicholsen's exploration. The five interlocked essays, based on material from Adorno's aesthetic writings, take up such issues as subjective aesthetic experience, the historicity of artworks and our experience of them, Adorno's conception of language, the nature of configurational or constellational form in Adorno's work, and the relation between the artwork, aesthetic experience, and philosophy. A subtext is the unraveling of Adorno's use of the ideas of his colleague Walter Benjamin. Nicholsen's essays themselves can be perceived as a constellation of their own around the central issue of the inseparability of form in its aesthetic dimension and nondiscursive rationality.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50347467342097,"sku":"CIN0262140624G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262140624.jpg?v=1750909252"},{"product_id":"love-of-nature-and-the-end-of-the-world-book-shierry-weber-nicholsen-9780262140768","title":"The Love of Nature and the End of the World","description":"\u003cp\u003e\u003cb\u003eA psychological exploration of how the love of nature can coexist in our psyches with apathy toward environmental destruction.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eVirtually everyone values some aspect of the natural world. Yet many people are surprisingly unconcerned about environmental issues, treating them as the province of special interest groups. Seeking to understand how our appreciation for the beauty of nature and our indifference to its destruction can coexist in us, Shierry Weber Nicholsen explores dimensions of our emotional experience with the natural world that are so deep and painful that they often remain unspoken. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eThe Love of Nature and the End of the World\u003c\/i\u003e is a gathering of meditations and collages. Its evocations of our emotional attachment to the natural world and the emotional impact of environmental deterioration are meant to encourage individual and collective reflection on a difficult dilemma. Nicholsen draws on work in environmental philosophy and ecopsychology; the writings of psychoanalytic thinkers such as Wilfred Bion, Donald Meltzer, and D. W. Winnicott; and ideas from Buddhist and Sufi traditions. She shows how our emotional responses to the vulnerabilities of the natural world range from intense caring and compassion, through grief and outrage, to diffuse depression. Individual chapters focus on silence and the process whereby we move from the unspoken to the spoken, the love of nature, the perceptual reciprocity with the natural world to which we might mature, beauty in the human and natural realms, the psychological impact of the destruction of the natural world, and reflections on the future.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50623992004881,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50623992103185,"sku":"GOR006905645","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262140764.jpg?v=1751324142"},{"product_id":"love-of-nature-and-the-end-of-the-world-book-shierry-weber-nicholsen-9780262640510","title":"The Love of Nature and the End of the World","description":"\u003cp\u003e\u003cb\u003eA psychological exploration of how the love of nature can coexist in our psyches with apathy toward environmental destruction.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eVirtually everyone values some aspect of the natural world. 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