{"title":"Medievalism","description":"\u003cp\u003eDelve into Medievalism with our curated collection. Explore historical fiction, Arthurian legends, and scholarly analyses that bring the Middle Ages to life. Perfect for history buffs and fantasy enthusiasts alike.\u003c\/p\u003e","products":[{"product_id":"comic-medievalism-book-louise-d-arcens-9781843844785","title":"Comic Medievalism","description":"First full-length critical study of humour in medievalism.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49509323473169,"sku":"GOR013406555","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52475114062097,"sku":"NLS9781843844785","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":53010533777681,"sku":"NIN9781843844785","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1843844788.jpg?v=1751345991"},{"product_id":"medievalism-a-critical-history-book-david-matthews-9781843844549","title":"Medievalism: a Critical History","description":"An accessibly-written survey of the origins and growth of the discipline of medievalism studies.  The field known as \"medievalism studies\" concerns the life of the Middle Ages after the Middle Ages. Originating some thirty years ago, it examines reinventions and reworkings of the medieval from the Reformation to postmodernity,from Bale and Leland to HBO's Game of Thrones. But what exactly is it? An offshoot of medieval studies? A version of reception studies? Or a new form of cultural studies? Can such a diverse field claim coherence? Should it be housed in departments of English, or History, or should it always be interdisciplinary?  In responding to such questions, the author traces the history of medievalism from its earliest appearances in the sixteenth century to the present day, across a range of examples drawn from the spheres of literature, art, architecture, music and more. He identifies two major modes, the grotesque and the romantic, and focuses on key phases of the development of medievalism in Europe: the Reformation, the late eighteenth century, and above all the period between 1815 and 1850, which, he argues, represents the zenith of medievalist cultural production. He also contends that the 1840s were medievalism's one moment of canonicity in several European cultures at once. After that, medievalism became a minority form, rarely marked with cultural prestige, though always pervasive and influential.  Medievalism: a Critical History scrutinises several key categories - space, time, and selfhood - and traces the impact of medievalism on each. It will be the essential guide to a complex and still evolving field of inquiry.    David Matthews is Professor of Medieval and Medievalism Studies at the University of Manchester.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49733987893521,"sku":"NGR9781843844549","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50881209991441,"sku":"GOR009848532","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51055022309649,"sku":"NIN9781843844549","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":51915541381393,"sku":"CIN1843844540G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52410310525201,"sku":"NLS9781843844549","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":53627882963217,"sku":"CIN1843844540VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1843844540.jpg?v=1751436748"},{"product_id":"medievalism-key-critical-terms-book-elizabeth-emery-9781843844556","title":"Medievalism: Key Critical Terms","description":"Definitions of key words and terms for the study of medievalism.  The discipline of medievalism has produced a great deal of scholarship acknowledging the \"makers\" of the Middle Ages: those who re-discovered the period from 500 to 1500 by engaging with its cultural works, seeking inspiration from them, or fantasizing about them. Yet such approaches - organized by time period, geography, or theme - often lack an overarching critical framework. This volume aims to provide such a framework, by calling into question the problematic yet commonly accepted vocabulary used in Medievalism Studies. The contributions, by leading scholars in the field, define and exemplify in a lively and accessible style the essential terms used when speaking of the later reception of medieval culture.    The terms: Archive, Authenticity, Authority, Christianity, Co-disciplinarity, Continuity, Feast, Genealogy, Gesture, Gothic, Heresy, Humor, Lingua, Love, Memory, Middle, Modernity, Monument, Myth, Play, Presentism, Primitive, Purity, Reenactment, Resonance, Simulacrum, Spectacle, Transfer, Trauma, Troubadour    Elizabeth Emery is Professor of French and Graduate Coordinator at Montclair State University (Montclair, NJ, USA); Richard Utz is Chair and Professor of Medievalism Studies in the School of Literature, Media, and Communication at Georgia Tech (Atlanta, GA, USA).     Contributors: Nadia Altschul, Martin Arnold, Kathleen Biddick, William C. Calin, Martha Carlin, Pam Clements, Michael Cramer, Louise D'Arcens, Elizabeth Emery, Elizabeth Fay, Vincent Ferré, Matthew Fisher, Karl Fugelso, Jonathan Hsy, Amy S. Kaufman, Nadia Margolis, David Matthews,Lauryn S. Mayer, Brent Moberly, Kevin Moberly, Gwendolyn Morgan, Laura Morowitz, Kevin D. 