{"title":"New World Studies","description":"\u003cp\u003eDelve into the captivating New World Studies collection, exploring history, culture, and society. Perfect for history enthusiasts and curious minds, discover fascinating perspectives on the Americas and beyond.\u003c\/p\u003e","products":[{"product_id":"idle-talk-deadly-talk-book-ana-navas-9780813941622","title":"Idle Talk, Deadly Talk","description":"Gossip - long derided and dismissed by writers and intellectuals - is far from frivolous. 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Tales of traversing this vast geography, with its singular landscape, have helped foster a sense of American exceptionalism. Examining three turning points that shaped exceptionalism in both Americas the late colonial and early Republican period, expansion into the frontier, and the Cold War John Ochoa pursues literary travelers across landscapes and centuries. At each historical crossroads, the nations of North and South invented or reinvented themselves in the shadow of empire. Travel accounts from these periods offered master narratives that shaped the notion of America's postimperial future.Fellow Travelers recounts the complex, on-the-road relationships between travelers such as Lewis and Clark, Alexander von Humboldt and Aimeì Bonpland, Huckleberry Finn and Jim, Kerouac's Sal Paradise and Dean Moriarty, and the Che Guevara and Alberto Granado of The Motorcycle Diaries. Such journeys reflect concerns far larger than their characters: tensions between the voices of the rugged individual and the democratic many, between the metropolis and the backcountry, and between the intimate and the vast. Working across national literatures, Fellow Travelers offers insight into a shared process of national reinvention and the construction of modern national imaginaries.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49739393302801,"sku":"NGR9780813946085","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52481684111633,"sku":"NLS9780813946085","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0813946085.jpg?v=1763222613"},{"product_id":"rum-histories-book-jennifer-poulos-nesbitt-9780813946597","title":"Rum Histories","description":"When you drink rum, you drink history. More than merely a popular spirit in the transatlantic, rum became a cultural symbol of the Caribbean. While rum is often dismissed as set dressing in texts about the region, the historical and moral associations of alcohol generally—and rum specifically—cue powerful stereotypes, from touristic hedonism to social degeneracy.   Rum Histories examines the drink in anglophone Atlantic literature in the period of decolonization to complicate and elevate the symbolic currency of a commodity that in fact reflects the persistence of colonialism in shaping the material and mental lives of postcolonial subjects.  As a product of the plantation and as an intoxicant, rum was a central lubricant of the colonial economy as well as of cultural memory. Discussing a wide spectrum of writing, from popular contemporary works such as Christopher Moore’s Fluke and Joseph O’Neill’s Netherland to classics by Michelle Cliff, V. S. Naipaul, and other luminaries of the Caribbean diaspora, Jennifer Nesbitt investigates how rum’s specific role in economic exploitation is muddled by moral attitudes about the consequences of drinking.   The centrality of alcohol use to racialized and gendered norms guides Nesbitt’s exploration of how the global commodities trade connects disparate populations across history and geography.   This innovative study reveals rum’s fascinating role in expressing the paradox of a postcolonial world still riddled with the legacies of colonialism.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49742417920273,"sku":"NGR9780813946597","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52453916311825,"sku":"NLS9780813946597","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/081394659X.jpg?v=1763478848"},{"product_id":"african-musicians-in-the-atlantic-world-book-mary-caton-lingold-9780813949789","title":"African Musicians in the Atlantic World","description":"Music, that fundamental form of human expression, is one of the most powerful cultural continuities fostered by enslaved Africans and their descendants throughout the Americas. The roots of so much of the music beloved around the world today are drawn directly from the men and women carried across the Atlantic in chains, from the west coast of Africa to the shores of the so-called New World. This important new book bridges African diaspora studies, music studies, and transatlantic and colonial American literature to trace the lineage of African and African diasporic musical life in the early modern period.  Mary Caton Lingold meticulously analyses surviving sources, especially European travelogues, to recover the lives of African performers, the sounds they created, and the meaning their musical creations held in Africa and later for enslaved communities in the Caribbean and throughout the plantation Americas. The book provides a rich history of early African sound and a revelatory analysis of the many ways that music shaped enslavement and colonisation in the Americas.