{"title":"Susan Leigh Foster","description":null,"products":[{"product_id":"reading-dancing-book-susan-leigh-foster-9780520063334","title":"Reading Dancing","description":"Borrowing from contemporary semiotics and post-structuralist criticism, Foster outlines four models for representation in dance which are illustrated through an analysis of the works of contemporary choreographers and through historical examples beginning with court ballets of the Renaissance.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49646327005457,"sku":"GOR003770217","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":51415915266321,"sku":"CIN0520063333G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ WELL_READ \/ SBYB","offer_id":53194805543185,"sku":"CIN0520063333A","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0520063333.jpg?v=1750943343"},{"product_id":"move-choreographing-you-book-susan-leigh-foster-9781853322822","title":"Move - Choreographing You","description":null,"brand":"WoB","offers":[{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":50024617148689,"sku":"GOR013839226","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50321606836497,"sku":"GOR007330155","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1853322822.jpg?v=1750996411"},{"product_id":"choreographing-history-book-susan-leigh-foster-9780253209351","title":"Choreographing History","description":"\". . . I have used essays from the book to help dance graduate students push their thinking beyond the studio and their own physical experience and to realize the varied resources, approaches, and theoretical positions possible in writing about the body.\" —Dance Research Journal  \"Choreographing History . . . assembles an impressive diversity of sites, disciplines and critical approaches . . . [and] includes not only historical bodies and discourses, but also the very bodies of the historians themselves.\" —Parachute  \"This volume is not only full of gems (the very lineup of preeminent scholars is impressive), but is also a neat cross-section of the academic conventions and mannerisms of our time.\" —Dance Chronicle  \". . . [an] important step. . . in the ineluctable dance by postmodern historians across a bridge that spans the gaps among disciplines, between theory and practice, and betweeen present and past.\" —Theatre Journal  Historians of science, sexuality, the arts, and history itself focus on the body, merging the project of writing about the body with theoretical concerns in the writing of history.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50346303389969,"sku":"CIN0253209358G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51743971574033,"sku":"CIN0253209358VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":52607562842385,"sku":"GOR007393576","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0253209358.jpg?v=1752316918"},{"product_id":"dances-that-describe-themselves-book-susan-leigh-foster-9780819565518","title":"Dances that Describe Themselves","description":"During an improvised performance, both dancers and audience members reflect on how the dance is being made. They ask themselves: What will happen next? What choices will each dancer make? And how will these decisions contribute to the overall effect and significance of the performance?   Trained as a jazz pianist, Richard Bull did not uphold the opposition often found in dance between improvisation and composition. Instead, he believed that dancers, like jazz musicians, could craft a piece spontaneously in performance. Analyzing performances by Bull and many of his contemporaries, Susan Foster argues that their diverse practices embody distinctive values representative of different artistic communities, yet they all share a capacity to reflect on their own making, in a sense, describing themselves.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51612638937361,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":51612639002897,"sku":"CIN0819565512G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0819565512.jpg?v=1750947190"},{"product_id":"knowing-as-moving-book-susan-leigh-foster-9781478028901","title":"Knowing As Moving","description":"In Knowing as Moving, Susan Leigh Foster theorizes how the act of moving in and through the world creates the potential for individual and collective bodies to connect. Starting from the assertion that knowing takes place through bodily movement, Foster moves away from the Western philosophical traditions of dance, critiquing the Cartesian mind\/body duality and its colonizing politics. She draws on Native and Indigenous studies, ecological cognitive science, disability studies, phenomenology, and new materialism to explore how knowledge is neither static nor storable. Thinking is a physical action and the product of an entire neuromuscular system with its mobile postural and gestural configurations, perceptual systems, and brain activity. Foster outlines how reading, examining, talking, and remembering are all forms of moving and contends that any process of knowing establishes one’s identity and relationality. By focusing on the centrality of bodily movement to thought and self, she contributes a decolonial critique of the study of knowledge and being. In so doing, Foster replaces the Cartesian colonial “I think therefore I am,” with a decolonial “I move and therefore I know.”","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52750390034705,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":52750390427921,"sku":"NIN9781478028901","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781478028901.jpg?v=1763552943"},{"product_id":"knowing-as-moving-book-susan-leigh-foster-9781478032144","title":"Knowing As Moving","description":"In Knowing as Moving, Susan Leigh Foster theorizes how the act of moving in and through the world creates the potential for individual and collective bodies to connect. Starting from the assertion that knowing takes place through bodily movement, Foster moves away from the Western philosophical traditions of dance, critiquing the Cartesian mind\/body duality and its colonizing politics. She draws on Native and Indigenous studies, ecological cognitive science, disability studies, phenomenology, and new materialism to explore how knowledge is neither static nor storable. Thinking is a physical action and the product of an entire neuromuscular system with its mobile postural and gestural configurations, perceptual systems, and brain activity. Foster outlines how reading, examining, talking, and remembering are all forms of moving and contends that any process of knowing establishes one’s identity and relationality. By focusing on the centrality of bodily movement to thought and self, she contributes a decolonial critique of the study of knowledge and being. In so doing, Foster replaces the Cartesian colonial “I think therefore I am,” with a decolonial “I move and therefore I know.”","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52750395015441,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":52750395179281,"sku":"NIN9781478032144","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781478032144.jpg?v=1763552974"},{"product_id":"choreography-and-narrative-book-susan-leigh-foster-9780253212160","title":"Choreography and Narrative","description":"The first critical history of French ballet that illuminates relations of politics, spectacle, gender, and narrative.","brand":"WoB","offers":[{"title":"GB \/ GOOD \/ INTERNAL","offer_id":52996769317137,"sku":"GOR007904060","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":53026892710161,"sku":"GOR002219905","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780253212160.jpg?v=1767704402"}],"url":"https:\/\/www.worldofbooks.com\/de-ch\/collections\/autor-buecher-von-susan-leigh-foster.oembed","provider":"World of Books ","version":"1.0","type":"link"}