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One of the most difficult and complex ethical and cultural codes to define, chivalry has proved a flexible, ever-changing phenomenon, constantly adapted in the hands of medieval knights, Renaissance princes, early modern antiquarians, Enlightenment scholars, modern civic authorities, authors, historians and re-enactors. This book explores the rich variations in how the Middle Ages were conceptualised and historicised to illuminate the plurality of uses of the past. Using chivalry as a lens through which to examine concepts and uses of the medieval, it provides a critical assessment of the ways in which medieval chivalry became a shorthand to express contemporary ideals, powerfully demonstrating the ways in which history could be appropriated. The chapters combine attention to documentary evidence with what material culture can tell us, in particular using the built environment and the landscape as sources to understand how the medieval past was renegotiated. With contributions spanning diverse geographic regions and periods, it redraws current chronological boundaries by considering medievalism from the late Middle Ages to the present.    Katie Stevenson is Senior Lecturer in Late Mediaeval History and Director of the Institute of Scottish Historical Research at the University of St Andrews; Barbara Gribling is a Junior Research Fellow in the Department of History at Durham University.    Contributors: David W. Allan, Stefan Goebel, Barbara Gribling, Steven C. Hughes, Peter N. 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All these questions are related to a larger one that nineteenth-century Britons asked themselves: which was more fun: living in their own time, or living in the Middle Ages? While Britain was becoming the most industrially-advanced nation in the world, many vaunted the superiority of the present to the past-yet others felt that if shadows of past ways of life haunted the present, they were friendly ghosts.  This book explores such ghosts and how real or imagined remnants of medieval celebration in a variety of forms created a cultural idea of the Middle Ages. As Britons found, or thought that they found, traces of the medieval in traditions tied to times of the year, medievalism became not only the justification but also the inspiration for community festivity, from Christmas and Boxing Day through Maytime rituals to Hallowe'en, as show in the writings of amongst many others Keats, Browning and Dickens.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49744778395921,"sku":"NGR9781843846826","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52530768314641,"sku":"NLS9781843846826","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1843846829.jpg?v=1751439797"},{"product_id":"medievalism-in-nineteenth-century-belgium-book-simon-john-9781783277636","title":"Medievalism in Nineteenth-Century Belgium","description":"This study of the monument of Godfrey of Bouillon offers new insights to the political uses of public monuments devoted to figures from the past, modern uses and appropriations of the Middle Ages, and the role of historical culture in the creation of national identity.  On 15 August 1848, a bronze equestrian statue of the crusading hero Godfrey of Bouillon (d.1100) was unveiled in the Place Royale in Brussels, Belgium's capital. Conceived and largely funded by the national government, its creation was a major element in a programme of political and cultural consolidation put into place after the Belgian Revolution (1830-1831) and the consequent establishment of the nation's independence. From the outset, the monument was designed to transmit ideas about history and nationhood, and functioned as a focal point in discussions of politics, language, religion and identity.   This book sheds new light on a range of dynamics in nineteenth-century Belgium, using the statue as a prism; it investigates responses to it both home and abroad, and traces broader national interest in the commemoration of Godfrey, adopted as a national hero despite being born almost 800 years before the emergence of the state. Above all, it reveals that Belgian politics and culture in this period were profoundly shaped by a sustained interest in the Middle Ages, and by efforts to shape a historical narrative that traced Belgian nationhood back to that era, and beyond.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49746372755729,"sku":"NGR9781783277636","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52670883856657,"sku":"NLS9781783277636","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1783277637.jpg?v=1751411260"},{"product_id":"national-medievalism-in-the-twenty-first-century-book-matthias-d-berger-9781843846574","title":"National Medievalism in the Twenty-First Century","description":"How ideas and ideals of an imagined, protean, national Middle Ages have once again become a convergence point for anxieties about politics, history and cultural identity in our time - and why.  After a period of abeyance, the link forged in the nineteenth century between the Middle Ages and national identity is increasingly being reclaimed, with numerous groups and individuals mining an imagined medieval past to present ideas and ideals of modern nationhood. Today's national medievalism asserts itself at the interface of culture and politics: in literature and television programming, in journalism and heritage tourism, and in the way political actors of various stripes use a deep past that supposedly proves the nation's steady exceptionalism in a hectic globalised world.  This book traces these ongoing developments in Switzerland and Britain, two countries where the medieval past has recently been much invoked in negotiations of national identity, independence and Euroscepticism. Through comparative analysis, it explores examples of reemerging stories of national exceptionalism - stories that, ironically, echo those of other nations. The author analyses depictions of Robert the Bruce and Wilhelm Tell; medievalism in the discourse surrounding Brexit as well as at the Welsh Senedd; novels like Paul Kingsnorth's The Wake; community-based art such as the Great Tapestry of Scotland; and elaborate public commemorations of Swiss victories (and defeats) in battle. Basing his critical readings in current theories of cultural memory, heritage and nationalism, the author explores how the protean national Middle Ages have once again become a convergence point for anxieties about politics, history and cultural identity in our time - and why.