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50177955692817,"sku":"CIN0813949785G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ GARDNERS","offer_id":50512111173905,"sku":"NGR9780813949789","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52451112321297,"sku":"NLS9780813949789","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":52984628019473,"sku":"CIN0813949785VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0813949785.jpg?v=1763479729"},{"product_id":"writing-rumba-book-miguel-arnedo-gomez-9780813925424","title":"Writing Rumba","description":"Arising in the heyday of the music recently made famous by the Buena Vista Social Club, Afrocubanismo was an artistic and intellectual movement in Cuba in the 1920s and 1930s that tried to convey a national and racial identity. Through poetry, this movement was the first serious attempt on the part of mostly white Cuban intellectuals to produce a national literature that incorporated elements from the Afro-Cuban traditions of lower-class urban blacks. One of its main objectives was to project an image of Cuban identity as a harmonious process of fusion between black and white people and cultures. The notion of a unified nation without racial conflicts and the idea of a mulatto Cuban culture and identity continue to play a prominent role in the Cuban imagination. The first book-length treatment of the poetry of this movement, \"\"Writing Rumba: The Afrocubanista Movement in Poetry\"\" questions the assumption that the poetry did manage to symbolize racial reconciliation and unification. At the same time, it reveals a process of literary transculturation by which the dominant literature of European origins was radically transformed through the incorporation of formal principles from Afro-Cuban dance and music forms. To make his case, Miguel Arnedo-Gomez establishes the nature of the movement's connections to Cuban blacks during this time, analyzes the poetry's links with the represented cultures on the basis of anthropological and ethnographic research, and explores the thought of leading figures of the movement, tying their discourse to specific sociocultural factors in Cuba at the time. Relating the poetry to music and dance, he further illuminates the interplay of power and culture in a social context. 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Exploring these and other questions, the author focuses on images of the \"\"mulata\"\" in 19th- and 20th-century Cuban poetry, fiction and visual arts. These images, she argues, are at the heart of Cuba's peculiar form of multiculturalism. \"\"Mestizaje\"\" and related cross-cultural paradigms that have developed in other parts of the Caribbean, in Hispanic America and Brazil, are controversially tied to nationalist interests and ideologies. But do they really mark the promise of a diverse cross-culture? Or do they constitute a form of ethnic \"\"lynching\"\"? According to Kutzinski, \"\"mestizaje\"\" in Cuba and elsewhere celebrates racial diversity, while at the same time refusing to acknowledge a historical reality of racial conflict. In \"\"Sugar's Secrets\"\", she examines traces of this fundamental paradox in Cuban literature and popular culture. The foundation of the author's argument is that Cuban \"\"mestizaje\"\" is a distinctly masculine concept. It articulates itself through the female racial stereotype of the \"\"mulata\"\", which becomes a symbol for the reconciliation of Spanish and African elements in Cuban culture. Women, especially non-white women, are excluded from this inter-racial vision of cultural and political bonding. Though \"\"mestizaje\"\" assumes heterosexual disguises, the unifying fiction it projects is often the product of male homoerotic desire, across racial lines. Kutzinski is interested in how the \"\"mulata\"\" has been used by Cuban cultural institutions, as well as by writers of various racial affiliations, either to maintain or expose that fiction. 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Border Fictions places into dialogue a variety of hemispheric perspectives from Chicana\/o, Asian American, American Indian, Latin American, and Canadian studies. Each chapter examines fiction that ranges widely, from celebrated authors such as Carlos Fuentes, Leslie Marmon Silko, and Alberto Ríos to writers whose contributions to border literature have not yet been fully appreciated, including Karen Tei Yamashita, Thomas King, Janette Turner Hospital, and emerging Chicana\/o writers of the U.S.-Mexico border.  Proposing a diverse and geographically expansive view of border and inter-American studies, Border Fictions links the work of these and numerous other authors to civil rights movements, environmental justice activism, struggles for land and border-crossing rights, as well as to anti-imperialist forms of nationalism in the United States’ neighboring countries. 