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49757655105809,"sku":"NGR9781843846574","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52530758353169,"sku":"NLS9781843846574","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1843846578.jpg?v=1751059986"},{"product_id":"chivalry-and-the-medieval-past-book-katie-stevenson-9781843839231","title":"Chivalry and the Medieval Past","description":"An examination of the ways in which the fluid concept of \"chivalry\" has been used and appropriated after the Middle Ages.  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With contributions spanning diverse geographic regions and periods, it redraws current chronological boundaries by considering medievalism from the late Middle Ages to the present.    Katie Stevenson is Senior Lecturer in Late Mediaeval History and Director of the Institute of Scottish Historical Research at the University of St Andrews; Barbara Gribling is a Junior Research Fellow in the Department of History at Durham University.    Contributors: David W. Allan, Stefan Goebel, Barbara Gribling, Steven C. Hughes, Peter N. 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But with the possible exception of Edward II, Jarman's films have not been identified to date as making a major contribution to the depiction of the Middle Ages in cinema.   This book is the first to uncover a rich seam of medievalism in Jarman's art. Taking in major features such as Caravaggio, The Garden and The Last of England, as well as some of the unrealised screenplays and short experimental films, the book proposes an expanded definition of medieval film that includes not just worksset in or about the Middle Ages, but also projects inspired more broadly by the period. It considers Jarman's engagement with Anglo-Saxon poetry (notably The Wanderer); with works by fourteenth-century poets such as Chaucer, Dante and Langland; with saints and mystics from Joan of Arc to Julian of Norwich; and with numerous paintings, buildings and objects from this so-called \"middle\" time.  Organised around several key themes - periodisation,anachronism, ruins and wandering - the book also asks what happens when (with Jarman, but also more broadly) we think the categories \"medieval\" and \"modern\" together. As such, it will be of interest to film scholars, art historians and medievalists of all stripes who wish to rattle the temporal cages of their fields.    ROBERT MILLS is Professor of Medieval Studies at University College London.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50720447987985,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50720448151825,"sku":"GOR012227542","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51565618495761,"sku":"NGR9781843844938","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":53037006553361,"sku":"NIN9781843844938","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1843844931.jpg?v=1751280624"},{"product_id":"medievalism-politics-and-mass-media-book-andrew-b-r-elliott-9781843844631","title":"Medievalism, Politics and Mass Media","description":"An exploration of how the Middle Ages are manipulated ideologically in today's communication.  In 2001, George Bush provoked global uproar by describing the nascent War on Terror as a \"Crusade\". His comments, however, were welcomed by Al-Qaeda, who had long been describing Western powers in precisely the same terms, as modern Crusaders once again invading the Middle East. Ten years later in 2011, Anders Behring Breivik launched a tragic attack in Norway, killing 77 unarmed civilians, mostly teenagers. Breivik saw himself as a Templar Knight, a member of a group of knights allegedly resurrected in London in 2002 by one \"Lionheart\". Later investigations suggested that the blogger, Lionheart, might have had links to the right-wing, anti-Muslim, English Defence League and otherso-called \"counterjihad\" blogging networks decrying an Islamic invasion of Europe.  Though extreme examples, these cases all share a crucial detail: the framing of current political issues in terms of recognisable medieval precedents. In the widespread use of medievalism across social- and mass-media channels, it is clear that such political medievalisms are not intended as a specific reference to a historical precedent, but as a use of the past for modern concerns. The argument of this book is that we need new ways of analysing this kind of medievalism; extending far beyond the concept of anachronism or inaccuracy, references to Crusades, Templars and Vikings affect the way weunderstand our world. Using theories of communication and media studies to examine popular medievalism, the author investigates what effect such medieval terminology can have on a mass-mediated audience and on the understanding of the Middle Ages in general.    ANDREW B.R. 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Games with a medieval setting are commercially lucrative and reach a truly massive audience. Moreover, they can engage their players in a manner that is not only different, but in certain aspects, more profound than traditional literary or cinematic forms of medievalism. However, although it is important to understand the versions of the Middle Ages presented by these games, how players engage with these medievalist worlds, and why particular representational trends emerge in this most modern medium, there has hitherto been little scholarship devoted to them.   This book explores the distinct nature of medievalism in digital games across a range of themes, from the portrayal of grotesque yet romantic conflict to conflicting depictions of the Church and religion. It likewise considers the distinctions between medievalist games and those of other periods, underlining their emphasis on fantasy, roleplay and hardcore elements, and their consequences for depictions of morality, race, gender and sexuality. Ultimately the book argues that while medievalist games are thoroughly influenced by medievalist and ludic tropes, they are nonetheless representative of a distinct new form of medievalism. It engages with the vast literature surrounding historical game studies, game design, and medievalism, and considers hundreds of games from across genres, from Assassin's Creed and Baldur's Gate to Crusader Kings and The Witcher series. 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The essays collected here, informed by approaches from Global Studies and the critical discourse on the concept of a \"Global Middle Ages\", explore the many facets of contemporary medievalism: post-colonial responses to the enforced dissemination of Western medievalisms, attempts to retrieve pre-modern cultural traditions that were interrupted by colonialism, the tentative forging of a global \"medieval\" imaginary from the world's repository of magical tales and figures, and the deployment across borders of medieval imagery for political purposes. The volume is divided into two sections, dealing with \"Local Spaces\" and \"Global Geographies\". The contributions in the first consider a variety of medievalisms tied to particular places across a broad geography, but as part of a larger transnational medievalist dynamic. 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He identifies two major modes, the grotesque and the romantic, and focuses on key phases of the development of medievalism in Europe: the Reformation, the late eighteenth century, and above all the period between 1815 and 1850, which, he argues, represents the zenith of medievalist cultural production. He also contends that the 1840s were medievalism's one moment of canonicity in several European cultures at once. After that, medievalism became a minority form, rarely marked with cultural prestige, though always pervasive and influential.  Medievalism: a Critical History scrutinises several key categories - space, time, and selfhood - and traces the impact of medievalism on each. It will be the essential guide to a complex and still evolving field of inquiry.    David Matthews is Professor of Medieval and Medievalism Studies at the University of Manchester.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51054940782865,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51054943469841,"sku":"NIN9781843843924","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52400885891345,"sku":"NLS9781843843924","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1843843927.jpg?v=1750930108"},{"product_id":"neomedievalism-popular-culture-and-the-academy-book-kelly-ann-fitzpatrick-9781843845416","title":"Neomedievalism, Popular Culture, and the Academy","description":"The medieval in the modern world is here explored in a variety of media, from film and book to gaming.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51055106687249,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51055109406993,"sku":"NIN9781843845416","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52151751147793,"sku":"NLS9781843845416","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":53496269504785,"sku":"GOR014946148","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/B09KVBYP1S.jpg?v=1764843970"},{"product_id":"subaltern-medievalisms-book-david-matthews-9781843845782","title":"Subaltern Medievalisms","description":"A fresh new approach to Victorian medievalism, showing it to be far from the preserve of the elite.  This book offers a challenge to the current study of nineteenth-century British medievalism, re-examining its general perception as an elite and conservative tendency, the imposition of order from above evidenced in the work of Walter Scott, in the Eglinton Tournament, and in endless Victorian depictions of armour-clad knights. Whilst some previous scholars have warned that medievalism should not be reduced to the role of an ideologically conservative discourse which always and everywhere had the role of either obscuring, ignoring, or forgetting the ugly truths of an industrialised modernity by appealing to a green and ordered Merrie England, there has been remarkably little exploration of liberal or radical medievalisms, still less of working-class medievalisms. Essays in this book question a number of orthodoxies. 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In 2001, George Bush provoked global uproar by describing the nascent War on Terror as a \"Crusade\". His comments, however, were welcomed by Al-Qaeda, who had long been describing Western powers in precisely the same terms, as modern Crusaders once again invading the Middle East. Ten years later in 2011, Anders Behring Breivik launched a tragic attack in Norway, killing 77 unarmed civilians, mostly teenagers. Breivik saw himself as a Templar Knight, a member of a group of knights allegedly resurrected in London in 2002 by one \"Lionheart\". Later investigations suggested that the blogger, Lionheart, might have had links to the right-wing, anti-Muslim, English Defence League and otherso-called \"counterjihad\" blogging networks decrying an Islamic invasion of Europe.  