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The modern image of the Bahamas as a carefree tourist oasis has its origins in much earlier cultural mythology: the first colonizers conceptualized the Caribbean as a place beyond time, beyond the real, and the region produced profit seemingly without work. Yet an Edenic experience was made possible only by the existence of the plantation - the very opposite of paradise for the Amerindians, whose homeland was colonized, and for those brought as slaves. Examining poetry, plays, novels, travelogues, magazine ads, postcards, posters, brochures, stamps, popular songs, paintings, and illustrations, Paradise and Plantation presents telling links between the myth of a Caribbean paradise and colonial ideologies and economics. Strachan considers the cultural, economic, and social effects of tourism's \"\"brochure discourse\"\" in the modern Caribbean, specifically in the Bahamas, and he enriches his discussion with a fascinating exploration of the ways postcolonial Caribbean writers such as V. S. Naipaul, Derek Walcott, Paule Marshall, Jamaica Kincaid, and Michelle Cliff have responded to the paradise-plantation dichotomy. The conspicuous disparity between the Caribbean's reputation as paradise and the stark social, economic, and political realities of the region is not news. Ian Strachan's genealogy of the paradise-plantation myth goes far beyond the established discourse in paradise studies, however, providing a new and interdisciplinary approach to further the discussion.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50388324811025,"sku":"GOR013935442","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52150274326801,"sku":"NLS9780813921471","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0813921473.jpg?v=1763478080"},{"product_id":"other-america-book-jmichael-dash-9780813917641","title":"The Other America","description":"This work explores two centuries of Caribbean literature from a comparative perspective. 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As a member of that emerging black lower middle class, Thomas was well known for his 1869 study of Trinidad's Creole language, as well as for Froudacity (1889), his pointed and witty response to the travel narrative of the Victorian James Anthony Froude, an early example of \"\"writing back to empire.\"\" Responding to Trinidad's transformation by significant migrations from the eastern Caribbean, West Africa, and the Indian subcontinent, he sought to \"\"tame\"\" the working-class energies that radicalized his work and to bring them in line with \"\"modern\"\" conceptions of the nation. As a defender of francophone cultural production in a British colony, though a loyal subject of Queen Victoria, and as a pan-Africanist whose commitments were simultaneously diasporic and local, Thomas complicates current discussions of colonial and postcolonial intellectuals, Black Atlantic paradigms, and Victorian intellectual life. In Creole Recitations, the first full-length study of Thomas, Faith Smith puts his texts in dialogue with other narratives by local and international Pan-Africanists, Victorian intellectuals, and local and regional blacks, coloreds, and whites. Shedding light on the intellectual terrain of the late nineteenth century, she provides an important context for better-known figures of twentieth-century Caribbean literature such as C. L. R. James, V. S. 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Luis Madureira addresses issues that so many post colonial theorists have struggled with, particularly the complex interactions and antagonisms between indigenous cultures and the imperial cultures imposed upon them and the effort to \"\"provincialize the West.\"\" Madureira's book diverges from existing critical texts, however, in crucial, thought-provoking ways. The specific literary traditions compared here - Brazilian modernism, negritude theory and poetry, as well as Caribbean literary theory and historical discourses in French, English, and Spanish - have not been brought together in a single study before. In addition, the book's theoretical model of comparison focuses on the complexities of colonial and post colonial identity and of nationhood and globalization, as well as on their agonistic engagement with Europe's enlightenment philosophy. \"\"Cannibal Modernities\"\" shows us it is precisely in those New World avant-garde movements that have been traditionally designated as imitative that the emergence of post-coloniality resides and, moreover, that Europe's foundational discourses of modernity are enabled and sustained by the very peoples and cultures that have been relegated to the margins by modernity.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50630675333393,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":50630677430545,"sku":"NGR9780813923758","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0813923751.jpg?v=1763221994"},{"product_id":"exhibiting-slavery-book-vivian-nun-halloran-9780813928654","title":"Exhibiting Slavery","description":"Exhibiting Slavery examines the ways in which Caribbean postmodern historical novels about slavery written in Spanish, English, and French function as virtual museums, simultaneously showcasing and curating a collection of 'primary documents' within their pages. 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