Though extreme examples, these cases all share a crucial detail: the framing of current political issues in terms of recognisable medieval precedents. In the widespread use of medievalism across social- and mass-media channels, it is clear that such political medievalisms are not intended as a specific reference to a historical precedent, but as a use of the past for modern concerns. The argument of this book is that we need new ways of analysing this kind of medievalism; extending far beyond the concept of anachronism or inaccuracy, references to Crusades, Templars and Vikings affect the way weunderstand our world. 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There is a deep-seated preoccupation in North America with the cultures of the European Middle Ages, but despite the insightful conversations that have developed between medieval and postcolonial studies, this phenomenon remains underexplored. This book considers these New World medievalisms, from the links between New World colonization and Christian crusades to the medievalisms endemic to contemporary cultural productions, such as Game of Thrones, demonstrating how European figures and narratives have functioned to rationalize Euro-American colonial efforts.   Each of the chapters takes up a period of British colonial or U.S. cultural history, with an eye to how authors of that period depict, refer to and imagine the medieval. Topics range from the remarkable popularity throughout American literary history of Miguel Cervantes's Don Quixote to the role the Norman Conquest of Britain played in the British-American colonial cultural imaginary. 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At the intersection of the twin fields of medievalism and reception studies is the timely and fascinating question of how a contested past is deployed in the context of a conflicted and contradictory present. Despite their shared roots and a fundamental orientation towards the entanglement of past and present, the term \"reception\" is rarely taken up in medievalist scholarship, and they have developed along parallel but divergent lines, evolving their own emphases, problematics, sensibilities, vocabularies, and critical tools.   This book is the first to reunite these two fields. Its introduction and first chapter clearly set out their tangled intellectual and disciplinary histories. The ten essays that follow reflect upon the relationship between medievalism and reception in theory and in practice, through thematically, temporally, and geographically expansive case studies, engaging with theories of translation, postcolonialism, fan studies, persona studies, and Indigenous studies. 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How do words come to mean what they mean, and how can we hope to use them precisely when they are constantly changing? The urge to find a word's meaning through its etymology is an old and enduring one, gaining new momentum in the nineteenth century as advocates of the so-called \"new philology\" argued that major revelations were to be found within the biographies of everyday expressions. Developing hand in hand with a growing national interest in all things \"Anglo-Saxon\", language study simultaneously seemed to offer a pathway to the roots of English culture and to illuminate human history on a grand scale.   Alfred Tennyson (1809-1892) came of age in the midst of this exploding popularity of both Anglo-Saxonism and philology, and he did so among men who were to be responsible for advancing both fields. This study places this preeminent Victorian poet in the context of the period's preoccupation with the history of language. 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Examining both books and programme from a range of critical approaches - medievalism theory, gender theory, queer theory, postcolonial theory, andrace theory - Dr Carroll analyzes how the drive for historical realism affects the books' and show's treatment of men, women, people of colour, sexuality, and imperialism, as well as how the author and showrunners discuss these effects outside the texts themselves. 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An excellent collection... breaks new ground in many areas. Should make a substantial impact on the discussion of the contemporary influence of Anglo-Saxon Culture. Conor McCarthy, author of Seamus Heaney and the Medieval Imagination    Britain's pre-Conquest past and its culture continues to fascinate modern writers and artists. From Henry Sweet's Anglo-Saxon Reader to Seamus Heaney's Beowulf, and from high modernism to themusclebound heroes of comic book and Hollywood, Anglo-Saxon England has been a powerful and often unexpected source of inspiration, antagonism, and reflection. The essays here engage with the ways in which the Anglo-Saxons and their literature have been received, confronted, and re-envisioned in the modern imagination. They offer fresh insights on established figures,  such as W.H. Auden, J.R.R. Tolkien, and David Jones, and on contemporary writers such asGeoffrey Hill, Peter Reading, P.D. James, and Heaney. 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Twenty-first-century popular culture has a fascination for the medieval. Its imagery, tropes and settings have become an integral part of the epic fantasy genre across different media, demonstrated by and following the success of such globally acclaimed television shows as Game of Thrones and Vikings. This volume studies this phenomenon, aiming to establish a broader understanding of why the Middle Ages have become so popular in an era of transmedia productions; it argues that concepts of accuracy and \"authenticity\" are key to this popularity, alongside engagement with contemporary debates about identity, race and gender, and agile responses to fan-community and media critiques. The essays address a variety of topics, from worldbuilding and narrative structures to female agency and the reception of Vikings, across a wide range of media, including film, television, literature, video games and manga. 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What does a maypole represent? Why eat hot cross buns? Did Dick Whittington have a cat? All these questions are related to a larger one that nineteenth-century Britons asked themselves: which was more fun: living in their own time, or living in the Middle Ages? While Britain was becoming the most industrially-advanced nation in the world, many vaunted the superiority of the present to the past-yet others felt that if shadows of past ways of life haunted the present, they were friendly ghosts.  This book explores such ghosts and how real or imagined remnants of medieval celebration in a variety of forms created a cultural idea of the Middle Ages. As Britons found, or thought that they found, traces of the medieval in traditions tied to times of the year, medievalism became not only the justification but also the inspiration for community festivity, from Christmas and Boxing Day through Maytime rituals to Hallowe'en, as show in the writings of amongst many others Keats, Browning and Dickens.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52755227607313,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":52755228393745,"sku":"NIN9781843845737","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781843845737.jpg?v=1763572785"},{"product_id":"middle-ages-in-computer-games-book-robert-houghton-9781843848233","title":"The Middle Ages in Computer Games","description":"Offers the most comprehensive analysis and discussion of medievalist computer games to date.   Games with a medieval setting are commercially lucrative and reach a truly massive audience. Moreover, they can engage their players in a manner that is not only different, but in certain aspects, more profound than traditional literary or cinematic forms of medievalism. However, although it is important to understand the versions of the Middle Ages presented by these games, how players engage with these medievalist worlds, and why particular representational trends emerge in this most modern medium, there has hitherto been little scholarship devoted to them.   This book explores the distinct nature of medievalism in digital games across a range of themes, from the portrayal of grotesque yet romantic conflict to conflicting depictions of the Church and religion. It likewise considers the distinctions between medievalist games and those of other periods, underlining their emphasis on fantasy, roleplay and hardcore elements, and their consequences for depictions of morality, race, gender and sexuality. Ultimately the book argues that while medievalist games are thoroughly influenced by medievalist and ludic tropes, they are nonetheless representative of a distinct new form of medievalism. It engages with the vast literature surrounding historical game studies, game design, and medievalism, and considers hundreds of games from across genres, from Assassin's Creed and Baldur's Gate to Crusader Kings and The Witcher series. 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From Disney princesses to Game of Thrones, medieval fairs to World of Warcraft, contemporary culture keeps finding new ways to reinvent and repackage the period. Medievalism itself, then, continues to evolve while it is also subject to technological advances, prominent invocations in political discourse, and the changing priorities of the academy. This has led some scholars to adopt the term \"neomedievalism\", a concept originating in part from the work of the late Umberto Eco, which calls for new avenues of inquiry into the ways we think about the medieval.    This book examines recent evolutions of (neo)medievalism across multiple media, from Tolkien's Lord of the Rings to the film Beowulf and medieval gaming. These evolutions can take the form of what one might consider to be pop culture objects of critique (art, commodity, amusement park, video game) or academic tools of critique (monographs, articles, lectures, university seminars). 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This collection of essays explores the evolving significance of the term, revealing how it has been constructed, contested, and reimagined from the early medieval period to the present day. Bringing together perspectives from history, literature, archaeology, and political thought from a non-Anglophone perspective, the contributors examine how Anglo-Saxon has been used to shape national identities, scholarly traditions, and social narratives across Europe.   From medieval chronicles to modern political discourse, this volume uncovers the many lives of a term that continues to spark debate. Addressed to scholars, students, and anyone interested in the power of historical narratives, this work invites us to reconsider not just a label, but the broader questions of heritage, identity, and belonging that it represents.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":53558635397393,"sku":"NGR9786156696717","price":0.0,"currency_code":"GBP","in_stock":false}]}],"url":"https:\/\/www.worldofbooks.com\/de-ch\/collections\/medievalism-buchreihe.oembed","provider":"World of Books ","version":"1.0","type":"link"}